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Reading on antigone the character
Creon in antigone tragic flaw
Creon as a tragic hero essay
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Recommended: Reading on antigone the character
Sophocles’ tragedy Antigone is a sad tale that is essentially about a girl who buries her brother who was deemed a traitor by King Creon, the leader of Thebes. The story dives into the dilemma of valuing yourself over moral obligations toward another human being. King Creon’s hubris impeded his decision whether to allow the burial of Antigone’s brother Polyneices and this led to King Creon losing all that mattered to him: his family and leadership. Thus, King Creon’s excessive pride is his tragic flaw, a deadly trait for any leader.
While taking the throne, King Creon commanded, “Polyneices, who returned from exile, eager to wipe out in all-consuming fire his ancestral city and its native gods, keen to seize upon his family’s blood and lead men into slavery—for him, the proclamation in the state declares he will have no burial mound, no funeral rites, and no lament.”(Sophocles 199-206). In this decisive proclamation, he went against the ways Greeks dealt with the departed; King Creon denied the burial of Polyneices, a sacred ritual for the Greeks. More specifically though, he denied...
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Creon, you must allow me to bury my brother, Polyneices. I am obligated to bury him as it is my responsibility as his sister. Additionally, refusing a person a proper burial is immoral and against the will of the gods and of your people. Polyneices should be given a proper funeral as familial and social obligations permit his burial and because it will win you the respects of the gods and your people.
The crux of the play, the causal factor to all the following events is how the new King Creon deals with the dead traitor Polynices, brother of Antigone. The decree not to bury the corpse must be considered from the viewpoint of a 5th Century Athenian, watching this play. The Antigone was written during a time of great strife for the city of Athens and they were in the middle of their conflict with the Spartans. At a time such as this , concern for the city was foremost in a citizen's mind. Creon's decree not to bury him at this stage then is right. Essentially not burying a body, any body, is an offence to the gods, and the persons spirit will not be able to go down to the underworld and cross the River Styx and Archeron. However, the Greeks believed that for some the sentence was deserved. The sentence of non-burial is appropriate in this case, as the Greeks believed that "those convicted of sa...
It is very common for us to ignore a problem or refute the idea of its existence. we certainly can’t solve a problem by pretending that it isn’t there. Once the problem has been acknowledged, we can proceed to explore what the causes are. Shortly after Creon placed himself at odds with the will of the Gods with his new law that forbade burial to Polyneices, he is presented with the issue that someone has disobeyed his law. Choragos, his advisor, in an attempt to make him reason that the Gods do not favor his new establishment of the law, suggests that it may have been the will of the Gods for Polyneices to have been buried by an unknown person. We notice how Creon reacts furiously and orders Choragos to stop. “Must your doddering wrecks. Go out of your head entirely! The Gods! Intolerable! The Gods favor this corpse? Why? How had he served them?” (Sophocles Scene I 236-240). Creon has twisted Choragos’s words by interpreting that the Gods may have favored Polyneices over his rule. He feels as if questioning his final word is a sign of anarchy. He is presented with the problem and yet refuses to acknowledge it. Creon has failed to realize that he has challenged the Gods and once again his pride made him lack perception and overcomes his wisdom.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices.
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
In Antigone, King Creon gives an edict against burying Polynices since he was seen as a traitor. Despite death being the punishment for breaking this edict, Antigone goes ahead and buries Polynices. She feels that, as a citizen and his sister, it is her right and responsibility to do so. Creon was undermining the principles of democracy by taking away peoples’ freedoms based on his personal opinions. In a society that was greatly renowne...
Though both brothers, Polynices and Eteocles, died at the hands of each other at the same time, Creon only paid proper respects for Eteocles because he died protecting the country. However for Polynices, he issued “a proclamation [that forbid] the city to dignify him with burial, morn him at all” and allow “his corpse, carrion for the birds and dogs to tear, an obscenity for the citizens to behold” (lines 227-231). Though it is typical for people of exile to have a different burial than regular Theban citizens, Creon’s barbaric instructions for Polynices burial is beyond immoral. Instead of being buried outside the city, Creon’s order is to not have him buried at all. This is a very torturous ending because when people die they need some type of burial to enter into the underworld, so Creon’s issue of this law meant that Polynices’ soul would be lost and without a home. Creon’s bizarre instructions are rooted in his personality as king and has less to do with Polynices himself. Instead of being a Theban king of honor, Creon let his pride get in the way which spoiled his leadership skills. His arrogance goes so overboard that he mocks the gods more than once. After proclaiming Antigone’s death, he first mocks Zeus by stating “let [Antigone] cry for mercy, sing her hymns to Zeus who defends all bonds of kindred blood” and again when he says “there let her pray to her god she worships” (lines 735-736) (line875). His outrageous mockery here is an example of how obnoxious he is and has no respect for his citizens or the gods they worship. It is safe to assume the Creon thinks he has taken the place of a god because of his position as king. However, in the end Creon finds out that he was wrong for the proclamation and sentencing Antigone for standing up for what was
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Sophocles provides a setting in his play, Antigone, where the honor code of rules and principles that govern the Greek community, are based upon Creon’s patriarchy of immoral natural law. Where the worst death is a ‘clouded’ (97) one whose foggy setting brings dishonor upon the individual, and his family. Polynecies is an example; Sophocles uses to highlight the significance of a burial, in the Greek society. Polynecies is a victim of Creon's code of honor, which through grotesque diction, Sophocles describes his body as being immorally exposed the “vultures” left “unwept and unburied’ (29) after miserably fighting turning against his brother in a battle for Thebes, in which he turned against him. Causing him to ’[die] outside the law’ (59) bringing great dishonor to the corpse as it is with a lack of respect, left unburied due to tyranny, but also damns it for all time and dishonors his family.
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.