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Deceit and trickery play a huge part in the play Much Ado About Nothing by William Shakespeare. Deception is a key theme in the play, it also moves the plot along. Trickery and deception is used in the love stories of couples Hero and Claudio, and Benedick and Beatrice, with opposite results. This play demonstrates two different kinds of deceit: the kind whose only purpose is to cause trouble, and the kind that is used to form a good outcome. In the relationship of Hero and Claudio, deception nearly succeeds in breaking them apart forever, while in the case of Benedick and Beatrice, it brings them closer together.
The first use of trickery in Hero and Claudio's relationship is when Claudio's friend, Don Pedro, pretends to be Claudio to woo Hero for Claudio. After that, Don John uses deception as a tool to ruin the happiness of Hero and Claudio. Before the wedding, he tells Claudio: "I came hither to tell you, and, circumstances shortened—for she [Hero] has been too long a-talking of—the lady is disloyal." (3.2.96–98.) Don John brings Claudio to Hero's window and convinces him that he is seeing Hero being disloyal when it is actually Hero's servant, Margaret, with Borachio. Claudio accuses Hero at their wedding, and she faints as a result. Claudio leaves and the Friar, who was supposed to marry them, suggests that Hero's family should tell everyone that she is dead, which is another use of deception. Borachio confesses how Don John bribed him to join in on the plan to make Hero seem disloyal. Upon hearing this, Claudio regrets his accusation and apologizes to Leonato. Leonato brings up the next bit of trickery because he tells Claudio that he has a niece who looks exactly like Hero. Claudio agrees to marry her even...
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... doubt they'd ever reveal their emotions without the trick their friend's played on them.
A central theme in Much Ado About Nothing is deceit and trickery. This theme is also what moves the plot of the play along. While deceit is usually viewed as bad, in the case of Beatrice and Benedick it was a good thing that helped them discover their love for each other. For Hero and Claudio, deceit almost tore their relationship apart, however, it also brought them back together in the end. If deceit and trickery was not in Much Ado About Nothing, the play would definitely be different.
Works Cited
Shmoop Editorial Team. "Much Ado About Nothing Theme of Lies and Deceit." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 10 Dec. 2013.
Thomas, Rebecca S. "Shakespeare's "Much Ado About Nothing", Deceit and Love." HubPages. N.p., n.d. Web. 10 Dec. 2013. Webpage
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
The characters in Much Ado About Nothing are easily fooled into inadequate situations that could easily be prevented by a little investigation. We can only imagine how simple their lives would be if Claudio simply inquired to Hero about her supposed actions the night before the wedding. On the other hand, Beatrice and Benedick may never have fallen in love if it were not for the trickery that entangled them. Yet again, if their friends come right out and suggest that it might be a possibility, they could grow fond of the idea and embrace it none the less. Shakespeare convinces us that it is easier to uncover the truth rather than to clean up a mess from premature actions based on an illusion.
In Shakespeare’s Much Ado about Nothing, there are the usual characters that show up in most of Shakespeare’s pieces. For instance the characters Hero and Claudio could easily be compared to Romeo and Juliet. Both Hero and Juliet are innocent, quite, and beautiful young women who fall in love instantly without conversing with the other person. Likewise, Claudio and Romeo decide to marry these women within twenty-four hours. Because of these characters’ lack of unique and interesting qualities, I am intrigued by Beatrice.
The main plot of Much Ado About Nothing is that of the relationship between Claudio and Hero. Their story is a melodramatic saga concerning the realities of relationships based on love at first sight. Claudio has no sooner seen the pure face of Hero than he professes his undying love and seeks her hand. This gesture could be regarded as the quintessence of romantic love. However, Claudio's admiration for Hero comes across as a school-boyish crush, rather than deep felt love and respect. He seeks the opinion of his friends to reinforce his judgment on Hero, thereby showing that he is not convinced of his own feelings. Claudio sees Hero as a flawless angel, a naive, boyish assumption.
As mentioned, the act of Claudio forfeiting Hero’s hand in marriage and denouncing her at their wedding ceremony due to her unloyalty, not only proves that a woman’s virtue is critical to his “love” for her but also reveals a deeper meaning to the play as a whole at various degrees. Men are only satisfied when they completely dominate a woman. This means not only obtaining her heart, but her virginity and virtue as well. In this time period, their wives were seen as their property and a man would rather throw his whole fiance away than tread on previously marked territory. If Claudio genuinely loved Hero in the first place, he would have confronted her about the situation in private before he unjustly demolished her publicly based on a loose
Transformations inherently contain traces of the author’s social and cultural context. Much of the same can be applied to “Much ado about nothing”. It incorporates comical features, yet retains the sense of tragedy which is attached to almost all of Shakespeare’s plays. Brain Percival’s role as a director, was determining, understanding and distinguishing the social norms and the social structure of the society, and how the themes represented in the play can be transformed into a modern text. The Elizabethan society was typically a patriarchal society. Percival has used as well as transformed certain themes and textual features to ensure, that the film is more appealing and assessable to the critical modern audience.
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
"Much Ado About Nothing: Entire Play." Much Ado About Nothing: Entire Play. N.p., n.d. Web. 29 Mar. 2014. .
Whedon's production of Much Ado About Nothing is a modern, black and white retelling of the famous Shakespeare play of the same name which tells the story of love and deceit between two couples: Hero and Claudio, and Beatrice and Benedick. While Hero and Claudio court and prepare to marry each other, Beatrice and Benedick steal the show away with their wit, humor, and constant bickering. Though they both insist that they hate each other, the flashback presented at the start of the film suggests that there is far more to the story than meets the eye. While the style of the film certainly enhances the story being told, making it a timeless classic entangled with modern society, it is the ensemble cast that work both individually and as a unit which make the film a true masterpiece, as well as the genius idea of a change in scenery that propels a sense of realism not often found in your average Shakespeare adaptation.
Shakespeare, William; Much Ado About Nothing; Washington Square Press; New York, NY; New Folger Edition May 1995
In Shakespeare's Much Ado About Nothing, Beatrice and Benedict rant about marriage for most of the beginning of the play, while Claudio raves about how wonderful it will be being married to Hero. Yet in the end, Claudio exchanges his marriage to Hero for an opportunity to bash her in public, while Beatrice and Benedick marry despite that they were mortal enemies for most of the first three acts. How did the situation swing around to this degree? Beatrice and Benedick had been using the most extreme metaphors to demonstrate their scorn of each other and of marriage, and Claudio had been doing the same to demonstrate his love of Hero. Not only did none of these three characters mean what they were saying, but meant the reverse, and the people that plotted to bring them together or pull them apart plotted because they understood on some level what each really wanted.
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
With its entangled plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses, both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery that carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play, we are quickly introduced to the sharp tongued Beatrice as she verbally annihilates her unseen co-star Benedick.... ... middle of paper ... ...
Hero and Claudio are the main reasons the plot changed in Much Ado about Nothing. In this play, the romantic relationships of couple Hero and Claudio, and the relationship of Beatrice and Benedick has changed the plot, and the moral behind the story. In Much Ado About Nothing by William Shakespeare, Hero served as a lovergirl to Claudio by which Claudio's thoughts and actions are illuminated through Heros words.
The plot of Much Ado About Nothing is a huge form of deception in itself. The play has many examples of tricks and schemes that are used to manipulate the thoughts and feelings of characters. In essence, there are 3 types of lies. The first type is a lie to protect others. The second lie is in the interest of the liar. The third and final type of lie is to harm others. A few examples of the first type of lie include when Benedick is tricked by Don Pedro, Claudio and Leonato into thinking that Beatrice is in love with him and Beatrice is tricked into thinking that Benedick loves her by Ursula and Hero. The relation between Claudio and Hero is changed by the second type of lie, which is in the interest of the liar. For example, Borachio and Don