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Psychological effects of depression
Virginia woolf woman and fiction
Virginia woolf woman and fiction
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In Michael Cunningham’s The Hours Virginia Woolf, Laura Brown and Clarissa Dalloway’s lives have a common undertone. In each story the three women are forced to confront one of society’s most controversial topics: mental illness. Mental illness is such a controversial topic mainly in part from fear. Many people in today’s society fear the unknown, they fear that in which they do not fully understand; mental illnesses such as depression and schizophrenia. Michael Cunningham shows a different side of mental illnesses using Virginia, Laura and Clarissa to convey his message: Mental illness is something that is not a one dimensional kind of issue.
In Cunningham’s The Hours, Virginia Woolf and Laura Brown both suffer depression. In today’s society doctors are able to properly diagnose and treat many forms of depression, one of which Virginia suffers from. Virginia shows little interest in eating and goes as far as to lie to her husband, Leonard about eating breakfast. When Leonard calls her on her lie, Virginia simply tells him, “I’m having coffee with cream for breakfast. It’s enough” (Cunningham, 33). Virginia also has very low self esteem, refusing to look into the mirrors while getting ready in the morning feeling as if, “The mirror is dangerous; it sometimes shows her the dark manifestation of air that matches her body, takes her form, but stands behind, watching her, with porcine eyes and wet, hushed breathing” (31). Even though Virginia recognizes that there is something slightly off about her behavior she continues to hide it from her friends and family, just like Laura Brown hides her depression from her son, Richie and her husband, Dan.
Laura Brown although suffering from depression like Virginia, has a different form of ...
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...cer, the depression worsened. For Virginia, the depression she suffered from became too much and in the prologue, her husband finds her suicide note but as the reader knows, Virginia has already drowned herself. Cunningham’s ability to show not only the different forms of depression, but the way it manifests into their everyday lives, shows the reader how mental illnesses, like depression are anything but one dimensional. Cunningham shows that illnesses such as depression are influenced by outside factors as well as past experiences and the individual’s brain chemistry.
Works Cited
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Chakaburtty, Amal. "Atypical Depression." 12 Sep 2009. n.pag. Depression Health Center. Web. 13 Nov 2011.
Cunningham, Michael. The Hours. New York: Picador USA, 1998. Print.
Tsuang, M. T., Faraone, S. V., & Glatt, S. J. (2011). Schizophrenia. New York: Oxford University Press.
In 1978, Susan Sheehan took an interest in Sylvia Frumkin, a schizophrenic who spent most of her life in and out of mental hospitals. For more than two years, Sheehan followed Sylvia around, observing when Sylvia talked to herself, sitting in on sessions with Sylvia’s doctors, and at times, sleeping in the same bed as Sylvia during her stay at the psychiatric centers. Through Sheehan’s intensive report on Sylvia’s life, readers are able to obtain useful information on what it’s like to live with this disorder, how impairing it can be for them, and the symptoms and causes to look out for; likewise, readers can get an inside look of how some mental hospitals are run and how a misdiagnosis can negatively impact someone’s life.
When first reading the gothic feminist tale, “The Yellow Wallpaper” written by Charlotte Perkins Gilman, one might assume this is a short story about a women trying to save her sanity while undergoing treatment for postpartum depression. Gilman herself had suffered post-natal depression and was encouraged to undergo the “rest cure” to cure her hysteria. The treatment prescribed to Gilman resulted in her having a very similar experience as the narrator in the short story. The “perfect rest” (648), which consisted of forced bed rest and isolation sparked the inspiration for “The Yellow Wallpaper.” This story involving an unreliable narrator, became an allegory for repression of women. In “The Yellow Wallpaper”, Gilman illustrates the seclusion and oppression of women in the nineteenth century society by connecting the female imprisonment, social and mental state, and isolation to the objects in and around the room.
"Schizophrenia." NIMH RSS. U.S. Department of Health and Human Services., n.d. Web. 28 Apr. 2014.
Duckworth M.D., Ken. “Schizophrenia.” NAMI.org. National Alliance on Mental Illness, Feb. 2007. Web. 28 March 2010.
Williamson, J. S. (2008). Depression. Phi Kappa Phi Forum, 88(1), 18-18, 24. Retrieved from http://search.proquest.com.library.capella.edu/docview/235187495?accountid=27965
4) Dealing with the Depths of Depression , Nordenberg, Liora. "Dealing with the Depths of Depression." HealingWell.com. 26 Oct. 2003, pp 4-6.
"Depression." NMH - Depression. National Institute of Mental Health. 1, 3. Web. 6 April 2014.
Burton, Neel. "The Anatomy of Melancholy: Can Depression Be Good for You?" Lecture. TEDx. Narodni Dom, Maribor. 12 Nov. 2013. Youtube. 2 Mar. 2012. Web. 12 Nov. 2013.
Tartakovsky, Margarita. “Bipolar Disorder Fact Sheet.” Psych Central. n.p. 2009. Web. (accessed Sept. 20, 2011).
Written in the 19th century, the short story titled "The Yellow Wallpaper," by Charlotte Perkins Stetson highlights how a mentally disturbed and misunderstood woman's condition degenerates into madness while under the care of her busy but caring husband. The story brings out pertinent issues in the care and treatment of mentally ill female patients during the 19th century. In a bid to comprehend the article thoroughly, the paper analyses the historical background of the short story by examining how isolation affects a person suffering from depression, and the role the wallpaper plays in worsening the condition of the woman in the story. The essay also analyses the treatment procedure of the mentally ill in the 19th century and discusses how
Mental illness is a debilitating disease that can wreak havoc on a person and, their family. Mental illness is also a major theme in Proof, and the readers see that the main characters display signs of mental illness. Robert’s mental illness, while never disclosed, affects his mind and the way he thinks. Catherine, on the other hand, may not have a problem with mental illness rather a problem with too much stress. Catherine has stress on her to take care of her father and to live up to his legacy. This stress is enough to affect long term mental stability and can change the way a person’s brain functions. The stress on Catherine could manifest itself into a mental illness like state.
Katon, W., and Sullivan, M. D., (1990) Depression and Chronic Mental Illness. Journal of Clinical Psychiatry, v.51. pgs. 8-19
Home, in contemporary literature, often plays an integral role often symbolizing security, unison, and support; although, things were not always this way. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts the all-too-real struggle many women faced in the nineteenth century and earlier. This short passage portrays the narrative of female intellectual oppression – an examination of nineteenth century social mores. The passage voices the common practice of diagnosing women with “rest cure” who displayed symptoms of depression and anxiety with a supposed treatment of lying in bed for several weeks, allowing no more than twenty minutes of intellectual application per day. Women, at this time, were considered to be the second sex – weaker and more fragile, unable to grapple the same daily activities as men – and such the “rest cure” prevents women from using any form of thinking, trusting the notion that naturally the female mind is empty. Not even were
National Institute of Mental Health. (2014). “Depression: What Every Woman Should Know”. Pub No. 95-3871.