Demeter the daughter of Cronus and Rhea was the goddess of harvest and fertility. The poet, Edith Hamilton, reveals the sorrow of a mother who has lost a child in the mythical "Demeter." The speaker laments on the consequences the natural cycles will receive due to this suffering Demeter is experiencing. Edith uses imagery of dry land and loss to express the agony a mother endures when losing a child. Furthermore, the speaker uses allusion to explain the consequences the society is suffering.
In the poem “Demeter,” an ancient myth retold by Edith Hamilton, celebrates on the agony a mother experiences when they lose a child. A mother love is unconditional and non forgotten. The speaker states the following, “The high hills echoed her cry and
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In the lines "Nothing grew; no seed sprang up; in vain the oxen drew plowshare through the furrows." These lines explain how the lost of her daughter are leading to lands to turn from green to dry. Furthermore, the speaker states at the beginning of the poem, “She withheld her gifts from the earth, which turned into a frozen desert. The green and flowering land was icebound and lifeless.” The speaker uses imagery to demonstrate the clear consequences Demeter sorrow is having on nature’s cycle. Nature’s cycle will not be correct until Demeter sorrow is fixed, those are the reasons to why we have a different cycles.
To further add, the speaker uses strong verbs such as ("screamed," "cried," "angered") describe a lifeless mother who prefers to be with her daughter rather than be living a life without her. The present state of Demeter emphases the negative and empty state of being one may be during a loss. Demeter is a goddess and as a goddess she should represent and help her people. Until Demeter torture is eliminate from her life, she will be able to be the goddess of harvest and
Hesiod suggests that the arrival of womankind is the sole cause of the world’s strife—including the necessity for both hard labor and reproduction. Her one redeeming quality is portrayed through the hope that remains in the jar after Pandora closes the lid, entrapped in the “unbreakable container” (Lombardo 26). This remaining Hope in the jar is symbolic of a woman’s uterus and her ability to bear children, and in turn provide her husband with an heir to his property (Fantham et al. 39). Raising these children properly was the next crucial duty of a mother, so that they may go forth and fulfill their respective duties just as their parents had before them. In relation to this, the Hymn to Demeter demonstrates the attachment a mother had to her children, because once the children were old enough to marry, the mother’s sole purpose in life had been completed. Demeter’s grief over having her daughter snatched away from her shows how difficult the transition was for
Aligning with Anna Comnena’s overall bias, the details in The Alexiad harbor a great deal of disdain for crusaders. The East versus West mentality is evident in the narrative through Comnena’s description of the Crusaders. She uses the names “Celt” and “Norman()” as derogatory describing the Crusaders as uncultured and “riotous().” With Byzantine bias she singles out the Normans especially with respect to Nicea where they “behaved the most cruelly to all (251).” Alexius, himself is written to fear their “unstable and mobile character (248)” which reiterates battles against Normans earlier in his life.
In Hesiod’s Theogony and the Homeric hymns, we see various mothers many of which are gods. Throughout these texts there is a repeated behavior displayed by mothers; by analyzing them and their behavior one can determine what the role of a mother consists of in these texts. The actions of Gaia, the earth, her daughter Rhea, and the goddess Demeter display some of the key characteristics that make up the role of a mother in these ancient texts.
Plot in line three was changed to garden. The feel was slightly changed in line three because while plot means, “A small piece of ground marked out for a purpose such as building or gardening” (oxforddictionaries.com). A garden is more specific. It is a plot set aside for the use of vegetation. Therefore, garden gives the poem more of feel for nature. Line four has three alterations. The first of which is changing rain to precipitation. The author’s use of nouns is better; since rain has a natural feel, and precipitation has more of a scientific feel. The author’s choice of green was better than my choice of vegetation again for the same reason as the last alteration. Green has more of a natural connotation than vegetation. Line four’s last switch was replacing the prepositional phrase “are gone” with “have receded.” The phrase “have receded” gives the feeling that something has fled slowly. Yet, the phrase, “are gone” just states that they/it are/is no longer
Being described as “like four goddesses” while Demeter herself is divine and yet, unrecognisable as such seems to hark back to their youth and beauty as a divine gift, while Demeter, in her grief, appears to lose divine status (Hymn to Demeter,108, 94-95, 108). Her grief is almost transformative, the lines “men nor… women recognised her when they looked” characterises grief as something that has made Demeter look human (Hymn to Demeter, 94-95). In travelling from Mount Olympus to earth, an action fuelled by her grief, she becomes a metaphor for a step-down in status from deity to mortal (Hymn to Demeter, 92-93). This reflects the implications of women losing their status as mothers and membership to a family in ancient Greece, when they either cannot bear children, or lose their children.
Demeter shows the theme of isolation when she disguises herself as an old woman of no childbearing and lives among the mortals, shunning herself from the gods and turning her grief into anger against Zeus. So when she arrives at Elusis, she take upon the duty of raising the child of Keleus and Meraneria, Demophoön. The part of the myth show Demeter's anger when she attempts to make Demophoön into a god. It symbolizes the fact the she is replacing a female child with a males, meaning...
For the most part of the poem she states how she believes that it is Gods calling, [Then ta’en away unto eternity] but in other parts of the poem she eludes to the fact that she feels more like her granddaughter was stolen from her [or sigh thy days so soon were terminate]. One of the main beliefs in these times was that when someone died it was their time; God needed them and had a better plan. Both poets found peace in the idea that God had the children now and it was part of the plan, but are also deeply saddened and used poetry as a coping mechanism.
Taylor, Kelly B. "Seasons of Death: The Eleusinian Rites of Demeter." Seasons of Death: The Eleusinian Rites of Demeter. N.p., 4 Dec. 1995. Web. 05 Dec. 2013.
The general symbolism relating to nature assumes a common base of knowledge from which symbolism can be built. The poem opens with a description of Arkansas: "Old crimes like moss pend/ from poplar trees./ The sullen earth/ is much too/ red for comfort." The first example of general symbolism in this passage is the reference to moss. Moss is considered the base of the forest, the lowest level from which all of the other plants grow. Although moss is vital to a forest, it is often thought of as slimy and dirty. The moss "pend(s) from poplar trees," our second natural symbol. The poplar tree is weak and useless. Nothing can be built from its wood, and it often bends and breaks during storms. The visual image of the moss clinging to the poplar tree shows the slimy moss as "old crimes" and the poplar tree as the frail attempt at growth and a new but weak beginning. The reader gets a clear sense of the struggle toward a new life that is hindered and held back by the old, dependable moss that has been and always will be present. The second part of the passage discusses the "sullen earth" that is "much too red." Red earth can be symbolic in two ...
Keats begins with the poem with a question, “O what can ail thee, knight-at-arms, alone and palely loitering?”. He does this to ask the “knight-at-arms” what has made him this weak, this pale, dying in a field somewhere and the knight’s answer takes up the rest of the poem. The imagery in my visual representation depicting a heart broken and weakened by the icy, deceptive lips of ‘femme fatale’ is both powerful and highly symbolic because it expresses the coldness and the deviousness of the deceptive witch that has weakened the knight. The icy cold lips of the witch symbolise her deceptive nature, and the way she tricks the knight into a deathly sleep, which is also visualised in my representation. His deathly sleep is also represented in a ‘before/after’ representation in which an image of the beautiful woman in the meadows is shown, and after his nightmare, the icy cold, desolate and dark hill side upon which the knight awakes is shown in the neighbouring image. The speaker says that the "sedge" have all died out from around the lake, and "no birds sing”. We can deduce that it 's autumn since all the birds have migrated, and the plants have “withered." The speaker continues to address this sick, depressed "knight at arms." He asks about the "lily" on the knight 's "brow," suggesting that the knight 's face is pale like a lily.
As societies grow and diversify, the need for cultural role models expands proportionally, and these roles are filled by mythological deities. One such cultural icon is the mother goddess, who nourishes and guides mankind throughout life. Mother Goddesses typically represent femininity, in terms of their ties to creativity, birth, and fertility, as well as playing a key role in the cycle of life and maintaining dominance over their husbands. They also serve to represent the ideal traits of a women in a given culture, expressing how women should act and carry themselves. Within Greek mythology, there are many female deities that fit the role of a mother goddess, yet it is Demeter that truly embodies the role.
In this assignment, I will be considering the character of the goddess Demeter as she appears in the Homeric Hymn to Demeter. Demeter is motherly and nurturing, reasonable and respectful, and she can also be incredibly vengeful when angered. Firstly, The goddess of Demeter embodies the role of a mother, not only to her daughter Persephone, but to everyone. She is responsible for the growing of grain and provides food for mortals, providing nourishment for them as a mother would to her baby.
In The Hymn to Demeter written by…, Persephone, Demeter’s daughter, is abducted by the god Gaia to the underworld to be his bride. In order to do this, he grows a beautiful flower in order to lure and kidnap her. The flower is used as a medium for propelling the plot in the story. However, the flower is more than just a beautiful flower Gaia placed, the flower is a symbol of the deceptive nature of beauty and presents a theme of the blurred lines between the appearance of good and bad throughout the story.
Also, the procession represented Demeter’s own journey back to Eleusis (Mylonas,
This is how seasons came to be. The shift from joy and delight to darkness and despair helps to illustrate the change in Demeter’s mood and how her emotions affect nature as a result. The birth of Demeter’s daughter, Persephone, exemplifies the growth of nature in Spring and the joy it brings. In the beginning of the story, Persephone is born as lovely as a flower representing new growth in nature,“To Demeter, the grain goddess, was born as a daughter more fairer than any flower that grew.” Persephone represents the start of fair growth in spring and the beauty of it.