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Fashion in the Elizabethan era
Gender changing roles
Clothing during the Elizabethan era
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Before the times of Elizabethan England, there was the administration of something called the sumptuary laws. These laws were put up in almost every city, town and nation state with the goal to regulate who wore what. The main purposes of this law were to regulate commerce, to help support local industries, and help prevent the flaunting of wealth. This law ended up being very important when it came to gender roles during this time. While this law was mainly put in place because of wealth, gender was a subset effect of this law and this could be seen very clearly especially when it came to the theater. Cross-dressing was very common on the English stage because the majority of the time they had men playing all the roles including the women. Therefore it began a conversation about what the true effects of this law
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It was actually becoming fashionable to have this confusion display. This resulted with people dressing more freely and them having less concern about how they looked and its impact on class, gender, sexuality, and race. There were some people who argued against this way of dressing. One of them was Putian Dr. John Rainolds. He warned against dress like this saying it was bad for your manhood to dress as a woman. There was even those like Freud who claimed that the men who dressed like woman where only doing it because of fetishes.
So the questions lays do clothes make the man or woman? During this time there was a lot of anxiety about how they thought their identities were not fixed. This mean if you acted or dress a certain way one could change their identity from a man to a woman or vice versa. So those who believed that doing certain things could change your identity tended to think that they had to protect their identities. So they would do everything they could to make sure that they did not act in accordance with the other
Clothing also began to change dramatically; people began to rebel against societies ideas on what is appropriate making a revelation in variety of clothing men could choose from. Patterns such as checks, stripes and argyle also became widely used by fashion designers. Along with new patterns, colours also began to make an appearance with pastel colours also being used. Around the same time, a ‘pink rage’ took effect. This involved men wearing pink in their outfit through the form of tops and ties to help break gender stereotypes, which was a big issue at the time. Boys were expected to be strong, silent and assertive opposed to women who were portrayed as weak and emotional. They also expected women to be the least intelligent of the couple to help make the male feel smarter and more
The young men voices were still high pitch and bodies had not been matured, so the role of women was perfect for them. William Shakespeare took a big part in theatre during the Elizabethan Era and his work is still popular till this day. Most plays that you often hear about such during the 1600’s were pretty much his. One of his most famous plays that still grab reader’s attention is Romeo & Juliet. Another thing about the Elizabethan Era was the way they said their words, what they would do is use a four count beat and pitching their voices high and low. All through London theatre was very popular. In the 1600’s during the Elizabethan Era instruments had also played a big part in their time. Like once before I told you that any instrument could play a ...
Fashion reflects the attitudes of a society more than any other art form. Like art, fashion is a material record of the ideals that swayed the nations at the time of their creation. Through examining the styles, and tastes of a particular era, we can realize where the interests and priorities of a time lie. As Frank Parsons wrote in his 1920 study, The Psychology of Dress, "There is surly no better field in which to trace the devious paths of human thought than in that of clothes, where man has ever given free play to self expression, in a way which, thought not always a credit to his intelligence, is yet quite true to his innermost self, whether he will acknowledge it or not." Through, tracing and analyzing, side by side, art and fashion, and the effects that one had on the other and society, we can understand the ideals, and interests of European culture, here, through the Renaissance.
...d women’s fashion to break free from convention. Bras and corsets were seen as symbols of oppression and conformity. They were discarded by many women as many new fads appeared,(). Women also exhibited their newfound freedom by wearing traditional male clothing such as baggy trousers, men's jackets, vests, over-sized shirts, ties and hats.
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
Though its primary function is usually plot driven--as a source of humor and a means to effect changes in characters through disguise and deception—cross dressing is also a sociological motif involving gendered play. My earlier essay on the use of the motif in Shakespeare's plays pointed out that cross dressing has been discussed as a symptom of "a radical discontinuity in the meaning of the family" (Belsey 178), as cul-tural anxiety over the destabilization of the social hierarchy (Baker, Howard, Garber), as the means for a woman to be assertive without arousing hostility (Claiborne Park), and as homoerotic arousal (Jardine). This variety of interpretations suggests the multivoiced character of the motif, but before approaching the subject of this essay, three clarifica- tions are necessary at the outset.
Have you ever wondered what people in the Elizabethan Era wore? Fashion was just as important in those days as it is to some people today. What people were wearing mattered to others, and even the government. During the Elizabethan Era clothing, accessories, and cosmetics were all a part of daily life.
In conclusion, these things are important because without them- our clothing now would be different. Thing about it. Some of the things you wear every day- come from things back then. Clothing for these people was like school uniforms for you. Fashion was not a choice, but a
The Victorians' obsession with physical appearance has been well documented by scholars. This was a society in which one's clothing was an immediate indication of what one did for a living (and by extension, one's station in life). It was a world, as John Reed puts it, "where things were as they seemed" (312).
It seems that in ordinary life, we are most likely to distinguish between a man and a woman by clothing. This is more difficult to do in the present day, in which women have adapted much traditionally male clothing for their own use, but in the time periods in which Orlando is set it was still the case that men and women wore distinct clothing. If we consider our everyday experience, it becomes clear that this is the means we use, at least from a distance. Other cues such as hairstyle, quality of voice, and so on enter the equation later, but clothing comes first. A man with long hair is eccentric at worst; a man wearing a dress runs the risk of being beaten to a pulp for this transgression. People wishing to undergo a sex-change operation must undergo a period of living as the opposite gender before going through with surgery - the first and most important thing invariably done here is to purchase a new wardrobe.
The Impact of Gender on Shakespeare’s Othello. In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello.
In the Elizabethan period, it was "forbidden" for women to appear on stage and considered "immoral", and so boys played...
Fashion is a form people use as a way for self expression. For me, fashion dictates how a person sense of style is; some may be bold and loud or simple and calm in which it also gives others an outlook on how their character may be. Although fashion is a way to express ones’ sense of style it does not tells us who the person is personally. Fashion in the society of the 1900s has changed female gender roles then and now by the way their roles changed during the time.
Only men were allowed to act on stage. Even girl parts were played by men. Some boys were castrated to prevent their voices from becoming lower just to make sure that they could play a female role. It seemed like it would?ve been easier to just have woman in shows, but women still didn?t have a lot of rights, and many people thought that it was unladylike to act and have a woman in a man?s occupation.
... Critical Interpretations, ed. Harold Bloom (New York: Chelsea House Publishers, 1987) 43. For further discussion on renaissance gender performance and identity politics among Shakespeare's cross-dressed heroines, see Michael Shapiro's Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: The University of MIchigan Press, 1994).