In the play, Antigone, Sophocles contradicts Hegel’s interpretation of Greek tragedies by presenting Antigone’s ethical system as right and Creon’s as wrong, which instigates the main conflict within the play.
For the sake of his reputation, Creon endorses his own laws over the gods’ laws in order to create a certain image of himself that would impress the State. Creon’s law states that Polyneices, Antigone’s brother, is not to be buried, and if anyone breaks this law, he or she would be sentenced to death. Creon coerces the State to adhere to his law in his first formal address as king:
This is my command, and you can see the wisdom
behind it. As long as I am King, . . .
. . . whoever
shows by word and deed that he is on the side of
…show more content…
the State,—he shall have my respect while he is living, and my reverence when he is dead. (197) Creon implicates that disagreeing with him would be naive of the people, compelling them to concur with him.
His direct tone highlights his desire to ensure his law over the State because if he cannot enforce his laws, he cannot control the state. He also obliquely addresses his reasoning behind his law concerning Polyneices while simultaneously threatening the people to yield to his law, stating that in order to receive his respect, they must put the State before anything else. In addition, Creon assumes that the gods would abide by his laws concerning Polyneices and attempts to utilize them as a supporting argument for his case. After receiving the news that someone had buried Polyneices, and Choragos questioning if it could have been the gods’ doing, Creon berates Choragos; “The gods favor this corpse? Why? . . ./ Is it your senile opinion that the gods love to honor/ bad men?” (201). Creon questions and insults Choragos for assuming the gods would be in favor of the burial of a traitor to the State because it would imply that he is wrong for enforcing this law. His condescending and questioning tone emphasizes his fear in wrong judgement which would ruin his reputation as king. While even facing opposition from the leader of the Chorus, in an effort to regulate the state, Creon cannot bring himself to admit that he is
wrong. While Creon truly believed in his actions, in the beginning, he eventually realizes that Antigone has a greater sense of what is right, and in the end, tries to follow her conception of following the gods’ laws. For Antigone, following the gods’ laws takes all precedence over Creon’s laws, resulting in her bold behavior to bury Polyneices. When Creon challenges Antigone for daring to bury her brother, Antigone replies, “I dared./ It was not God’s proclamation. That final Justice/ That rules the world below makes no such laws” (208). Her assertive response in contradiction to Creon’s laws accentuates her fearlessness that derives from her belief in the gods. The personification of the justice of the underworld illustrates the definitive decisions of the gods and the importance of obtaining their favor.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
The play Antigone by Sophocles is about reason and opinion and reveals how people use their voice to be heard. Antigone uses reasoning and opinions to express their moral beliefs and state laws in the play. People manipulate each other by using these terms to get their way by speaking out and standing up for themselves.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to the state because he attacked his brother. Creon's first speech, which is dominated by words such as "authority” and "law”, shows the extent to which Creon fixates on government and law as the supreme authority. Between Antigone and Creon there can be no compromise—they both find absolute validity in the respective loyalties they uphold.
Creon abused his power by thinking that he can change or brake the laws of the Gods and not allowing other people to brake his laws. He did not want to burry Polyneices' body, but one of the God's law is that every human deserves to be buried after death not depending what that certain person did in his lifetime. Creon caused fear among his people by making a public announcement that nobody is allowed to burry Polyneices. He said that the state of Thebes consists of only him, and that there are no other laws then his.
Antigone’s firm belief that her brother Polyneices should have a proper burial is established by her conviction in that the law of the gods is above all else. This law proclaims that all men be mourned and honored by family and friends through means of a suitable burial. Antigone’s need to put honor upon Polyneices’ soul is so grand that she ignores the advice of everyone around her, including her sister Ismene, who tries to pull her away from performing this criminal act because it will disobey the law set by King Creon, and lead to her demise. However, Antigone does not care about the repercussions because even though “[s...
Following Creon's rise to power, he makes an edict. He declares that Eteocles will be "given full military honors," while for Polynices, the edict "forbids anyone to bury him." (Antigone, p. 659) This is the edict that Antigone wants to defy. Many people might say that Antigone is wrong, is defying the law, but I do not.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus would be stoned in the town square.
This is the Crux of the theme, the conflict between the law of King Creon, and the law of the gods. In fact, according to Greek belief, Creon would have been ordained by the gods to be king, and thus, should not his law be their law as well? This is the hurdle that Antigone has to face; should she abide by the law of Creon and leave her brother to rot, under penalty of death? Or should she disregard Creon's edict, follow the law of the gods and bury her brother? Creon is a brother to Jocasta, and thus next in line to become king after Etocles is killed in battle. The king is believed to be the chosen of the gods and to rule in their stead. Why then would the king attempt to punish Polyneices after death and so blatantly violate the rules of the gods? However, Creon is the king, and the penalty for disobeying this law of his is very real and very brutal, death.
A specific strength of Creon, the major adult character in Antigone, is his ability to make his opinions known to the entire kingdom. One example of this is the major decision that is the focus of the entire story. After Antigone’s brother, Polyneices, died in battle against his own kingdom, Creon told the citizens of the land that no one was to bury the traitor. The king felt that the strict edict was necessary because Polyneices “broke his exile to come back with fire and sword against his native city. (193)” Creon knew that a traitor to the kingdom should not be honored with the same ceremony given to one who fought for his own kingdom.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
In Antigone, her brother Polynices, turned against his own city by attacking his own brother just so he could become king. On this day, both brothers died. One, Eteocles, was given funeral honors, but the other, Polynices, was not. This decision was made by Creon, Antigone’s uncle and the current King of Thebes. Creon said “He is to have no grave, no burial, no mourning from anyone; it is forbidden.'; (Pg. 432; l. 165) He also announced that anyone who should attempt to bury him would be put to death. After hearing this decision, Antigone said that Creon couldn’t do that and that the Gods would want Polynices to have a proper burial, therefore Antigone promised to her sister Ismene that she would be the one to defy Creon and bury her brother; and she didn’t care if the whole city knew of her plans. After being caught in the act, she was taken to the palace and when asked by Creon why she did it. Knowing the punishment that would come from it, she replied by saying that she didn’t think Creon had the power to overrule the u...