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Influence of romanticism
Literary analysis of The Tell-Tale Heart
Literary analysis of The Tell-Tale Heart
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Recommended: Influence of romanticism
When dealing with a literary movement, it is important to comprehend the knowledge of what it was responsible for founding. In the case of the Romanticism, it created several different sub-movements. The most popular out of all of them being Dark Romanticism and Gothic Fiction. Despite their upbringing from the same movement, Dark Romanticism and Gothic Fiction are very different from each other. While Dark Romanticism focuses on the personal torment of the narrator’s psychological mindset, Gothic Fiction focuses on the inflicting horror and gore caused by the supernatural, and or unknown.
Romanticism deals with the ability of only looking at the positives of life. A theme of which, pleased many Americans, in the 1800’s, as a result of being
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If the writers can incorporate a character with self-inflicted made trauma, they then are allowed to write about the darkest events, and or futures, they can think of (Dark Romanticism 1). Therefore, writers, like Edgar Allan Poe, became widely known. In his work, Poe shows conflicting opinions about personal life through his characters and their thought process, while having them face, and or go through, twisted occurrences (Morgan Howard 3). His short story most known to capture this is The Tell-Tale Heart. Inside of it, it tells the story of a narrator who is mad and questions himself about whether his madness is a blessing or a curse (Poe 1). Given this description, the narrator is often making inflicted trauma to himself, as a result of not being able to make a clear decision of whether his sanity makes him impaired, and or, not able to function properly. His unstableness, as a human being, is further seen through how he deals with the aftermath of realizing he murdered a person. When the police arrive to ask him a few selected questions, the narrator begins to have hallucinations, as he hears the heart beating from the man he murdered (Poe 3). In hearing the heart beating, the narrator, through the haze of his madness, realizes of just how crazy he is, and as a result, feels ashamed and disgusted by the sheer fact of being the one responsible for the man’s death. …show more content…
Unlike Dark Romanticism, Gothic Fiction focuses on the horror and gore inflicted upon a character. There is no ulterior motive. In itself, Gothic Fiction was meant for those, during the 1800’s, who wanted something between what Romanticism offered and what Dark Romanticism offered. As such, Gothic Fiction was given the description of giving off a violent amount of terror and gore to the characters, while also encompassing the same amount of terror and gore to the readers (Gothic Literature 2). In summary, Gothic Fiction is an extremely lighter version of Dark Romanticism with the ability to make the characters and readers aware of darker realities, while also, at the same time, not letting the characters and readers get trapped into thinking about how negative and depressing their lives, and the world seems around them. To achieve this, Gothic Fiction makes the brain of the characters and readers focused, and or fixed upon, a key aspect of a supernatural setting. Whether if the story takes place inside of a haunted house, castle, wooded area, maze or labyrinth, the characters, and readers will be captivated by the mystery and horror surrounding the building, and or place (The Gothic 1). Thus, causing their concentration, and or full attention on themselves, to simply not exist. Something the American citizen could appreciate if they wanted to escape the reality of their life, and or
The “Tell-Tale Heart” is a short story written by Edgar Allan Poe and serves as a testament to Poe’s ability to convey mental disability in an entertaining way. The story revolves around the unnamed narrator and old man, and the narrator’s desire to kill the old man for reasons that seem unexplainable and insane. After taking a more critical approach, it is evident that Poe’s story is a psychological tale of inner turmoil.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
In Edgar Allen Poe’s classic short story, “The Tell-Tale Heart,” an impression of apprehension is established through the fear-induced monologue of an unknown narrator. Right from the beginning of this short story, Poe prepares the reader for a horrific tale by way of the narrator admitting to the audience that he has, “made up my mind to take the life of the old man” (41). The narrator not only admits to this heinous crime, he proclaims that he had done so out of complete ‘sanity’ and proceeds to inform the audience, “and observe how healthily --how calmly I can tell you the whole story” (41), as he feels this will justify his atrocious crime. The narrator’s assurance of sanity is swiftly demolished as their mania takes control of the way they explain their actions. This obvious foreshadowing forces the audience to surpass the dreadful details and look for the remarkable facets of Poe’s short story allowing the setting of the
Edgar Allan Poe utilizes a wide range of methods to entice the reader into his piece, “The Tell-Tale Heart”. The storyline follows the events of a murder of an old man, in the perspective of the killer who claims he is mentally stable. The writer uses syntax, focusing on sentence length, and tone to emphasize that the narrator is not truly stable, thus not being a reliable perspective.
Edgar Allen Poe's "The Tell Tale Heart" is a short story about how a murderer's conscience overtakes him and whether the narrator is insane or if he suffers from over acuteness of the senses. Poe suggests the narrator is insane by the narrator's claims of sanity, the narrator's actions bring out the narrative irony of the story, and the narrator is insane according to the definition of insanity as it applies to "The Tell Tale Heart".
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
In “The Tell Tale Heart” Edgar Allan Poe builds up suspense by guiding us through the darkness that dwells inside his character’s heart and mind. Poe masterfully demonstrates the theme of guilt and its relationship to the narrator’s madness. In this classic gothic tale, guilt is not simply present in the insistently beating heart. It insinuates itself earlier in the story through the old man’s eye and slowly takes over the theme without remorse. Through his writing, Poe directly attributes the narrator’s guilt to his inability to admit his illness and offers his obsession with imaginary events - The eye’s ability to see inside his soul and the sound of a beating heart- as plausible causes for the madness that plagues him. After reading the story, the audience is left wondering whether the guilt created the madness, or vice versa.
Edgar Allen Poe’s a genius of innovation. He uses the ideas that were common concerns of the time to revolve around in his short stories. Edgar Allen Poe grew up in a rough time when both his parents died, 1811. At a young age Poe was placed with a foster family in which he was treated without any respect. He took the ideas of mental illness to a sophisticated example in his short story, “The Tell Tale Heart.” “The Tell Tale Heart” is written in the gothic style that helps establish the surreal theme. Poe’s whole purpose in writing short story is to address the idea of mental illness which he portrays in his main character. Through his writing of the short story “A Tell Tale Heart” he addresses the idea that criminals were getting away with the idea pf insanity as there escape.
Robinson, David M. "Romanticism." American History Through Literature 1820-1870. Ed. Janet Gabler-Hover and Robert Sattelmeyer. Vol. 3. Detroit: Charles Scribner's Sons, 2006. 1000-1007. Student Resources in Context. Web. 27 Apr. 2014.
The Dark Romantics or Gothic Fiction was part of the Romanticism Movement that emphasized the use of primitive, medieval, wild and mysterious elements including supernatural events and horrifying situations. The Dark Romantics took place in the eighteen hundreds and started as a reaction to the Transcendentalists, but did not entirely embrace the ideas of Transcendentalism. The Dark Romantic works were less optimistic than the transcendental works that believed that knowledge could be arrived at not just through the senses, but also through intuition and contemplation of the internal spirit. The Romantics took on a shadowy approach to the fantastical with the use of creepy symbols, horrific themes, and psychological effects of guilt and sin.
American Gothic stories also wrote about the supernatural such as ghosts, monsters, women in distress,
In this period of time, an increasingly popular genre was gothic. A gothic novel contains mystery, doom, decay, old buildings, ghosts and madness but also subtler features such as courage, mysterious places. a sense of place, dreams and weather, but mainly abnormal events and... ... middle of paper ... ...
Gothic storytelling is a fiction genre with a combination of horror, sex, and romance. Gothic fiction has been around for centuries, because it learned to adapt to current social, political and economic events. Since the birth of gothic storytelling, authors have always wrote about current events and related them in their stories for everyone to read and relate. We have stories from colonial, and post-colonial times. These stories reflect on issues that were occurring in their current societies.
Romanticism, also known as the Romantic era, is an idea that spread throughout many facets of the arts and culture. Romanticism rejects the ideas of order, harmony, balance, idealization and the rationality of the ideas of the Classical era that came before it. Romanticism is a reaction against the Enlightenment and the idea of physical materialism. The key characteristics of Romanticism are the deepened appreciation of nature, choosing emotion over reason, and the senses over intellect. Romantics had a heightened look into the inside of a person looking into the imagination as a means to transcend experience and spiritual truth.