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Art is a communication platform that can connect different culture on a basic level. Therefore, to control art and culture would be the ultimate weapon against humanity and a way to control a nation. This was the way that Hitler and the Nazis saw art after 1933 because once the Nazi party came to be in power it saw art as a problem that needed to be controlled. They launched several propaganda campaigns that were aimed to lead the people away from non-German artworks or from artworks created by the inferior races. Once this propaganda tool began to be implemented, laws soon followed. These laws would restrict the artists to create art that would follow the Reich’s rules of ‘True Art’. Those who were from non-German ancestry and who were part of the Modern Art world would be considered Degenerate by the State. The reasoning behind this type of control was the continuation of the Nazis idea that it was the Jews fault for the degeneracy of the German public because the Jews were the ones who were producing and purchasing these artworks that were tarnishing the German intelligence and their morals. Many artists during the Nazis regime struggled to keep producing artwork with these new Many of the pieces that the Nazis confiscated from the museums under the different laws that were passed was eventually filed away somewhere in the Reich. “The SS knew where the artwork was hidden; they had lists of everything.” Many of these lists have still survived until this day. One of the most famous art lists is labelled Entartete Kunst, and this lists all of the pieces of artwork by location. Inside the book, they labelled the artwork that had been sold, traded or destroyed, by either a V, T or X. The list is very detailed right down to the number that the artwork was purchased for and by whom. However, this means that the Nazis were keeping a surveillance on all of the collections for a possible
It is art fulfilling its role in society. It is art that brings the moral issues. It is art that makes us human.
In the film it is stated that during World War II the Nazi party started to forcefully collect artworks from all around Europe in 1939. The term forcefully collect is better described as stealing. Hitler wanted these artworks to add to his personal collection. This became his hobby. His hobby took to others in the regime and eventually all high ranking officers were looting paintings for the sport of it. As it progressed collecting art became a required hobby for them.
If I were to ask you what is art, and how can one find it? What would you say? Well if it were me being asked those question, I would simply say that art to me is a form of a picture; a visual painting or model of some design and it could be found all among us. You may define it differently only because art could be defined in many ways. I could simply say that art to me is a form of a picture; a visual painting or model of some design. Well according to an article written by Shelley Esaak, an art history expert she mentioned that art has a way of stimulating different parts of our brains to make us laugh or incite us to riot, with a whole gamut of emotions in between. She also mentioned that art gives us a way to be creative and express ourselves. [1]
Art for Art's Sake: Its Fallacy and Viciousness. The Art World, Vol.2. May 1917. 98-102
Before you begin reading this paper, look through the appendix. Are you shocked? Disgusted? Intrigued? Viewers of such controversial artwork often experience a wide spectrum of reactions ranging from the petrified to the pleased. Questions may arise within the viewer regarding the artistic merit and legitimacy of this unorthodox artwork. However, art's primary purpose, according to Maya Angelou, “is to serve humanity. Art that does not increase our understanding of this particular journey or our ability to withstand this particular journey, which is life, is an exercise in futile indulgence” (Buchwalter 27). To expand on Angelou's analogy, because everyone experiences a different life journey, art is different to everyone. In other words, art is subjective to the viewer. The viewer creates his own definition of what is art and what is not art. Some may recognize the artistic value of a piece of artwork, while others may find it obscene. Some may praise the artwork, while others will protest it. Censorship is derived from these differing perspectives on artwork. Through censorship, communities seek to establish boundaries and criteria that limit an artist's ability to produce “proper” artwork. However, some artists choose to ignore these boundaries in order to expand the scope of art and, in their view, better serve humanity.
As the young boy grew, he began to have a love for art and wanted to become an artist, but his father, however, did not have a care of his son’s dreams, but instead wanted him to grow up, following in his footsteps; in which Adolf rebelled against.
It was not only politician image of the head of state, but also his gentle personality as an average person. Moreover, the Nazi party realized the great value of political visualization, colorization and drama exaggeration, which could control the political ideas of the masses and developed the consciousness of national community through visual art.
At the same time, the National Socialist German Workers' Party used a variety of campaign posters as a form of propaganda. Posters became an effective propaganda tool based on its low cost and fast production. The NSDAP was able to create thousands of posters at a fast rate and plaster them within Germany. Other propaganda tools such as newspapers, pamphlets, and leaflets took a vast amount of time in order to create. Early NSDAP posters include vibrant illustrations of illusive members and political figures including Adolf Hitler. An election poster from 1929 Saxon campaign reads: “Two million dead. Did they die in vain? Never! Front soldiers! Adolf Hitler is showing you the way!” The claim is that Hitler will redeem Germany from the loss of World War I. This poster depicts a mournful solider who appears to have lost all sense of hope. It also illustrates colorless colors to provide a sorrowful feeling. A second poster consists of the November 1932 election. The text: “Papen is crippling the economy! Away with him and his program for the ruling class! Come to Hitler!” Examples of these posters were used to stir the anger and hatred of the German people against the Weimar Republic in regards to its response towards World War 1.
It involves a variety of human actions, designs and forms of expression such as music, literature, film, photography, sculpture and paintings. The significance of art is looked at in an area of philosophy called aesthetics. Therefore, it should not be used to advance racism and ethnicity. It should be used instead to curb or curtail ethnic or racial tensions. References Said, E. (1993) Culture and Imperialism.
Ellsworth-Jones’ book, “Banksy: the man behind the wall” inspects the mystical challenges behind “ostentatiously anonymous” graffiti artist ‘Banksy’ and his ever growing brand of radical political art. Who is Banksy? The elusive “Banksy”, who has maintained his anonymity to this day, grew up in a middle-class suburb in Bristol and attended the fee-paying Bristol Cathedral School. An artiste, his work involves creating artwork resonating anti-authority and anti-establishment themes, using graffiti as the primary medium of representation. One of the main objectives of any piece of propaganda is to convince its audience to accept the ideology presented by the propagandist, and adopt the same kind of beliefs (Ellsworth-Jones, 4). In this case,
In 1937, Hitler started his campaign to purge German museums of art he found “degenerate” or “too modern”. This included pieces by Pablo Picasso, Henri Matisse, and Marc Chagall. His campaign for cleansing ended up confiscating 16,000 pieces of art. “More than 4,000 paintings, sculptures, drawings, watercolors, and graphics branded as “degenerate” were burned by the Nazis in March 1939” (The Monuments Men: Saving Europe's Art: Overview). Not only did the Nazis destroy artwork, but they also sold many pieces in auctions in Switzerland. As presumed, anything t...
The detachment of an object from its sphere of tradition, Benjamin states, causes a lack of the “here and now” of the work of art. Meaning that the only the true piece of art contains the true history (changes in ownership and changes in physical structure of the work). In many instances, with the spread through reproduction, art is designed to show evidence of specific events and get a rise of opinion from the masses. “This constitutes their hidden political significance. They demand a specific kind of reception.” (Benjamin 27). The technologies of reproduction is directly related to the way people perceive. In fact, Benjamin states that fascist leaders attempt to organize and control the proletarian masses through the use of such technologies. This is a huge change in the value and significance of art works because now politics is heavily involved in aesthetic expression. It has an end result of the restoring of the cultic and aura values within politics (which eventually leads to war) while simultaneously fooling the proletarian masses with the supposed rights of
Due to the Bauhaus modern influence Adolf Hitler portrayed this idea and had labelled the Bauhaus as “UN German” changing the German public’s view on the Bauhaus. Hitler had then criticised that the Bauhaus was just a cover and a front for the communists and the social liberals. Hitler having this opinion he had converted the minds of Mie’s and his loyal students to the Soviet Union after he got
Unlike any other markets, the art market is extremely diverse and opaque. In most cases, buyers tend to hide themselves behind the curtains (especially during important auction events or art fairs), which make it hard to get access to the accurate information (art pieces ownerships, collection ownerships and price history). As a result, the more information you have from the inside market, the more chances you gain art bus...
Having realized art as a structured cultural phenomenon, and having emptied its direct and apparent meaning, it is possible to identify all its possible significations. Interestingly enough, I find that art reveals many diametrically opposed significations: expression and oppression, bias and acceptance, individual and society, creativity and confinement, and freedom and convention, among others. Art signifies the de-politicization of our culture, for even the most political of pieces cease to cause a stir among the masses.