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Through the use of feminine and masculine symbols, Kesey explores the masculinity versus femininity and the civilising influences that it has on the patients of the ward. Ratched a former army nurse, represents ‘The Combine’, the oppressive mechanization, dehumanization, and emasculation of modern society where the women are portrayed as ‘wolves’, ‘sly and elusive’ whilst the men as the ‘frightened rabbits’ their prey. Although known to show her ‘hideous self’ in front of the Bromden and the aides, the ‘Big Nurse’ is able to regain her doll-like composure and mask her humanity and femininity behind a devilishly manipulative and patronising façade in front of the patients. This parallels oppressive forces in society who gain superiority through …show more content…
Through the use of character sizes, Kesey is able to illustrate the emasculation of men. Chief Bromden, parallels individuals sizes with the amount of power and control that they possess. Despite his ‘imposing’ 7ft tall stature, Bromden sees himself as being ‘little’ and ‘invisible’ intimidated by Nurse Ratched who is as ‘big as a tractor’ and the other controlling women in his life who are ‘too big to be beaten’. Similar to other powerful women in his life who control and belittle men, Bromden states how his mother was twice the size of he and his father. A stark contrast to the stunted and emasculated patients, McMurphy was ‘big’, radiating self-masculinity, his ‘big hands’ covered in ‘scars and tattoos’ seemed as if they could protect anyone. Contrary to the powerless patients around him, McMurphy’s size empowered him to confront Nurse Ratched and her oppressive and ‘diabolical regime’. An imposing force in his own right, McMurphy attacked Nurse Ratched’s oppressive regime, rebelling against the environment she had created in an attempt to restore the patients’ masculinity. As the novel progressed, McMurphy empowered the patients to gain confidence, to take control over their wellbeing and their lives, hence growing in ‘size’. McMurphy’s tragic demise is consistent with this transfer of his power and highlighted through the complete empowerment of the patients specifically through Bromden. McMurphy established himself as a ‘large’ force, swaying the balance of power by introducing sexuality through his card games, as well as laughter from his entertaining stories. With McMurphy’s help, Bromden overcame the belittling and was ‘blown back up to full size’ as he regained
In One Flew over the Cuckoo’s Nest, role reversal puts a woman, Nurse Ratched, in control of the ward, which is important in creating a contrast to traditional power. Within the ward Ratched has ultimate power by “merely [insinuating]” (p. 63) a wrongdoing and has control of the doctors. Soon after the first confrontation with Randle McMurphy (Mack), her power is demonstrated through the submissive and obedient manners of all there (152). Ratched is shown as having great power within the ward and outside, despite that time periods constriction of being a women, showing an important contrast to traditional power structures.
The novel One Flew Over the Cuckoo’s Nest by Ken Kesey tells a story of Nurse Ratched, the head nurse of a mental institution, and the way her patients respond to her harsh treatment. The story is told from the perspective of a large, Native-American patient named Bromden; he immediately introduces Randle McMurphy, a recently admitted patient, who is disturbed by the controlling and abusive way Ratched runs her ward. Through these feelings, McMurphy makes it his goal to undermine Ratched’s authority, while convincing the other patients to do the same. McMurphy becomes a symbol of rebellion through talking behind Ratched’s back, illegally playing cards, calling for votes, and leaving the ward for a fishing trip. His shenanigans cause his identity to be completely stolen through a lobotomy that puts him in a vegetative state. Bromden sees McMurphy in this condition and decides that the patients need to remember him as a symbol of individuality, not as a husk of a man destroyed by the
Ken Kesey’s One Flew Over the Cuckoo’s Nest explores the dysfunctions and struggles of life for the patients in a matriarch ruled mental hospital. As told by a schizophrenic Native American named Chief Bromden, the novel focuses primarily on Randle McMurphy, a boisterous new patient introduced into the ward, and his constant war with the Big Nurse Ratched, the emasculating authoritarian ruler of the ward. Constricted by the austere ward policy and the callous Big Nurse, the patients are intimidated into passivity. Feeling less like patients and more like inmates of a prison, the men surrender themselves to a life of submissiveness-- until McMurphy arrives. With his defiant, fearless and humorous presence, he instills a certain sense of rebellion within all of the other patients. Before long, McMurphy has the majority of the Acutes on the ward following him and looking to him as though he is a hero. His reputation quickly escalates into something Christ-like as he challenges the nurse repeatedly, showing the other men through his battle and his humor that one must never be afraid to go against an authority that favors conformity and efficiency over individual people and their needs. McMurphy’s ruthless behavior and seemingly unwavering will to protest ward policy and exhaust Nurse Ratched’s placidity not only serves to inspire other characters in the novel, but also brings the Kesey’s central theme into focus: the struggle of the individual against the manipulation of authoritarian conformists. The asylum itself is but a microcosm of society in 1950’s America, therefore the patients represent the individuals within a conformist nation and the Big Nurse is a symbol of the authority and the force of the Combine she represents--all...
In Ken Kesey’s novel, “One Flew Over the Cuckoo’s Nest”, he engages the reader with Nurse Ratched’s obsession with power, especially against McMurphy. When Nurse Ratched faces multiple altercations with McMurphy, she believes that her significant power is in jeopardy. This commences a battle for power in the ward between these characters. One assumes that the Nurses’ meticulous tendency in the ward is for the benefit of the patients. However, this is simply not the case. The manipulative nurse is unfamiliar with losing control of the ward. Moreover, she is rabid when it comes to sharing her power with anyone, especially McMurphy. Nurse Ratched is overly ambitious when it comes to being in charge, leaving the reader with a poor impression of
Kesey also uses characterisation to show power. The ‘Big’ Nurse Ratched runs the ward in which the central characters reside in a manner that induces fear in both patients and staff. The Nurse controls almost everything in the men’s lives; their routines, food, entertainment, and for those who are committed, how long they stay in the hospital. Nurse Ratched is the main example of power and control in the novel. The Big Nurse has great self-control; she is not easily flustered and never lets others see what she is feeling. Rather than accusing the men of anything, she ‘insinuates’. Although she isn’t physically larger than the ‘small’ nurses, The Chief describes Nurse Ratched as ‘Big’ because of the power she holds – this presentation of size is used for many characters.
Nurse Ratched represents the dictatorial dehumanization, emasculation, and mechanization of society or, in Chief Bromden’s words, the “Combine”. The narrator, Chief Bromden, states that nurse Ratched comes into the ward with tools such as “wheels and gears, cogs polished to a hard glitter, tiny pills that gleam like porcelain, needles, forceps, watchmaker 's pliers, rolls of copper wire…” (P.4) with the intention of adjusting and fixing what society thinks is broken. Nurse Ratched’s name, similar to the tool ratchet, suggests that she is an “instrument of control” that is used to “ensure motion in one direction only” (Foley p.36). Through abuse (psychological and physical) and drugs, Nurse Ratched creates a mechanical or robotic feeling to
She determines when they take their medication and even tells them when they are able to bathe. Nurse Ratched takes control by taking away a man’s masculinity and making them feel small when they are there. She tells the patients that they aren’t real men and she treats them like they are children. The article “Fixing Men: Castration, Impotence, and Masculinity is Ken Kesey’s One Flew Over the Cuckoo’s Nest,” by Michael Meloy states, “Nurse Ratched—a sterile, distant, and oppressive feminine force who psychologically castrates the male patients” (3). Nurse Ratched is able to dominate every man in the ward because they are all afraid she will shame them and break them down in front of the other men on the ward and take away their character. Meloy proves this by explaining, “That to castrate a male is to take away the very essence of his being, or his ‘spirit’” (4). The men on the ward are afraid of what she might do or say to them if they go against
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest, the reader has the experience to understand what it was like to live in an insane asylum during the 1960’s. Kesey shows the reader the world within the asylum of Portland Oregon and all the relationships and social standings that happen within it. The three major characters’ groups, Nurse Ratched, the Black Boys, and McMurphy show how their level of power effects how they are treated in the asylum. Nurse Ratched is the head of the ward and controls everything that goes on in it, as she has the highest authority in the ward and sabotages the patients with her daily rules and rituals. These rituals include her servants, the Black Boys, doing anything she tells them to do with the patients.
...le dominance over female acquiescence. His goal is to ascertain that those qualities identified as feminine are used to undermine those qualities considered masculine. Kesey minimizes the mental suffering of the male patients while focusing on the inability of a woman to have control over men and keep it without resorting to emasculatory tactics. This is a social commentary on the representation of a woman or an institutional system that abuses power (Leach; Termpaperwarehouse.com).
In Ken Kesey's One Flew over the Cuckoo's Nest, the author refers to the many struggles people individually face in life. Through the conflict between Nurse Ratched and McMurphy, the novel explores the themes of individuality and rebellion against conformity. With these themes, Kesey makes various points which help us understand which situations of repression can lead an individual to insanity. These points include: the effects of sexual repression, woman as castrators, and the pressures we face from society to conform. Through these points, Kesey encourages the reader to consider that people react differently in the face of repression, and makes the reader realize the value of alternative states of perception, rather than simply writing them off as "crazy."
The dominant discourse of conformity is characterised predominantly by influencing to obey rules described by Kesey’ novel ‘One Flew over the Cuckoo’s Nest’. At the start of the novel, all the acute and the silence chronic conform to Nurse Ratched’s rules before the arrival of McMurphy. Since, she was in complete control over the ward until McMurphy arrived. After he arrived, he begins to take control of the patients. He begins to take the role of leader, a leader that was unexpected. Kesey has foregrounded the character, McMurphy to be different thus creating a binary opposite that is represented in the novel. Kesey shows the binary opposites as being good versus evil. The former represents the con man McMurphy, and the latter represents the head nurse, Nurse Ratched. An example of this would be, “She’s carrying her wicker bag…a bag shape of a tool box with a hemp handle…” (pg.4), showing that Nurse Ratched is a mechanic. McMurphy is portrayed as being a good character by revitalising the hope of the patients by strangling Nurse Ratched. This revitalise the hope for the pa...
McMurphy is an individual who is challenging and rebelling against the system's rules and practices. He eventually teaches this practice of rebellion to the other patients who begin to realize that their lives are being controlled unfairly by the mental institution. When McMurphy first arrives at the institution, all of the other patients are afraid to express their thoughts to the Big Nurse. They are afraid to exercise their thoughts freely, and they believe that the Big Nurse will punish them if they question her authority. One patient, Harding, says, "All of us in here are rabbits of varying ages and degrees...We need a good strong wolf like the nurse to teach us our place" (Kesey 62).
Just as Billy and Cheswick, Chief had his own self-image issues. Despite being somewhat of a giant, measuring in at “six f[oo]t-seven” (p.24), Chief felt none of the bravado associated with his size. Instead, Bromden felt “way too little” (p.219), unable to truly be a contributing member of society. As a child, Chief witnessed his “big” (p.219) father’s demise to society’s destructive order , becoming “too little to fight” (p.220) the adversities projected towards him. At a loss for hope, Chief, as his father, became debilitated, pretending to be mute and deaf. Specifically, he began because “it was people that first started acting like [he] was too dumb to hear...or say anything at all” (p.210). In compliance to other’s perception of others, Chief began to lose himself. Moreover, under the shrewd supervision of Nurse Ratched, Chief’s perception of himself worsened. Nevertheless, once Mcmurphy arrived to the hospital, Chief discovered a new side of himself. Mcmurphy’s free-thinking mentality brought upon hope, and reinforced Bromden’s initial strength. One of the first moments Chief felt a regained sense of control over his life was during the World Series. He’d always been considered useless; the patients thought of him as “just a [big] deaf Indian”
Characters such as McMurphy and Nurse Ratched, exhibit many archetypes that better explain their unconscious actions. Carl Jung’s article on archetypes and Key Kesey’s characters perfectly correlate with the definitions of The Mother and The Anima Archetypes. For example, The Anima Archetype explains how, in men, that they tend to present forms of infatuation, idealization, and fascination with the opposite sex. In addition, in women, The Anima will radiate as a form of fate or destiny and stray away from the ideas of the conscious mind, which might be more possible or realistic. In the novel the protagonist, Randall McMurphy, develops The Anima Archetype when he bets the other patients that he can overcome the head nurse at the institution. The Anima developed because of his sudden infatuation with the nurse. This archetype explains the unconscious mind by verifying what McMurphy really feels involuntarily or naturally. Another Archetype that developed to justify the results of the unconscious is The Mother Archetype. Nurse Ratched, the lead nurse at the mental institute, display features of this archetype by setting up specific rules and regulations for the patients. In women this archetype shows love, care, and a diminishing expression of individuality. The mother tends to
There were no heroes on the psychiatric ward until McMurphy's arrival. McMurphy gave the patients courage to stand against a truncated concept of masculinity, such as Nurse Ratched. For example, Harding states, "No ones ever dared to come out and say it before, but there is not a man among us that does not think it. That doesn't feel just as you do about her, and the whole business feels it somewhere down deep in his sacred little soul." McMurphy did not only understand his friends/patients, but understood the enemy who portrayed evil, spite, and hatred. McMurphy is the only one who can stand against the Big Nurse's oppressive supreme power. Chief explains this by stating, "To beat her you don't have to whip her two out of three or three out of five, but every time you meet. As soon as you let down your guard, as sson as you loose once, she's won for good. And eventually we all got to lose. Nobody can help that." McMuprhy's struggle for hte patient's free will is a disruption to Nurse Ratched's social order. Though she holds down her guard she yet is incapable of controlling what McMurphy is incontrollable of , such as his friends well being, to the order of Nurse Ratched and the Combine.