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What is the role of women in much ado about nothing
How is deception used in much ado about nothing
What is the role of women in much ado about nothing
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In the play Much Ado About Nothing the characters all play schemes and tricks on each other. They form allies with each other, all to achieve their plans. Unlike the others plays by Shakespeare this one doesn’t have an overall storyline, it just many different storylines in one play. These include the love of Hero and Claudio, evil schemes of Don John, and the overall life competition between Benedick and Beatrice. All of these short inclusions in the play have some form of deception which is what the whole play is composed of. The characters are all an important factor because they make the lies even more easier to flow with the story. Take Claudio, he was so gullible and impulsive that he didn’t even confront Hero about the supposed affair …show more content…
It’s like love at first sight for both of them. In order to help his good friend, Prince made the plan to court and impress Hero at the ball under the disguise of Claudio. In the following quote Prince explains his plans, “‘Tis once, thou lovest, and I will fit thee with the remedy...I will assume thy part in some disguise and tell fair Hero i'm Claudio,” (1.1.313-317). At to this point the victim of deception is of course but the intriguing part is why they had such a plan. I think claudio didn't feel confident enough or was to shy and Prince noticed, being one of the protagonist he wanted to help out right hand man. This being the first building block to shakespeare plan, was set with a purpose. If you notice that as the play progresses the other tricks and scheme(building blocks) come along as well, all revolving the instant love of Hero and …show more content…
As the second love story in this play, the faith of their relationship is placed by the whole cast with the exception of Don John and his two followers. Besides them three, all the characters were set to make both Benedick and Beatrice believe they had such a forbidden love for each other but neither was willing to tell the other. Before they were formed into a love scheme they just constantly argued and were always bickering, the following quote is just an example of their attacks towards each other, “Why, he is the Prince’s jester, a very dull fool, only his gift is in devising impossible slanders,”(1.2.135-140). This quote by Beatrice is valuable because in this scene she is talking to Benedick who is supposed to be disguised under a mask, but the context gives the impression that Beatrice knows that underneath the mask is truly the man she is indirectly insulting. Beatrice and Benedick end up as a couple because both her family and the men help to configure false words that are supposedly said by each of them and the plan is described in the following quote, “And I, with your two helps, will so practice on Benedick that, in despite of his quick wit and his queasy stomach, he shall fall in love with Beatrice,”(2.1.373-378). At this point Prince is make ties with Hero to make sure that she
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful. Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
The characters, Beatrice and Benedick have a very complicated relationship. They are always exchanging words and calling each other names. They call each other names from the very beginning of the play to the very end. In act 1, Benedick says “ If Signior Leonato be her father, she would not have his head on her shoulders for all of Messina, as like him as she is ” (1.1.111-113). Beatrice follows by saying, “ I wonder that you will be talking, Signior Benedick, nobody marks you ” (1.1.114-115). These quotes show that they have always had a complicated relationship because they insult each other without them expecting it.
In today's society, true love can be described as someone buying a sparkly present for the significant other, celebrating their special anniversary with a beautiful getaway from their hectic life, or even risking anything in the world for that one person. These are all real examples of true love but these are also the things that Claudio didn’t do to show his affection and love towards Hero. Instead, he chose to humiliate her on their wedding day, he didn’t trust her to stay faithful until marriage, and even “killed” her. In the play, Much Ado About Nothing by William Shakespeare, the main characters, Hero, and Claudio, are not truly in love and their actions display that.
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
“Love goes by haps; Some Cupid kills with arrows, some with traps” (Shakespeare pg. 45). One of Shakespeare’s most famous plays is Much Ado About Nothing and it specifically shows the tragic flaws of each and every character throughout the story. One character that will be mainly focused on that’s the most tragically flawed, is Claudio because he’s passionate about his love for Hero and how he’s easily manipulated.
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
In this world rumors and dishonesty happen to be everywhere, no matter where you are. Nowaday people start rumors just to hurt and insult people’s feelings that later on lead to dramatic events. In the story “Much Ado about Nothing”, we encounter different scenes that lead to rumors and deception. One scene that we encounter is when Don John, the bastard brother spreads rumors about Hero being disloyal to Claudio and Don Pedro to corrupt Claudio’s and Hero’s relationship. Another scene that we run into is when Ursula and Hero have a talk in the garden about how Benedick has love affection towards Beatrice. Later on, these two scenes play a huge role and become dramatic elements of the story. We will encounter on how rumors and dishonesty can destroy and corrupt not just one person, but many.
It is Claudio's desire to posses Hero that leads him to suspect his best friend of wooing his
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
Beatrice and Benedick seem to have had some relationship before the beginning of the book that ended badly. This suggests that the initial situation between Beatrice and Benedick was one of mutual attraction, not of the overt hate they seem to flaunt at the beginning of the play. Scorn of this magnitude is rare among people who dislike each other from the start, and seems very unlikely in a broken up couple. In addition, both Beatrice and Benedick turned out to be very willing to abandon their smear campaigns as soon as they are convinced the other is aching for them. It is ridiculous that one would abandon one's own principals to bail out a hated enemy in trouble. This makes clear that their attitude toward each other is an act. If this is so, what is the purpose of the act...
It is reported to Don John by Borachio that “…The Prince should woo Hero for himself, and having obtained her, give her to Count Claudio.
While Hero and Beatrice both experienced relationships in the play, the way they each went about them were completely different. Beatrice felt the need to show her love for Benedick by acting as if she hated him. She constantly makes snide remarks and bickers with him. In Act I, Scene I, Beatrice said, “... He wears his faith but as the fashion of his hat; it ever changes with the next block” (Shakespeare 3).