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Character of creon in oedipus rex
Character of creon in oedipus rex
Character of creon in oedipus rex
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Sophocles’ Oedipus the King and Antigone follow the outrageous misfortunes of Oedipus and his children over the course of several generations. Throughout the events of both plays, Creon, Oedipus’ brother in law, remains a constant presence. However, Creon’s attitudes and actions change drastically between Oedipus the King and Antigone; gradually coming to mirror Oedipus himself, shifting from humility to the stubborn pride of a tyrant. Though he is the same man, Creon’s personality between the two works is so different that he can be thought of as two separate characters: Creon from Oedipus the King and Creon as he is in Antigone.
Early in Oedipus the King, Oedipus becomes convinced that Creon, in league with Tiresias, hopes to supplant him as the King of Thebes. Upon hearing (and misinterpreting) Tiresias’ predictions, Oedipus believes that “the trusted Creon, my friend from the beginning / beguiles me and secretly desires to oust me” (Oedipus the King 405-6). Oedipus is very quick to jump to the conclusion that Creon is a traitor and prepares to eliminate the plot against him, saying “whenever someone swiftly moves secret plots / against me, I must also counter-plot swiftly” (Oedipus the King 644-5). During the events of Antigone, Creon is the accuser rather than the accused; quickly blaming Antigone for the troubles that have befallen Thebes since the death of Polynices. Creon denounces Antigone, angrily declaring, “in my own house, you viper, slinking undetected, / sucking my life-blood!” (Antigone 598-9). Creon is utterly convinced that Antigone must be punished for her crimes, exactly as he himself was charged by Oedipus. Creon stands on the complete opposite side of the law than he does in Antigone, yet he believes that h...
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...ally changed ideas on the power of kings, Creon is clearly a different man than he was in his youth.
Creon is a vastly different character in Antigone than he was in Oedipus the King, displaying starkly different attitudes between the two works. In Oedipus the King, Creon is an idealistic youth who speaks out against tyranny, only to be warped by power until he becomes a tyrant himself. Ultimately, Creon can be considered to act as two separate characters: the idealistic youth of Oedipus the King, and the ruthless Tyrant seen in Antigone.
Works Cited
Sophocles. Antigone. Trans. Robert Fagles. Approaching Literature: Writing + Reading + Thinking. Ed. Peter Schakel and Jack Ridl. 2nd ed. Boston: Bedford, 2008. 1110-50. Print.
Sophocles. Oedipus the King.www.eNotes.com. Web. 30 Nov. 2011.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Creon's noble quality is his caring for Antigone and Ismene when their father was persecuted. Creon is a very authoritative person and demands control of others. When talking to the Chorus, Creon does not ask them to agree with the decree but demands that they follow it. Creon expects loyalty from others. It is apparent that Creon is very dominating and wants to be in control. "The man the city sets up in authority must be obeyed in small things and in just but also in their opposites"(717-719). Through this quote the reader realizes that Creon wants obedience in everything he decides even if he is at fault. "There is nothing worse than disobedience to authority" (723-724). Further supporting Creon's belief that everyone shall remain faithful to him even if he rules unfairly. This is proved true when Creon says, "Should the city tell me how I am to rule them?" (790).
Sophocles. Antigone. Taken from Abcarian and Koltz, "Literature: Reading and Writing the Human Experience." St. Martins Press. 1998.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Sophocles. "Antigone." The Norton Anthology of World Masterpieces. Ed. Knox and Mack. New York: Norton, 1995.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
In OC, Creon still retains some respect for divine prophecies. These have after all motivated his desire to return Oedipus to Thebes. Antigone reveals the ultimate extent to which Creon's character deteriorates. His transformation completes itself; he has become an unreasonable tyrant. Creon can no longer be called a king. He has become a despot.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
Loyalty plays a big part in the play with the characters. Antigone’s words, actions, and ideas contrast with Creon’s character to the point of these two characters having conflicting
Sophocles. "Antigone." Pike, Ana M. Acosta and David L. Antigone. Ed. Joseph Terry. Trans. Dudley Fitts and Robert Fitzgerald. 2nd Edition. Upper Saddle River: Pearson Education, Inc, 2014. 474-488.