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Essays about deaf culture
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Essays about deaf culture
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Today, deaf theater is well known and absolutely accepted in society. There are countless movies, television shows, and plays that are famous because of deaf performers that brought it to life. In this paper you will learn about the history of deaf theater and performance arts, a few modern deaf role models, the impact theater and performance had on the Deaf community and The National Theater of the Deaf. Deaf theater is a major way that the deaf and hard of hearing community expresses their culture to the world.
Though deaf theater and performance arts is accepted in today’s society, it has not always been that way. The Milan Conference, in 1880 a group of representatives again ASL got together to ban the teaching ASL, had a huge impact on
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“There are so many people, deaf or otherwise abled, who are so talented but overlooked or not given a chance to even get their foot in the door” (Matlin, 2011).
The National Theater of the Deaf (NTD) began in 1967. According to the NTD website, the National Theater of the Deaf comprised of both hearing and deaf actors and has been touring the nation for over 45 years. The idea for the NTD was sparked after a production in 1950 of The Miracle Worker on Broadway. The NTD helped bring theater into a new light for the deaf, and that is wasn’t just for the hearing population.
The productions produced by the NTD are performed in ASL as well as spoken simultaneously. The NTD helped portray american sign language as the beautiful visual language and an entirely new art form. In 1968 the NTD created a new group called The
Little Theater of the Deaf in order to reach out to younger audiences. In 1977 the NTD received a Tony Award for Theatrical Excellence. The NTD is still producing amazing performers today and are celebrating almost 50 years of performing.
Conclusively, we can see the huge impact that theater and performance arts
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We can also see that theater and performance arts for the Deaf have come a long journey from where it was many years ago. Thankfully most people nowadays are more willing to accept different cultures and new communities. References:
Daniel, Alice. “Raising Her Voice.” Success, 15 Nov. 2011, www.success.com/article/raising-her-voice. Baldwin, S. (1993). Pictures in the Air: The Story of the National
Theater of the Deaf. Washington, D.C.. Gallaudet University Press.
Berke, Jamie. “History of Theater in the Deaf Community.” Verywell, 12 Sept. 2016, www.verywell.com/deaf-culture-deaf-theatre-1048592. Kurs, DJ. “American Sign Language in Theatre and Its Impact or, Why We Need More
Deaf Actors Onstage.” HowlRound, 5 Apr. 2016,
howlround.com/american-sign-language-in-theatre-and-social-advancement-or-why-we- need-more-deaf-actors-onstage. “About The National Theatre of the Deaf.” The National Theatre of the Deaf, www.ntd.org/ntd_about.html. “Nonfiction Book Review: Pictures in the Air: The Story of the National Theatre of the
Deaf by Stephen C. Baldwin, Author Gallaudet University Press $29.95 (158p) ISBN
978-1-56368-025-0.” PublishersWeekly.com,
Linda Bove was born November 30 1945 in Garfield, New Jersey with to two parents who were also deaf. Growing up deaf herself, she used ASL her whole life. In the beginning, she went to St. Joseph School for the Deaf in Bronx, New York. Later, in 1963 she was fortunate to graduate from Marie Katzenbach School for the Deaf in Trenton New Jersey where she was surrounded by her pears which helped place the foundation for her success. Upon completion of Marie Katzenbach School, Linda later attended Gallaudet University and received her Bachelor’s degree in library science. While attending Gallaudet she was in several plays including The Threepenny Opera and Spoon River Anthology. After graduation she attended a summer school program at the National
In the autobiography Deaf Again, Mark Drolsbaugh writes about his life being born hearing, growing up hard of hearing, to eventually becoming deaf. By writing this book, he helps many people view from his perspective on what it is like for someone to struggle trying to fit in the hearing society. Through his early years, his eyes were closed to the deaf world, being only taught how to live in a hearing world. Not only does the book cover his personal involvement, but it covers some important moments in deaf history. It really is eye-opening because instead of just learning about deaf culture and deaf history, someone who lived through it is actually explaining their experiences.
Alice Cogswell - The Beginning of American Deaf Education - Start ASL. (n.d.). Retrieved September 19, 2016, from https://www.start-american-sign-language.com/alice-cogswell_html
I learned a lot about Deaf people, ASL, and/or Deaf Culture after reading this book. Deaf people are normal just like anybody else and they should not be treated any differently. Some people treat Deafness as a disease that needs to be cured, but it's not. If a parent comes to learn that their child is deaf they react very crazily and act like their child is dying and that deafness is some fatal disease. Deaf people should be treated just like anyone else and no differently. They are not disabled and can do great things in this world.
In the following chapters, there is an extensive amount of knowledge to learn about how Deaf culture is involved in our modern world. The pages assigned give us an outlook of how Deaf people are treated in our daily life, and how we should learn from it. Its gives a clear line between what are myths and what are facts, to those who are curious about the Deaf community or have specific questions. This book has definitely taught me new things that I could put to good use in the near future. In specific chapters, my mind really opened up to new ideas and made me think hard about questions, like “why don’t some Deaf people trust hearing people,” or “do we need another ‘Deaf president now’ revolution?” I realized many new things in the course of reading this book, and have recommended this to my family.
What I found most interesting about Jarashow’s presentation were the two opposing views: Deaf culture versus medical professionals. Within the Deaf culture, they want to preserve their language and identity. The Deaf community wants to flourish and grow and do not view being deaf as a disability or being wrong. Jarashow stated that the medical field labels Deaf people as having a handicap or being disabled because they cannot hear. Those who are Deaf feel as though medical professionals are trying to eliminate them and relate it to eugenics. It is perceived that those in that field are trying to fix those who are Deaf and eliminate them by making them conform to a hearing world. Those within the Deaf community seem to be unhappy with devices such
Jankowski, Katherine A. (1997). Deaf Empowerment: Emergence, Strugge, and Rhetoric. Gallaudet University Press, Washington DC.
Robert DeMayo is a Deaf actor, educator and ASL consultant. He was born in Connecticut but currently lives in Philadelphia. DeMayo grew up in a hearing family. It was hard for him growing up in a hearing family. He often felt like he was being left out by his family, who never bothered to learn ASL so that they could better communicate with him. This being the case DeMayo decided to leave his home since his family seemed like they did not care about how he felt being Deaf when the rest of his family could hear. DeMayo often struggles to make ends meat. Being a Deaf actor makes it even harder to find work while trying to pursue his dream. According to DeMayo there are not many jobs for Deaf actors that have flexible enough hours for him to also be an actor. He often had to take short term jobs like translating for other actors or musicians as they sang and performed. These jobs did not provide enough income and because he could not make enough money to support himself he eventually became homeless until one of his friends let him stay with them until he got back on his feet. These are just a few of the struggles DeMayo faced being a Deaf actor, TL Forsberg also faced many struggles as a hard of hearing singer.
...t is also nice to see that people are no longer ashamed to be deaf, but instead they are proud of who they are and are willing to stand up to any one who attempts to make them feel lesser. The Deaf Culture has become a lot stronger, but we still have a long wase to go.
Two centuries ago, the Deaf community arose in American society as a linguistic minority. Members of this community share a particular human condition, hearing impairment. However, the use of American Sign Language, as their main means of communicating, and attendance to a residential school for people with deafness also determine their entry to this micro-culture. Despite the fact that Deaf activists argue that their community is essentially an ethnic group, Deaf culture is certainly different from any other cultures in the United States. Deaf-Americans cannot trace their ancestry back to a specific country, nor do Deaf neighborhoods exist predominantly throughout the nation. Additionally, more than ninety percent of deaf persons are born from hearing parents (Singleton and Tittle 222). Consequently, they often feel isolated from their families, as they do not even share the same language. Non-hearing children born into hearing families are more likely to attend a regular public school with typical peers, causing them to have little contact with other members from the Deaf community. Therefore, this community embraces a diverse group of individuals, who are surprisingly different from the rest of the members of their own families. This situation causes a cross-cultural conflict, which others believe needs fixing. Nevertheless, society should not perceive the Deaf community as a disability group but as a discrete linguistic minority, rich in history, values, and traditions.
Individuals who are deaf or are hearing impaired are faced with many problems in today’s world. There are so many tasks and activities that are done today that deaf or hearing impaired people may have difficulty doing because of there handicap. There handicap used to stop them or inhibit them from doing something that they are interested in or there friends and neighbors would do. However in today there are new and different technologies, that help the deaf and hearing impaired in the activities in which they want to participate in which is hard for them to take part in because of there handicap. Technology is used to help with everyday tasks in the lives of deaf and hearing impaired individuals. With out this new technology which is being invented everyday, deaf and hearing impaired people may be considered to have a handicap which prevents them from certain activities, but this is not the case anymore, now these people just have different obstacles which through the use of technology they are learning to over come. They can do anything that regular normal range of hearing individuals can do, due to the new technology being invented everyday.
The documentary of “Through Deaf Eyes” has open my eyes to the deaf culture. The movie has made it “click” that deaf people are just that people and individuals like me. Deaf community has its struggles just like everyone else. They struggle with growing into who they are as a person, harmful situations, and feeling a sense of belonging. They just speak a different language like Italians and Hispanics. Communicating with a different language does not make them lesser than a hearing person. When able to learn to communicate, the deaf are able to learn and gain knowledge just like a hearing person. The only difference is they have to learn more and work harder to achieve their goals and gain knowledge, which a hearing person learns just by hearing their surroundings.
The deaf community does not see their hearing impairment as a disability but as a culture which includes a history of discrimination, racial prejudice, and segregation. According to an online transcript,“Through Deaf Eyes” (Weta and Florentine films/Hott productions Inc., 2007) there are thirty-five million Americans that are hard of hearing. Out of the thirty-five million an estimated 300,000 people are completely deaf. There are ninety percent of deaf people who have hearing parents (Halpern, C., 1996). Also, most deaf parents have hearing children. With this being the exemplification, deaf people communicate on a more intimate and significant level with hearing people all their lives. “Deaf people can be found in every ethnic group, every region, and every economic class” (Weta and Florentine films/Hott productions Inc., 2007). The deaf culture and hard of hearing have plenty of arguments and divisions with living in a hearing world without sound however, that absence will be a starting point of an identity within their culture as well as the hearing culture (Weta and Florentine films/Hott productions Inc., 2007).
In mainstream American society, we tend to approach deafness as a defect. Helen Keller is alleged to have said, "Blindness cuts people off from things; deafness cuts people off from people." (rnib.org) This seems a very accurate description of what Keller's world must have been. We as hearing people tend to pity deaf people, or, if they succeed in the hearing world, admire them for overcoming a severe handicap. We tend to look at signing as an inferior substitute for "real" communication. We assume that all deaf people will try to lip-read and we applaud deaf people who use their voices to show us how far they have come from the grips of their disability. Given this climate, many hearing people are surprised, as I was at first, to learn of the existence of Deaf culture. To me deafness is not a defect but a source of connection. Imagine yourself deaf, growing up with a beautiful language, visual literature, humor, and theater. Imagine taking pride in your identity without any desire to become a member of the majority culture. For many deaf people, their community is a comforting relief from the isolation and condescension of the hearing world. However the Deaf community is far more than a support group for people who share a physical characteristic. Members of the Deaf community may have hearing levels that range from profoundly deaf to slightly hard-of-hearing. But no members of the Deaf community are "hearing impaired." Inside this community, deaf people become Deaf, proudly capitalizing their culture. Hearing people suddenly find that they are handicapped: "Deaf-impaired."
This essay will explore the medical model of disability as well as the social model of disability by providing an in depth analysis of the views and explanations that outline each perspective. It will examine and establish the connection of the two models in relation to Deaf people. Furthermore it will illustrate how Deaf people are defined according to each outlook, as well as the issues and concerns that arise from these perceptions. This essay will consider the medical model and the social model to compare the ideas and objectives of the given articles; Caught in the Deaf Trap by Karen Van Rooyen, A Brave New World of Sound by Thandi Skade, Fake Interpreters: A Violation of Human Rights and lastly Professor Graham Turner’s; 10 lessons from the tale of the ‘fake’ interpreter.