Daughters Of The Dust Sociology

1815 Words4 Pages

Despite the film Daughters of the Dust coming out in 1991, its influence in Hollywood is still felt today. Most recently, it was restored at the Film Forum in 2016, as well as featured in Beyoncé’s 2015 music video Lemonade. This film not only influenced Hollywood, but also African American women's representation in Hollywood’s narratives. This is due to the exploration of an African American family, through the African American female’s perspective. The film’s female-centric narration is revolutionary due to its distance from the Hollywood clichés that often follow African American women. By having these marginalized voices hold the dominant position in a motion picture, it assisted in challenging Hollywood’s norms, as well as lead to the …show more content…

Nana is the silence that you cannot understand, like the many complexities of African American women that cannot be understood by many in the film industry, as well as in society. Nana, as well as the other female characters in the narrative, are more than stereotypical archetypes; they are multidimensional characters that represent the importance of intersectionality. Therefore, Nana and the Unborn Child, free from outside oppression, such as Hollywood’s clichés, are able to control the narration of their family’s journey freely. Through their point of view, the realities of the African American struggle is accurately shown and represented in an authentic way. As Jennifer Machiorlatti notes in Revisiting Julie Dash's "Daughters of the Dust": Black Feminist Narrative and Diasporic Recollection, Nana and the Unborn Child’s allow for “those who have been neglected to marginality in cinematic history to move to the center to claim and own their representation, story, and myth. ” Daughters of the Dust representation of African American women in narrations is different from anything in Hollywood’s past. This unique perspective of dominant African American woman voices weakens the control of dominant and inaccurate viewpoints from men, and moves it to black women, who are less willing to follow the hurtful clichés of standard storytelling in

More about Daughters Of The Dust Sociology

Open Document