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Thomas Hardy's attitude toward religion
Thomas Hardy's religious views
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Sue Bridehead: the Unmarried Feminist
"The social moulds civilization fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns. I am called Mrs. Richard Phillotson, living a calm wedded life with my counterpart of that name. But I am not really Mrs. Richard Phillotson, but a woman tossed about, all alone, with aberrant passions, and unaccountable antipathies" (Jude the Obscure 1895)
Sue represents the new woman, a woman who was not submissive to the stereotypical women roles of her society. She may seem to not have already gone through a successful process of self-formation, however Jude, gets impressed by her liberal ideas.
Sue is not similar to Hardy’s other
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She tries to seeks something that no woman in her age would even think of, which became very popular in modern societies which is 'live-in’ relationship. Sue is aware of herself as a woman. Her ideas contradicts other women's point of view. Hardy questions the rules and laws of the society which are purely man made from stereotypical, sexist and patriarchal ideologies in the name of religion and tradition. He suggests that these ideologies should be changed. He uses Sue to speak for him by saying to Phillotson “Domestic laws should be made according to temperament, which should be classified. If people are at all peculiar in character they have to suffer from the very rules that produce comforts in others!" (Ibid …show more content…
She says “If a marriage ceremony is a religious thing it is possibly wrong, but it is only a sordid contract based on material convenience in house holding, rating and taxing, and the inheritance of land and money by children making it necessary that the male parent should be known." (Ibid p. 208) Sue realises the consequence of fighting against the social taboos as she gets back to Phillotson to set the things right in the traditional manner. But she only does that because of religious and social forces. Fate is also to blame of making this decision because her children die at the same time. After all being a mother she stops and decides to go back to the same social norms to which she used to criticise. She is brainwashed by the religious thoughts and so she considers her unconventional act as the cause for her children’s death. After her final downfall she utters “We must confirm! All the ancient wrath of the power above us has been vented upon us, His poor creatures, and we must submit. There is no choice. We must. It is no use fighting against God." (Ibid p.
Both syntax and diction were largely presented as Polly Baker threw rhetorical questions of why she was being punished legally if it was only supposed to be a religious punishment. Even including that God, himself, helped make her children, even though it was a crime to have children without being married, and her children nicknamed, “Bastard Children.” When all put together “The Speech of Miss Polly Baker” creates a passionate tone that is fighting against the injustice of the judicial system at that
Catharine Maria Sedgewick’s heroine and title character of Hope Leslie does not convey the expected behaviors of a woman living in 17th century Puritan society. Hope Leslie is not a passive young woman that relies on the Bible for all advice and guidance. She does not stay quiet if something is on her mind. She refuses to allow the innocent to receive persecution for the wrong reasons. Hope is assertive, aggressive, courageous, bold, and quite outspoken. The characteristics that she portrays are atypical to those portrayed by 17th century women. Instead, Hope’s attitude and behavior more closely resemble that of a female from the 21st century living in an era not meant for her.
Barbara Huttman’s “A Crime of Compassion” has many warrants yet the thesis is not qualified. This is a story that explains the struggles of being a nurse and having to make split-second decisions, whether they are right or wrong. Barbara was a nurse who was taking care of a cancer patient named Mac. Mac had wasted away to a 60-pound skeleton (95). When he walked into the hospital, he was a macho police officer who believed he could single-handedly protect the whole city (95). His condition worsened every day until it got so bad that he had to be resuscitated two or three times a day. Barbara eventually gave into his wishes to be let go. Do you believe we should have the right to die?
Some critics have argued that Richard Wright’s women are “flat, one dimensional stereotypes, portrayed primarily in terms of their relationship to the male character”. (Quote, p540) However, in Uncle Tom’s Children, Wright resents three very distinct types of female characters who did not fit this description. Wright portrays women as an Avenger, a Sufferer and a Mother figure whose actions propel the stories to their final conclusion. In the story “Bright and Morning Star” Wright places the protagonist, Aunt Sue, in a domestic environment. “Her hands followed a lifelong ritual of toil” (pg222) as she cleans and cooks. Interestingly, Aunt Sue is the only heroine in the stories, who shows a different type of bravery than perhaps shown by the male figures in other stories. She is brave in the face of the loss of her two sons; she is brave as she does not show weakness to the white men who attempt to control her and make her do their bidding. She does not allow herself to be bound by the conventions of society. She speaks her mind to the white men who invade her home and states “Ah don’t care who Ahm talking t!” (pg238). Aunt Sue is portrayed as a cunning woman, who hides behind men’s perception of her as weak and uses it to her advantage. Her final act of bravery in the story is to giver herself up to death, before the white men can take her life from her. Wright also portrays women as sufferers in his work. Sarah, in “Long Black Song” suffers from isolation and is stuck in a loveless marriage. The gap between men and women is very much evident in this story. Sarah is very much dependent on Silas for company, security and items of comfort. Silas is allowed to exceed from the isolation imposed on his wife. Even when Sarah flees from ...
The characterization of Sue illustrates her as a different kind of girl. Sue is stronger than most girls and boys of her age. During a shop class, Sue claims: ``unlike the other students, even the boys, I could whack the silver heads straight on so the iron rods thrust in without bending`` (4). Logically, if she is able to whack nails strait in one shot while other students could not, she could probably overpower anyone in her class, which is very unusual for a normal girl. Jimmy, a guy in her class, goes as far as claiming: ``If we had an arm wrestle (…) I bet you`d win`` (9). This remark clearly shows how powerful Sue is for her age. Also, Sue exhibits some unique characteristics such as her “honey” sweat. Dr. Merton claimed that “[the sweat’s] composition [was] similar to […] bee honey” (1). This statement made it very...
... the liberation of women everywhere. One can easily recognize, however, that times were not always so generous as now, and different women found their own ways of dealing with their individual situations. Charlotte Perkins Gilman’s character created a twisted image of the world in her mind, and eventually became mentally insane. While most cases were not so extreme, this character was imperative in creating a realization of such a serious situation.
The character that is mentioned most in this story is one by the name of Mrs.
What would it be like to live in the south during the 1960’s? How about to live with bees? Sue Mont Kidd got to encounter both of these things while pursuing her innate talent to write. Her childhood memories and ambitions, experiences with bees, and the social climate of the south left an imprint on Sue Monk Kidd, as evident in the coming-of-age novel The Secret Life of Bee.
Sometimes trying to conform to society’s expectations becomes extremely overwhelming, especially if you’re a woman. Not until recent years have woman become much more independent and to some extent equalized to men. However going back to the 19th century, women were much more restrained. From the beginning we perceive the narrator as an imaginative woman, in tune with her surroundings. The narrator is undoubtedly a very intellectual woman. Conversely, she lives in a society which views women who demonstrate intellectual potential as eccentric, strange, or as in this situation, ill. She is made to believe by her husband and physician that she has “temporary nervous depression --a slight hysterical tendency” and should restrain herself from any intellectual exercises in order to get well (Gilman 487). The narrator was not allowed to write or in any way freely...
... of her boyfriends states to her when she was not in an upbeat mood, “Why the hell don’t you stay home and not go spoiling everybody’s evening?” (Parker 199) Parker is reiterating her the idea that women were not meant to be anything but positive and upbeat in this society. It even states that “even her slightest acquaintance seemed irritated if she were not conspicuously light hearted.” (Parker 199) Thus the idea that women were made to be positive and upbeat continues in her world.
d. Brently Mallard: Mrs.Mallard's husband. He was supposed to be dead. · Setting: The story takes place in Louise's house. · Theme: I think we can't live in oppression because that doesn't let us be free. We can find themes like the oppression by men, and women rights.
In conclusion, most of the female character are often isolated, victimized and ultimately killed by the male characters. Furthermore, it is rather ironic how Mary Shelly, the daughter Mary Wollestonecraft who wrote the Vindication of the Right of Women chooses to portray women. In this novel, the female characters are the exact opposite of the male characters; they are passive, weak and extremely limited. Mary Shelly repeatedly shows women in a victimized position exhibiting to the audience how things should not be. In conclusion, Mary Shelly’s novel is a reflection of how women were treated in the 1800’s.
Challenging the normality, Margaret Fuller rips the chains of women arguing for equal status in marriage, education, and participation in society throughout her essay “The Great Lawsuit.” During the late 1800s to early 1900s, the daily lives of women and men were undoubtedly divided. Based on gender, people were expected to execute specific tasks to ensure that the home and community functioned as smoothly as possible. Men typically worked outside of the house and participated in many city functions. Women, however, were much more limited in their movements. The majority of their expected work were done within the home– cleaning, cooking, gardening, and sewing. Women were also expected to marry and conceive, and anyone who did not, were seen
Gail Godwin's short story "A Sorrowful Woman" revolves around a wife and mother who becomes overwhelmed with her husband and child and withdraws from them, gradually shutting them completely out of her life. Unsatisfied with her role as dutiful mother and wife, she tries on other roles, but finds that none of them satisfy her either. She is accustomed to a specific role, and has a difficult time coping when a more extensive array of choices is presented to her. This is made clear in this section of the story.
In life it is important that each person thinks rationally in every decision they make, but it is equally important that everyone follows their heart, too. For some people, thinking rationally while following their heart is not an easy task, and it often causes more tragedy than good. Thomas Hardy, a famous British author, repeatedly wrote novels depicting the cross between logical thinking and following one’s heart. For example, his first novel, Far from the Madding Crowd, involves a love circle during a period when women were trying to prove their independence. Bathsheba, the main character, manages a farm on her own and strives to continuously prove her dominance in a male dominant world. She finds herself distracted and stressed due to the fact that three men wish to marry her. Bathsheba significantly wishes to keep her independence, so she turns down the first two men. However, Troy, an untrustworthy womanizer, steals her heart for a moment until she again thinks realistic enough to not fall under his love traps. Far from the Madding Crowd, by Thomas Hardy, depicts the cross between thinking both rationally and irrationally once love is present in one’s life, which is common in all of Hardy’s books through the character development, central themes involving love, and gender confusion.