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Jamaican cultural aspects
Culture of jamaica
Jamaican cultural aspects
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Recommended: Jamaican cultural aspects
Released in 1997, the film, Dancehall Queen, provides an excellent insight into the intricate culture and class divisions contained within Jamaica. Many concepts that we discussed, both in class, and in the readings regarding the post-British-Colonial Caribbean, are directly paralleled in the film. Among several concepts, a few in particular, hold a great amount of significance to the film’s portrayal of “modern day” Jamaica and the underlying conflicts within its society. Hegemony, popular culture, and the embrace of beauty as a cultural construct are constantly conveyed as essential themes throughout the film.
Heavily discussed in Christine Ho’s writing, “Popular Culture and the Aestheticization of Politics”, the concept of hegemony is regularly
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Historically, wealthier women with fairer skin lived uptown, while the downtown held a stigma of having more poverty and less attractive, darker- colored women. By offering the opportunity for upward mobility, the ruling class is able to completely control how a person acts and dresses. The more this occurs, the more a given activity, attitude, or way of dressing becomes ingrained in popular culture. This can occur to the point of an entire culture or identity being lost, polluted, or convoluted. Chevannes’ writing addresses the unique aspects of many Jamaican religions. Over the last century, most of these have become lost to the melting pot of different cultures and religions, and the ruling classes’ hegemonic …show more content…
Some individuals know of her true identity, causing her to fear appearing in front of the dancehall’s crowd. The idea that without all of the fake hair and makeup, Marcia is a nobody, exemplifies the film’s ongoing theme of the importance of maintaining individuality, despite the enormous cultural pressure to conform. Concepts such as hegemony, beauty as a cultural construct, and popular culture all circle around intertwine in Dancehall Queen, providing a glimpse into a unique and often neglected place and period of time in
Fluorescent turquoise waters, a vibrant city culture, as well as an unending supply of mimosas and sunburns within a resort, benefits the common wealthy couple looking for a swell time. When people imagine the Caribbean, they probably visualize the soft sands of the Spice Island Beach Resort. Many people see the Caribbean as relaxing paradise. What people don’t understand, are the years of history hidden behind the mask of many resorts. In the book entitled “Empire’s Crossroads: A History of the Caribbean from Columbus to the Present Day”, Author Carrie Gibson differentiates how people view the Caribbean nowadays, by altering their visualization with four-hundred pages of rich history and culture, that argues the ideology about the Caribbean
“Jamaica’s a country of great dichotomy. On the one hand you have a tourist industry with great beaches and resorts, but on the other you have such great poverty and the violence that goes along with that.”(Michael Franti) In this paper, I will talk about the geography, the history of Jamaica, the people that live there now and that lived there in the past, the lifestyle of the society, and the society, like the government and economy.
This week’s articles carry a couple related, if not common, themes of imagined, if not artificial, constructs of race and identity. Martha Hodes’ article, “The mercurial Nature and Abiding Power of Race: A Transnational Family Story,” offers a narrative based examination of the malleable terms on which race was defined. To accomplish this she examines the story of Eunice Connolly and her family and social life as a window into understanding the changing dimensions of race in nineteenth-century America and the Caribbean, specifically New England and Grand Cayman. While Hodes’ article examines the construction of race in the Americas, Ali A. Mazrui’s piece, “The Re-Invention of Africa: Edward Sai, V. Y. Mudimbe, and Beyond,” looks at the construction of African identity. Although different in geographic loci, the two articles similarly examine the shaping influences of race and identity and the power held in ‘the Other’ to those ends.
Throughout Rastafari: Roots and Ideology, Barry Chevannes traces the beginnings of the Rastafari movements and the movements that gave birth to Rastafarian ideology, through both historical perspectives and through the narratives of those people closely associated with these movements. He begins laying out the groundwork of the Rastafarian movement at the slave trade, which gave rise to the institutionalization of racism and the subordination of black people in the “New World.” This racism, and its lasting effects on the social, political, and economic positions of black people in Jamaica led to a realization of the need to create a life, or a belief system, that would actually serve black people and their needs.
Marcus Garvey once said, “The Black skin is not a badge of shame, but rather a glorious symbol of national greatness,” exemplifying not only that the African blood that flows through our veins is indeed wonderful, but is more a national treasure than a national tragedy. Countries across the world, in some form have been altered by the touch of the African influence whether that is socially and/or culturally. The same fate lies with the islands of the Caribbean, especially the island of Puerto Rico located in the Greater Antilles. Of all the African influential branches, Puerto Rican music would be one social phenomenon to be ultimately shaped and modified by African influence directly. Beginning with the African slaves, this paper covers the musically genres created over time containing West African elements, as well as covering the ways in which the Puerto Rican society influenced the music as well as how the music effected the society. This paper will also include the ways in which African descendants in Puerto Rico [musicians] would rise to fame despite existing in an era of open racism. Ultimately, explaining how the music and the people go hand in hand.
The exploitation and eventually liberation of the Jamaican people have produced a very unique social condition. Reggae music is an optimistic answer to the history of oppression that draws upon the past, and uses it as a resource. In order for there to be a good future, the past must be considered and accepted. There is no way to right the wrongs of Jamaican history, but there is a way to promote awareness of these wrongs.
However, it seems as though the impossible is possible, or at least mostly possible, and traditional Rastafarianism enforces rules and cultural norms that keep womyn in the subordinate, domesticated realm of everyday life. Yet, in the last thirty years or so, those rules and norms have been slowly challenged by a new generation of Rastafarian womyn who no longer accept their inferior position and are demanding greater equality. These womyn, some of whom turn to reggae to promote their own socially conscious ideas, symbolize the growing consciousness of womyn in Jamaica and other majority world countries who have experienced centuries of oppression.
“Jamaicans in the mid-1950’s were familiar with who they should stay away from. Specifically that strange tribe of outcasts known as Rastafarians: even the downtown ghetto-dwellers knew that these eccentric-appearing individuals – known at the time on the island as ‘beardmen’ – carried pieces of dead bodies in the bags they all bore.”
Throughout the world indigenous peoples have been resisting and rebelling against the colonial system, also known as the 'Babylon' system to Rastafarians, modern-day descendants of the Maroons. The origins of the concept of 'Babylon' in relation to rastafarianism and indigenous resistance will be discussed in greater detail. The following essay is an exploration of indigenous resistance in Jamaica and throughout the world. Reggae music has evolved as a form of social commentary and because of its international popularity the message is spread around the world.
From the country’s earliest days, Jamaica experienced colonial status, with paternal influences from the West. Spain initially maintained ascendancy over the colony; yet, as they embarked upon their sesquicentennial reign, the Empire’s grasp began to loosen. Primarily incessant interstate conflict, between the Empire and its bordering nations, wreaked havoc. Contrastingly, England continued to thrive and experience heightened success in their colonial endeavors. Indeed, as Spain began losing dominance over Jamaica, England looked to the Caribbean to increase their economic hegemony; in 1650, the British successfully cap...
Reggae The Story Of Jamaican Music BBC Documentary. vols., 2012. Online. Internet. 22 Mar. 2014. . Available: http://www.youtube.com/watch?v=wv1Iy26qlLk&feature=youtube_gdata_player.
Lupita Nyongo is up for an academy award for her debut performance in the blockbuster 12 Years a Slave (Butler 2). Despite not being known a year ago, these days Lupita commands an audience when she speaks (Butler, 3). She has recently joined a select list of actors having won an Oscar for their first performances in a feature film (Dyer Jr. 2). On February 28th, Lupita delivered an acceptance speech during the Essence Black Women in Hollywood awards. In her speech, Lupita addressed the preconceived notion of racial beauty in Hollywood. The following essay will seek to prove that Lupita Nyongo speech inadvertently breaks down the barrios of racial beauty by challenging the notion of that beauty is merely skin deep. I will do so by breaking down each portion of her speech and explain how the ethos of her argument helps to support the fight against racial marginalization within Hollywood.
societies to reexamine their view of the Caribbean. In this paper the following topics in The
Many listeners of reggae music classify it as island music. However, reggae music means a lot to the Jamaican community back home and abroad. Reggae music in particular has influenced the Jamaican expat community in the United States. Non-Jamaicans hear the tunes of Bob Marley and quickly relate the Jamaicans to people who say “No problem Mon” but as outsiders, we truly don’t understand the lyrics. The purpose of this paper is to examine how reggae music has affected the understanding of expat Jamaicans. Jamaicans that have migrated to the United States are sometimes categorized by non-Jamaicans as people who are Barbarians that practice hatred towards homosexuals. Because of hearing lyrics produced by certain dancehall artists such as Vybez Kartel and Buju Banton. However expat Jamaicans believe reggae music has glorified the Jamaican expat community through unification of culture, people, and language.
As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.