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Different representation of death in poems
Theme of death in english literary poems
Langston hughes poetry analysis
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In the final quatrain, the poem reaches a turning point, as the speaker uses the adverb “then” (9). From this point, the language in the poem becomes less descriptive and more succinct, perhaps suggesting that death is coming closer for the speaker. This blunt, short language emphasises the stark reality of death that faces him. The use of “then of thy beauty do I question make” (9) implies the transience of human life in relation to the immediacy of death. Since the speaker is arguably insulting his lover, he undermines and subverts the traditional notion that sonnets were written about courtship or unrequited love. Due to the speaker’s preoccupation with death, he questions the beauty of his lover, as corporeal beauty is impermanent, unless …show more content…
Arguably, death is personified as the poem progresses; from “Time” being an allusion to death in the opening quatrain, to the final couplet, where death is heavily implied by the use of “Time’s scythe” (13), as this connotes the image of the Grim Reaper. The implied personification of death may allude to Danse Macabre, wherein death was perceived as a continuing physical presence throughout human life. Hans Holbein’s woodcuts are another example of this widespread rumination on death. The Dance of Death, a widely-accessible satirical work, alludes to Danse Macabre, as the woodcut depicted death personified and often inescapable, as the grim reaper was portrayed carrying off rich and poor alike. This idea alludes to Shakespeare’s previous point of feeling a lack of safety or shelter from …show more content…
This is a bizarre analogy; as well as conjuring an innocent image of spring, the metaphor suggests an image of death, as “box” brings to mind a casket, similarly, the use of “lie” is synonymous with death imagery. In addition to reinforcing the claustrophobic image of a coffin, the use of “box”, with its physical limitations and defined parameters, suggests a finiteness and temporality to both spring and the life force which it traditionally connotes. Therefore, the box may represent the minuteness of human life in comparison to
An analysis of “Salvation” Langston Hughes, in his essay “Salvation” writes about his experience as a young boy, at the age of 12, where he finds himself being inducted into a local church. An analysis of Hughes’ essay will describe and elaborate on both emotional and social pressures. He reaches out to an audience of adults find themselves in the position to influence a child’s thoughts, or ideals. Hughes’ message to the reader is that adults can easily manipulate a child’s ideals by pressuring them into doing something they do not truly wish to do.
1920’s Harlem was a time of contrast and contradiction, on one hand it was a hotbed of crime and vice and on the other it was a time of creativity and rebirth of literature and at this movement’s head was Langston Hughes. Hughes was a torchbearer for the Harlem Renaissance, a literary and musical movement that began in Harlem during the Roaring 20’s that promoted not only African-American culture in the mainstream, but gave African-Americans a sense of identity and pride.
The world wants us to take part in things that we might not want to but we feel pressured by society or yourself. In the story, Salvation, Langston Hughes implied this perfectly. “I was saved from sin when I was going on thirteen. But not really saved” (McMahan, Day, Funk, and Coleman 279).
Berry, Faith. Langston Hughes Before and Beyond Harlem Connecticut: Lawrence Hill and Company Publishers, 1983
The conceit in line 8, “like an iceberg between the shoulder blades” (line 8), illustrates the briskness death emanates whilst taking the life from the warmth of your body. This ice and fire comparison coaxes the reader to pursue the unwelcoming thought of death as the adverse path to travel by. By no means does Oliver attempt to romanticize the idea of a brief and painless endeavor. Furthermore, the recurrence of cessation illustrated by the “hungry bear in autumn” (2) simile suggests the seasonal regularity death’s toll takes on the living. The presence of frequency characterizes the shift in forbearance to the acceptance of the inevitable. Oliver is caught up in reminiscent thought as she employs worldly imagery to describe life. For example, in lines 15-16 Oliver writes “and I think of each life as a flower, as common / as a field daisy.” This line stands out in the fact that it represents the first occurrence of communal thought. Describing each life as a “flower” in a “field” suggests that life is supposed to be about the people whom you surround yourself with, and less about the solidarity that stems from the notion of darkness. Oliver’s implication of poetry and down-to-earth imagery captures not only the progression of thought, but also her feelings towards the concepts of life and
Langston Hughes- Pessimism Thesis Statement: In the poems “Weary Blues”, “Song for a Dark Girl” and “Harlem” the author Langston Hughes uses the theme of pessimism through the loss of faith, dreams and hope. First, one can look at the theme of pessimism and the correlation to the loss of faith. One can see that in “Song for a Dark Girl” an African American girl is sadden by the loss of her love. For this young and innocent girl to have to lose someone she loved so young.
Throughout African American history different individuals have made a significant impact that would forever change things. In the 1900s Harlem became the governing body for the birth of jazz and blues. This also open door for a new era called the Harlem Renaissance. During this time a poet name Langston Hughes was introduced. Langston Hughes created poetry that stood out to people. It had that jazzy vibe mixed with articulate language of choice. He could seize the minds of people with the soulfulness of his writing, and depict the struggles of what was going on with blacks. Some individuals see Langston Hughes as the inspired poet of the Harlem Renaissance time. Mr. Hughes used his body of work to compare and contrast things to create the groundwork for the Harlem Renaissance period.
Langston Hughes ' "Salvation" is about the life of a twelve-year-old boy. The essay talks about an episode from his life, an episode that helps him re-create his understanding about his religious beliefs that were significantly different as compared to the beliefs of his Auntie Reed. The boy then narrates the incident that according to him "saved him from sin" and gave him an insight into the truth of religion and faith in God. The narrator begins by telling that there was a special church meeting that preached about religious revival. His Aunt Reed was a part of the meeting too. She used to tell the boy that when he attained salvation, he would witness the presence of Jesus Christ in the form of a divine light
Langston Hughes's stories deal with and serve as a commentary of conditions befalling African Americans during the Depression Era. As Ostrom explains, "To a great degree, his stories speak for those who are disenfranchised, cheated, abused, or ignored because of race or class." (51) Hughes's stories speak of the downtrodden African-Americans neglected and overlooked by a prejudiced society. The recurring theme of powerlessness leads to violence is exemplified by the actions of Sargeant in "On the Road", old man Oyster in "Gumption", and the robber in "Why, You Reckon?"
The Harlem Renaissance inspired, and was inspired by some of the greatest poets, musicians and artists of the century. Among these great minds, were the poets Langston Hughes, and Claude McKay. Though motivated by the same hardships, people, and events, the works of both Hughes, and McKay show glaring differences in the perspectives of the authors. Upon reading “Harlem” by Hughes, the audience may easily see the author’s more peaceful call to action. In contrast, after reading “If We Must Die,” one can infer that McKay prefers to call his audience to obvious (physical) action. Langston Hughes’s poem portrays a more passive overtone, while Claude McKay’s poem is more aggressive. There are, however, a few similarities between the two works of
In life, we are often confronted with boundaries created by society and ourselves. In our limited understanding of what those boundaries represent, we find ourselves confined by our ego. Racism and prejudices have plagued society for many years, and many of us have been judged and condemned for expressing our true selves. How long must it take for us all to be accepted as beautiful beings, all perfectly capable of greatness and joy?
Surviving In the epistolary “Passing,” Langston Hughes tells the story of a man trying to survive during a time in history when surviving was hard for everyone. The way he decides to survive is a dangerous one for the time period but was the only option that he felt he had. The story takes place in Chicago during the Great Depression. Hughes tells the story of biracial man of African American and Europe descent named Jack who was passing for white.
I was always admiring the military people. This dangerous job requires more than just physical strength. It is mentally hard. A lot of them got gray hair by the age of 35. Besides the potential life threatening situations and constant travelling they have to follow orders. And it is not like orders from your general manager. Military guys has to live by those orders. Their “managers” tell them when to eat, what to wear, how to speak, who they can socialize with. There is almost no personal life. Sounds pretty strict and harsh. But there is one other institute which goes beyond that. They have the strict rules about what you suppose to think and feel.
loves her secretly, “between the shadow and the soul.” The narrator does not love arrogantly or in vain. His love is precious and personal. Dark things are to be loved pri...
The first quatrain of the poem begins undermining the idea of death by personifying it. Death is personified by Donne throughout the poem as he challenges death by stating that it is not the “mighty and dreadful” aspect of life that people are afraid of, but as an escape from life where people can find peace after death because “nor yet canst thou kill me” (Donne 1100). He argues that death does not really kill those whom it thinks it kills to further beat death into humility. In the opening line of the poem he uses an apostrophe, “Death, be not proud..” to begin with a dramatic tone to argue with death as people’s adversary (Donne 1100). Death is given negative human traits, such as pride, but also inferiority and pretense.