Love is undoubtedly a universal theme with numerous characterisations in different genres. David Solway illustrates unrequited love in his poem The Dream as agonising, bewildering and hard to accept by the use of ideas, perspectives and language. In a similar way, Marc Webb’s film 500 Days of Summer and Gavin Degraw’s song Not Over You expresses this representation of unrequited love through their use of ideas, perspectives and language. They effectively translate this representation of unrequited love in their genres in order to create an emotional response from their audiences.
By the use of poetic techniques, Solway successfully represents his unrequited love in the poem The Dream as bewildering and hard to accept. Through Solway’s figurative
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The lyrics are written through Degraw’s perspective as he experiences frustration and misery as he has romantic feelings for an ex-partner. The song captures the idea of masking your vulnerability and your ceaseless love for someone who has moved on from a relationship. Degraw has stated that masking feelings from someone who has moved on is not on the account of pride or ego, but rather as a way of coping with heartache and complexity of unrequited love. The song’s harmony incorporates two minor chords, C minor and G minor, in the progression instead of the typical one minor chord progression in romantic love songs. Degraw strayed from the normality with the intention to stimulate a musical atmosphere of sorrow and pain instead of contentment to showcase his agonising unrequited love. Additionally, the song applies a range of forte and piano dynamics and Degraw’s vocal timbre is raw and unrefined. The polar dynamics in the song demonstrates Degraw’s agonising love as the forte dynamics represent his anger and his piano dynamics represents his suffering. The raw and unrefined vocal timbre was also manipulated by Degraw in order to acknowledge his incapacity to keep composure and disguise his heartache. Moreover, the lyrics of the song include poetic techniques which highlight Degraw’s bewildering unrequited love. In the lyrics, Degraw metaphorically compares himself to a Boomerang since no matter how much his ex-partner pushes his love away, he always returns to her. This metaphor was strategically chosen by him as it unveils a bewildering response from the audience and it allows them to identify with his unreturned feelings. The song Not Over You successfully conveys the representation of unrequited love as agonising and bewildering as a result of Gavin Degraw’s manipulation of musical
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
The fantastic tale “Was It a Dream?” by Guy de Maupassant is a story narrated from the first point of view, in which the main character, who remains anonymous, describes his desperation and overwhelming grief since the loss of his loved one. He also relates a supernatural event he experienced, while in the cemetery, in which he finds out the truth about his significant other’s feelings but refuses to accept it, or at least tries to ignore it. Maupassant’s readers may feel sympathy towards the narrator as they perceive throughout the story his tone of desperation, and are able to get to the conclusion that he was living a one-sided relationship. Maupassant achieves these effects in the readers through the use of figures of speech, like anonymity, symbolism and imagery, and the structured he employed in the story.
Dreams are often thought of as unreal and as viable modes for escaping reality; however, for John Grady dreams are an extension of his reality. Dreams extend his life through different roles: dreams as ambition, as fantasies and as an unconscious act during sleep. His dreams enable the reader to understand John Grady character as his expresses openly his aspirations in his dreams. A person’s aspirations are frequently in conflict with their reality. Likewise dreams can be in conflict with ones destiny. Nonetheless, there is blurred difference between the nature of dreams and reality. The complexity of life transforms itself into our dreams, thus dreams enable the dreamer to re-evaluate life his or life destiny.
Stephen King’s perception in “The Symbolic Language of Dreams” gave me a new, profound insight on dreams. On the other hand, his interpretations also made me realize how little is known about them and their significance to our lives.
Love plays an important role in most physical and emotional relationships. Love is a word that can prove difficult to define or even compare to other emotions. This is due to the diversity of meaning and the complexity of the emotion itself. Everyone has been in love at least once before and has gotten a taste of all the good and bad things that come with it. Christina Rossetti’s “Song” presents some of the good parts of love while Philip Larkin’s “Talking in Bed” shows us some of the bad parts of love. Larkin’s poem presents a failing relationship where communication has failed between a couple and things are getting more and more difficult. Rossetti’s poem presents a wholly different view on love; it is told from the viewpoint of someone talking to his or her lover about what said lover should do after the speaker dies. The love between them seems better, more powerful and good. The two poems also present wholly different attitudes towards “The End,” whether that is the end of life or the end of the relationship. Larkin presents the end as something dark and sad, difficult to cope with. Rossetti, on the other hand, talks about the end as just another beginning, a chance to start over in a new world. Finally, the two poems represent remembrance in different ways. Larkin’s presents memory as something extremely important while Rossetti implies that it does not matter whether we remember or not.
Love has the power to do anything. Love can heal and love can hurt. Love is something that is indescribable and difficult to understand. Love is a feeling that cannot be accurately expressed by a word. In the poem “The Rain” by Robert Creeley, the experience of love is painted and explored through a metaphor. The speaker in the poem compares love to rain and he explains how he wants love to be like rain. Love is a beautiful concept and through the abstract comparison to rain a person is assisted in developing a concrete understanding of what love is. True beauty is illuminated by true love and vice versa. In other words, the beauty of love and all that it entails is something true.
Cummings theme of how strong someones love can be appeals to readers minds, because everyone wants that connection with their partner, That undying love for one another. Some people long for a love...
Some may say love is just an emotion while others may say it is a living and breathing creature. Songs and poems have been written about love for hundreds and thousands of years. Love has been around since the beginning of time, whether someone believes in the Big Bang or Adam and Eve. Without love, there wouldn’t be a world like it is known today. But with love, comes pain with it. Both William Shakespeare and Max Martin know and knew this. Both ingenious poets wrote love songs of pain and suffering as well as blossoming, newfound love. The eccentric ideal is both writers were born centuries apart. How could both know that love and pain work hand in hand when they were born 407 years apart? Love must never change then. Love survives and stays its original self through the hundreds and thousands of years it has been thriving. Though centuries apart, William Shakespeare and Max Martin share the same view on love whether i...
This poem helps us to recognize and appreciate beauty through its dream sequence and symbolism. The poem opens with the Dreamer describing this
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
Relationships between two people can have a strong bond and through poetry can have an everlasting life. The relationship can be between a mother and a child, a man and a woman, or of one person reaching out to their love. No matter what kind of relationship there is, the bond between the two people is shown through literary devices to enhance the romantic impression upon the reader. Through Dudley Randall’s “Ballad of Birmingham,” Ben Jonson’s “To Celia,” and William Shakespeare’s “Shall I Compare Thee to a Summer’s Day?” relationships are viewed as a powerful bond, an everlasting love, and even a romantic hymn.
While true love is treasured when achieved, its rarity can be attributed to the multitude of obstacles lovers must face. Couples often have trouble expressing their love for one another or may face challenges within the marriages. Whether it be disagreements, affection of surroundings, friendships lost, or jealousy, the quest for true love has its consequences. This concept is expressed several times in A Midsummer’s Night Dream, in the cases of many of the lovers. However, it can be argued that although complications ensue, true love is worth a life of trouble.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
For any educator that is searching for a poem to arouse the interest of students enlisted in upper level literature classes, the poem “In the Orchard” by Muriel Stuart, written in the early twentieth century, conveys the ageless theme of unrequited love. The poem has all the elements of making students understand how far back the feeling of unrequited love has been around. We can understand these elements better through the rhetorical strategies.
By way of literary expression in Women in Love, D.H. Lawrence successfully conveys personally held beliefs on the subjects of progressive sexuality, gender roles, instinctual actions, and the putrefaction of society due to industrialization. Written in a post-war society, Women in Love, a sequel to Lawrence’s earlier work, The Rainbow, follows the lives of Ursula and Gudrun Brangwen and their quest for genuine freedom (MacDonald). As the unfolding stories of Ursula and Gudriun are told, various other main characters are introduced. Along with Ursula and Gudrun Brangwen, Rupert Birkin and Gerald Crich are both central characters in Women in Love.