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Art is a communication platform that can connect different culture on a basic level. Therefore, to control art and culture would be the ultimate weapon against humanity and a way to control a nation. This was the way that Hitler and the Nazis saw art after 1933 because once the Nazi party came to be in power it saw art as a problem that needed to be controlled. They launched several propaganda campaigns that were aimed to lead the people away from non-German artworks or from artworks created by the inferior races. Once this propaganda tool began to be implemented, laws soon followed. These laws would restrict the artists to create art that would follow the Reich’s rules of ‘True Art’. Those who were from non-German ancestry and who were part of the Modern Art world would be considered Degenerate by the State. The reasoning behind this type of control was the continuation of the Nazis idea that it was the Jews fault for the degeneracy of the German public because the Jews were the ones who were producing and purchasing these artworks that were tarnishing the German intelligence and their morals. Many artists during the Nazis regime struggled to keep producing artwork with these new Many of the pieces that the Nazis confiscated from the museums under the different laws that were passed was eventually filed away somewhere in the Reich. “The SS knew where the artwork was hidden; they had lists of everything.” Many of these lists have still survived until this day. One of the most famous art lists is labelled Entartete Kunst, and this lists all of the pieces of artwork by location. Inside the book, they labelled the artwork that had been sold, traded or destroyed, by either a V, T or X. The list is very detailed right down to the number that the artwork was purchased for and by whom. However, this means that the Nazis were keeping a surveillance on all of the collections for a possible
Through out the duration of the war the looting and destroying of artworks continued. One might even say it was an obsession. Hitler at the time wanted to create a museum of the best art.
Art for Art's Sake: Its Fallacy and Viciousness. The Art World, Vol.2. May 1917. 98-102
Before you begin reading this paper, look through the appendix. Are you shocked? Disgusted? Intrigued? Viewers of such controversial artwork often experience a wide spectrum of reactions ranging from the petrified to the pleased. Questions may arise within the viewer regarding the artistic merit and legitimacy of this unorthodox artwork. However, art's primary purpose, according to Maya Angelou, “is to serve humanity. Art that does not increase our understanding of this particular journey or our ability to withstand this particular journey, which is life, is an exercise in futile indulgence” (Buchwalter 27). To expand on Angelou's analogy, because everyone experiences a different life journey, art is different to everyone. In other words, art is subjective to the viewer. The viewer creates his own definition of what is art and what is not art. Some may recognize the artistic value of a piece of artwork, while others may find it obscene. Some may praise the artwork, while others will protest it. Censorship is derived from these differing perspectives on artwork. Through censorship, communities seek to establish boundaries and criteria that limit an artist's ability to produce “proper” artwork. However, some artists choose to ignore these boundaries in order to expand the scope of art and, in their view, better serve humanity.
As the young boy grew, he began to have a love for art and wanted to become an artist, but his father, however, did not have a care of his son’s dreams, but instead wanted him to grow up, following in his footsteps; in which Adolf rebelled against.
"You can wipe out an entire generation, you burn their homes to the ground and somehow they will still find their way back. But if you destroy their history, you destroy their achievements and it as if they never existed"(Cambell,2014). During World War II the Nazis would go through the countries they occupied. The art they took was either put in their own museums or they burned them. The Nazis stole millions of pieces of art, mostly pieces that were made from the end of the of the 18th century up until the 1900 's. Hitler ordered his soldiers to steal the art to gain power over other cultures. At the end of the war, the Allies were on a hunt to find all the missing and stolen art the Nazis hid at the end of the war. The big debate today is if the stolen art should go back to their rightful owners. Over a span of six years, the Nazis stole millions of paintings the trails to get those back to their rightful owners has had a lasting impression on today 's world.
If I were to ask you what is art, and how can one find it? What would you say? Well if it were me being asked those question, I would simply say that art to me is a form of a picture; a visual painting or model of some design and it could be found all among us. You may define it differently only because art could be defined in many ways. I could simply say that art to me is a form of a picture; a visual painting or model of some design. Well according to an article written by Shelley Esaak, an art history expert she mentioned that art has a way of stimulating different parts of our brains to make us laugh or incite us to riot, with a whole gamut of emotions in between. She also mentioned that art gives us a way to be creative and express ourselves. [1]
In 1937, Hitler started his campaign to purge German museums of art he found “degenerate” or “too modern”. This included pieces by Pablo Picasso, Henri Matisse, and Marc Chagall. His campaign for cleansing ended up confiscating 16,000 pieces of art. “More than 4,000 paintings, sculptures, drawings, watercolors, and graphics branded as “degenerate” were burned by the Nazis in March 1939” (The Monuments Men: Saving Europe's Art: Overview). Not only did the Nazis destroy artwork, but they also sold many pieces in auctions in Switzerland. As presumed, anything t...
It’s interesting to note what happened to the art world after Duchamp revolutionized art into meaninglessness. Artists seem to be exempt from the moral laws that are binding to ordinary people. Everything is O.K. under art’s magic umbrella: rotting corpses with snails crawling over them, kicking little girls in the head, rape and murder recreations, women defecating. Where does it stop? What is art and what is porn? What is art and what is disgusting? Where is the line? There isn’t one anymore. The effect of Duchamp’s pranks was to point out that anything could be art. All it took was getting people to agree to call something art.
The detachment of an object from its sphere of tradition, Benjamin states, causes a lack of the “here and now” of the work of art. Meaning that the only the true piece of art contains the true history (changes in ownership and changes in physical structure of the work). In many instances, with the spread through reproduction, art is designed to show evidence of specific events and get a rise of opinion from the masses. “This constitutes their hidden political significance. They demand a specific kind of reception.” (Benjamin 27). The technologies of reproduction is directly related to the way people perceive. In fact, Benjamin states that fascist leaders attempt to organize and control the proletarian masses through the use of such technologies. This is a huge change in the value and significance of art works because now politics is heavily involved in aesthetic expression. It has an end result of the restoring of the cultic and aura values within politics (which eventually leads to war) while simultaneously fooling the proletarian masses with the supposed rights of
Unlike any other markets, the art market is extremely diverse and opaque. In most cases, buyers tend to hide themselves behind the curtains (especially during important auction events or art fairs), which make it hard to get access to the accurate information (art pieces ownerships, collection ownerships and price history). As a result, the more information you have from the inside market, the more chances you gain art bus...
Art is an expression of feelings, body language, and culture produced by humans. Art can be expressed in many different ways, and in many different forms from time to time! You’d be amazed with the different types of skilled work artists come up with each day and it’s all just someone, one person expressing how they feel or what they believe. One form of art that I find very interesting is Fauvism.
At the same time, the National Socialist German Workers' Party used a variety of campaign posters as a form of propaganda. Posters became an effective propaganda tool based on its low cost and fast production. The NSDAP was able to create thousands of posters at a fast rate and plaster them within Germany. Other propaganda tools such as newspapers, pamphlets, and leaflets took a vast amount of time in order to create. Early NSDAP posters include vibrant illustrations of illusive members and political figures including Adolf Hitler. An election poster from 1929 Saxon campaign reads: “Two million dead. Did they die in vain? Never! Front soldiers! Adolf Hitler is showing you the way!” The claim is that Hitler will redeem Germany from the loss of World War I. This poster depicts a mournful solider who appears to have lost all sense of hope. It also illustrates colorless colors to provide a sorrowful feeling. A second poster consists of the November 1932 election. The text: “Papen is crippling the economy! Away with him and his program for the ruling class! Come to Hitler!” Examples of these posters were used to stir the anger and hatred of the German people against the Weimar Republic in regards to its response towards World War 1.
Having realized art as a structured cultural phenomenon, and having emptied its direct and apparent meaning, it is possible to identify all its possible significations. Interestingly enough, I find that art reveals many diametrically opposed significations: expression and oppression, bias and acceptance, individual and society, creativity and confinement, and freedom and convention, among others. Art signifies the de-politicization of our culture, for even the most political of pieces cease to cause a stir among the masses.
Ellsworth-Jones’ book, “Banksy: the man behind the wall” inspects the mystical challenges behind “ostentatiously anonymous” graffiti artist ‘Banksy’ and his ever growing brand of radical political art. Who is Banksy? The elusive “Banksy”, who has maintained his anonymity to this day, grew up in a middle-class suburb in Bristol and attended the fee-paying Bristol Cathedral School. An artiste, his work involves creating artwork resonating anti-authority and anti-establishment themes, using graffiti as the primary medium of representation. One of the main objectives of any piece of propaganda is to convince its audience to accept the ideology presented by the propagandist, and adopt the same kind of beliefs (Ellsworth-Jones, 4). In this case,
Due to the Bauhaus modern influence Adolf Hitler portrayed this idea and had labelled the Bauhaus as “UN German” changing the German public’s view on the Bauhaus. Hitler had then criticised that the Bauhaus was just a cover and a front for the communists and the social liberals. Hitler having this opinion he had converted the minds of Mie’s and his loyal students to the Soviet Union after he got