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Regionalism and Modern Architecture
Essay examples of postmodern architecture
Essay examples of postmodern architecture
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Recommended: Regionalism and Modern Architecture
Critical regionalism can be seen as an approach to architecture that tries to stand up for places, culture and identifies of a place where Modern Architecture has failed to, by using the building's geographical context and reference of vernacular architecture. Frampton (1983:76). The term critical regionalism was first used by Alexander Tzonis and Liane Lefaivre and, with a somewhat different meaning, by Kenneth Frampton.
Paul Ricoeur wrote:
“The phenomenon of universalization, while being an advancement of mankind, at the same time constitute a sort of subtle destruction, not only of traditional cultures… but also what I shall call… the creative nucleus of great cultures…. We have the feeling that single world civilization at the same time exerts a sort of attrition or wearing away at the expense of the cultural resources which have made the great civilizations of the past” (Cole, Lorch, 2003:120).
Frampton, in his cry for an ‘architecture of resistance’ (2002:77:81) inhabits this ironic statement to initiate his rational that resistant architecture should not only be practiced by the avant-garde. Critical regionalism could be considered as a particular kind of post-modern response. This response developed as a result of the failure of Post-modernism, together with the influence of Globalization and the spread of western culture. Critical Regionalism could also be seen as a solution to cultural issues and the problems of architectural identity. Frampton’s argument is that critical regionalism should not only answer to context, but it should also value the progress of universal modern architecture (Frampton,1983).
An important aspect of Critical Regionalism is that the occupants of any design experience the local climatic c...
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...cteristics, with appropriate current technology. It is the search for an architecture that is meaningful within its context and at the same time participates in the more universal aspects of a contemporary mobile society.”
McGinnis (1999:211), Argues that, the main focus of critical regionalism should be place and resistance, which he terms ‘bioregional restoration’ the aims of this term are to:
“…re-immerse the practice of human communities within the bio-regions that provide their material support…. Bioregional restoration can be a therapeutic strategy to expose ourselves viscerally to local ecosystem process, to foster identification with other life forms and to rebuild community within place, as the insights and local information that emerge from restoration activities affect the cultural and economic practice of the human population” (Cole, Lorch, 2003:122).
In the book The Power of Place: Geography, Destiny, and Globalization’s Rough Landscape, the author, Harm de Blij, argues that where we are born and our geography can affect who we are and what we will become. He applies his knowledge of geography and other relatable information such as health, economy, languages, and several other areas of subject. De Blij categorizes the earth into three subdivisions: locals, globals, and mobals. He defines locals as “those who are poorest, least mobile, and most susceptible to the power of place” (pg-notes). Globals are those who “whether in government, industry, business, or other decision-making capacities, flatten
Cultural globalization involves the “spread of culture beyond the region or state from which it originated.” (Davies 1). To understand what cultural globalization is, one must understand what falls under the category of culture, which includes religion, language,
Harm de Blij and his “The Power of Place: Geography, Destiny, and Globalization’s Rough Landscape” truly describes how geography is displayed in the world today. In particular on of the major themes that he discusses is the idea of globalization. He actually calls these people the “globals.” In the very beginning of his book he describes two different types of peoples: Locals and Globals. The difference between these people is that Locals are the poorer people, not as mobile, and more susceptible to the concept of place. On the other hand the Globals are the fortunate population, and are a small group of people who have experienced globalization firsthand (5). This idea of globalization is a main theme that Blij refers to throughout the book, however he also indirectly references the five themes of cultural geography: culture regions, cultural diffusion, cultural interaction, cultural ecology, and cultural landscapes. Through Blij’s analysis these five themes are revealed in detail and help explain his overall idea of globalization in the world today.
Using the quote by Habermas as a starting point, select up to two buildings designed in the twentieth century and examine what ‘sudden, shocking encounters’ they have encountered, or created. Analyse the building’s meanings as a demonstration of an avant-garde, or potentially arriere-garde, position.
Throughout history, architecture has been employed in the service of politics, as symbols of the state. Architecture is therefore shaped by the national traditions in the pursuit of projects of identity, modernity, power, and prestige. A building is not merely a walled structure, but a metaphor for national ideology as it embodies the civic life of the citizens that it houses, as well as the ideals of the nation within which it resides. This paper will explore three varying architectural periods and examine the interaction between nationalism and the building styles that developed either as a means to express it.
Over the past two centuries, the human population has become increasingly prosperous; nourishment has improved, the economy has developed and longevity has increased. From this, it is possible to conclude that man’s battle with nature is proving beneficial. However, the wellbeing and success of mankind greatly relies on ‘ecosystem services’, which comprise any benefits provided by ecosystems that contribute towards human life. These developments in wellbeing have partly been achievable because of the increased exploitation of these ecosystem services.
Globalization is a term which became popular after the 3th quarter of the 20th century. It is used to describe the movement of people, information, commodities and financial tools across national borders which increase the interconnection between countries economically, politically, socially and culturally. The effects of globalisation on different fields are one of the main discussion topics of these days. One can easily find thousands of articles on the impacts of globalisation on economy, agriculture, politics, democracy, science and even on climate. However, globalisation and its effects on culture is an unheeded area. The defenders of globalisation consciously avoid discussing culture, because they all know that globalisation is the main source of cultural genocide.
Sometimes the best revolutions are those that are forgotten. At least in the short run. And so it is with Robert Venturi, a revolutionary and remarkable architect. While he may not be as celebrated as Frank Lloyd Wright, Ludwig Mies van der Rohe, or Louis Kahn, Venturi leaves behind a forceful intellectual legacy that is perhaps more durable than any building. By condemning the functionalism, simplicity, and orthodoxy of modernism in Contradiction and Complexity in Architecture (1966), he instigated an enduring architectural rebellion. This rebellion continues to run its course today. Notably, Venturi’s ideas sparked and profoundly influenced postmodernism, an international style whose buildings span from the beautiful to the gaudy and vulgar. Ultimately, Venturi’s alternative to modernism succeeded because he prized human experience and the interaction of individuals with architectural forms over a rigid, doctrinaire ideology.
Through this paper a comparative representation on the definition and background of the evolution of critical regionalism will be explored. Moreover through this essay, the arguments of how ‘Ando’s’ architectural approach is of a ‘critical regionalist’ manner will be examined significantly.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
Charles Jencks in his book “The Language of Post-Modern Architecture “shows various similarities architecture shares with language, reflecting about the semiotic rules of architecture and wanting to communicate architecture to a broader public. The book differentiates post-modern architecture from architectural modernism in terms of cultural and architectural history by transferring the term post-modernism from the study of literature to architecture.
Correspondingly, Katie Llyod Thomas shares similar views on how modernity has increasingly concealed tectonics. She conceptualizes how materiality is secondary to form with hylomorphism in her Architecture and Material Practice. “Hylomorphism, which understands materials as a subset of matter, does not provide a way of positively distinguishing materials, and underscore the architectural tendency to use materials as mere finishes,” says Katie.6 Modernity has instigated materiality and tectonics to become inferior to the architectural form; therefore, concepts and spaces are given more importance and further worked on more attentively, leaving materiality till the end. As Katie mentions, materiality in the design process of a student is in fact consider in the later stages, where it is discussed as a technical issue rather than a conceptual one.6 Materiality and tectonics is a conceptual joint, it is the structure that forms an architectural expression, represents an emotion, and it is what creates a space. Considering all factors, materiality shall not be left to discuss at the end, but worked on as the design is developing, therefore working on form alongside materiality and
In chapter one of Frampton’s writing, “Cultural Transformations,” he describes how changes in society create new architectural styles due to new cultural needs. Frampton starts by explaining the relationship between man and nature in different architectural styles. Man and nature were distinct entities; however, for the sake or ornamentation in architecture, the two were constantly combined. This idea soon changes with Baroque architecture where man and nature started to be distinctly separate, and this later leads to the Neoclassical style which shows an increased desire for man to have control over nature (Frampton 1). Neoclassicism essentially stems from a new cultural formation that grew from the life styles of declining aristocracy and the rising bourgeoisie, and this transition leads
In this essay I will discuss how concrete regionalism was presented in the work of Le Corbusier who is the most classic example of this movement, Oscar Niemeyer, and Antoine Predock . With each architect having a highly individual vision that has created unique buildings for people and their environment. These architects each has combined vernacular buildi...
Globalization is becoming one of the most controversial topics in today’s world. We see people arguing over the loss of a nation’s cultural identity, the terror of westernization, and the reign of cultural imperialism. Through topics such as these we explore the possibilities or the existence of hybridization of cultures and values, and what some feel is the exploitation of their heritage. One important aspect that is not explored is that such influences can also be more than just a burden and an overstepping of bounds. These factors can create an educational environment as well as a reaffirmation of one’s own culture.