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Dante's descent into hell
Dante's descent into hell
Dante's descent into hell
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Lessons of Good and Evil in The Inferno
In The Inferno, Dante explores the ideas of Good and Evil. He expands on the possibilities of life and death, and he makes clear that consequences follow actions. Like a small generator moving a small wheel, Dante uses a single character to move through the entire of Hell's eternity. Yet, like a clock, that small wheel is pivotal in turning many, many others. This single character, Dante himself, reveals the most important abstract meaning in himself: A message to man; a warning about mankind's destiny. Through his adventures, Dante is able to reveal many global concepts of good and evil in humanity.
Dante represents mankind's potential. He falls to the temptations of this world, and then through the Grace of God, human reason, and the depths of Hell, he is able to regain the Light that he had lost. Each step of his journey represents a warning to man about the possible outcomes of his actions. The journey itself and the situation that Dante is in represents mankind's current position. And his exits from Hell gives hope to all those "who enter here" and stray from the Narrow Path. As Dante went through Hell, so must mankind, however, just as Dante had Virgil as his guide, so mankind now has reason and Faith to guide him.
Reason and Faith are not guides that will demand to be followed. Neither are they very loud in voicing their opinions. For this reason, mankind is now lost in that same "Dark Wood of Error" in which Dante found himself at the beginning of The Inferno. Too often we try to amend our wrongs by aiming for the high goal of the Mount of Joy for which Dante also aimed, but just as Dante could not reach it alone, so we are finding that our human effort...
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...re symbolic of modern society and its potential to do the same. On faith were we founded as a people, now, like Dante, we must turn to greater reason and that same faith for the strength to travel the Hell we've created in order to reach the Mount of Joy again.
Works Cited
Literature of the Western World, Volume 2. 4th edition by Brian Wilkie and James Hurt. Upper Saddle River, NJ: Prentice-Hall, Inc., 1997.
Works Consulted
Niven, Larry and Pournelle, Jerry. Inferno. New York: Pocket Books,1976.
MacAllister, Archibald T. Introduction. Inferno. By Dante. New York: Mentor, 1954.
Pinsky, Robert. The Inferno of Dante. New York: Harper Collins, 1994.
Shippey, T.A. "Into Hell and Out Again". Times Literary Supplement, 8 July 1977, .820.
Spinrad, Norman. Introduction to Inferno, by Niven and Pournelle. Boston: Gregg Press, 1979.
Dante came a long way in reaching the lower part of Hell in the “Inferno” to not be to be highly satisfied with what he experienced from seeing, hearing, reflecting, and questioning. Throughout the journey we can see that Dante had two sides to him the one in which his felt sympathy for the sinners and felt frightened along the way and the other Dante in which he judgment that the sinners should have a more cruel punishment. Dante encountered many challenges as he progressed to each level.
The purpose of the pilgrim's journey through hell is to show, first hand, the divine justice of God and how Christian morality dictates how, and to what degree, sinners are punished. Also, the journey shows the significance of God's grace and how it affects not only the living, but the deceased as well. During his trip through hell, the character of Dante witnesses the true perfection of God's justice in that every sinner is punished in the same nature as their sins. For instance, the wrathful are to attack each other for all eternity and the soothsayers are forever to walk around with their heads on backwards. Furthermore, Dante discovers that hell is comprised of nine different circles containing sinners guilty of one type of sin, and that these circles are in order based upon how great an opposition the sin is to Christian morality and the ultimate will of God. We see here how Christianity plays a major role in the structure of hell and the degree to which each sinner is punished. Lastly, we can look at the story and see the importance of the grace of God not only to Dante during his journey, but how it affects the souls in hell and purgatory as well.
God states that we treat each other with the love he gives to us as individuals; while us stating violent acts against love, fraud constituting a corruption and, greed becoming normal thing amongst people defines everything god had envisioned for mankind. Yet, while Inferno implies these moral arguments, it generally states very little about them. Dante discusses with each of the souls in the different circles of hell although it is not truly stated as to why they are specifically in that circle. Only because God justifies there sin belonged there. In the end, it declares that evil is evil, simply because it contradicts God’s will and justification, and since God is God, he thus does not need to be questioned about his morals. Dante’s journey of evil progressed as he winded down the depths of hell pitiless and was driven to make it to purgatory. Inferno is not the normal text that most people would read, then think about how it relates to todays morals; its intention is not to think about the evil discussed but, rather to emphasize the Christian beliefs that Dante followed through his journey.
In Dante’s Inferno hell is divided into nine “circles” of hell; the higher the number correlates to the grimmer the sin and the pain you will endure. However, I do not completely agree with Dante’s version of hell, perhaps due to the difference in time periods. In this essay I will be pointing out my concerns with Dante’s description of hell and how I would recreate hell if I were Dante.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
In conclusion, we can see that Dante presents the reader with a potentially life-altering chance to participate in his journey through Hell. Not only are we allowed to follow Dante's own soul-searching journey, we ourselves are pressed to examine the state of our own souls in relation to the souls in Inferno. It is not just a story to entertain us; it is a display of human decision and the perpetual impact of those decisions.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.
Lawall, Sarah,et al. The Norton Anthology of World Literature. 2nd ed. Volume A (slipcased). Norton, 2001. W.W. Norton and Company Inc. New York, NY.
When we are first introduced to Dante the Pilgrim, we perceive in him a Renaissance intellectual, who despite his intelligence and religiosity has lost the “path that does not stray” (I.3). Having thus lost touch with the tenets of orthodox Catholicism, a higher power has chosen for him to undertake an epic journey. (The devout are able to identify this power with the one Judeo-Christian God, while pagans and sinners often attribute the impetus behind the Pilgrim’s voyage to fate.)
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Within Canto 1, we see Dante leaving a dark forest. This forest represents all the human vices and corruption, a place similar to hell (canto 1, line 1-5, Alighieri). Dante wants to reach the hill top, where is sunny and warm, rather than be in the damp and cold forest. The hill top represents happiness and is a metaphor for heaven. But his path is stopped by three animals: a leopard (canto 1, line 25, Alighieri ) , lion (canto 1, line 36 Alighieri ) and she wolf (canto 1, line 38-41, Alighieri ). Each one represents a human weakness: the leopard is lust, the lion pride and the she wolf is avarice. They show that on the earthly plain human sin is a continual and harmful temptation. These animals try to strip him of his hope, his hope in the fact that he will some day be in heaven with God. They are temptations to lead him away and block his way to the hill top. Th...
Literature of the Western World, Volume 2. 4th edition by Brian Wilkie and James Hurt. Upper Saddle River, NJ: Prentice-Hall, Inc., 1997.
In Act 1 Scene 2, Macbeth appears to be the boldest man on Earth, as
In the beginning of the play Macbeth was given a new heading in act 1