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Insights about creative writing
Insights about creative writing
Essay on creative writing
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MARA HEARD ITS heavy footsteps behind her, closing in on her with each passing second, yet she remained calm. Not a single muscle trembled inside her. Despite knowing the beast was chasing her down like a rabid dog, she was not scared of it—never had been, never will be. Spinning on her heels, she faced the creature, staring into its vibrant red eyes with a look as hard as stone, like she wanted it to attack her, to rip her skin and tear her limbs apart until she was no more than a mess of blood and skin. But there was something else in her dark eyes; a bright flame of confidence. It was as if she knew she would defeat the beast before the battle had begun, believing she could tame the worst of creatures: a werewolf. A guttural …show more content…
The beast was no longer the attacker but had been switched to being the prey, only seconds away from a certain death. But although its speed had decreased when it saw the silver arrowhead gleaming in the moonlight, it kept going toward her. Sucking in a deep breath to ensure her hands were steady, Mara kept her eyes fixated on the moving target before she let her fingers slip away from the arrow. She felt the spark of energy running through her fingertips when she sent it slicing through the air, triggering an explosion of adrenaline inside of her. It was a breathtaking experience, the familiar feeling never ending despite how many times she repeated it. A lopsided grin spread across her face as a breathy laugh passed her lips, the echo of the arrow tearing through the air before piercing the werewolf's right shoulder sounding like music to her …show more content…
In the process of trying to reply, he tried to shift to a more comfortable position, to be greeted by searing agony spreading like wildfire throughout his body. Mara noticed this, the grimace crossing his face reminding her of the misery she had brought upon him. She jumped up to her feet, leaning over him to grab the left arrow out of the two, her right hand taking hold of it with delicacy; the wound from the arrow was still leaking blood, the crimson-coloured liquid trailing down his arms and dripping down on the concrete, which meant she had to be gentle to cause him as little pain as possible. Mara sucked in a deep breath, glancing down at Ennis to see if he was ready—he gave her a quick nod. She counted down from three before she yanked her hand toward herself, tearing the arrow out of the wall. Despite the fact she tried to be cautious, she found it impossible to not use a tad of violence, so it wasn't a surprise when Ennis let out an agonized roar. She backed away from him and covered her ears in a desperate attempt to block out the booming sound, his cry piercing her ears with such ferocity that she was afraid she might get a permanent case of
“Instinctively, with sudden overmastering passion, at at the sight of her helplessness and her grief, he stretched out his arms, and next, would have seized her and held her to him, protected her from every evil with his very life, his very heart’s blood… But pride
Almost a complete metamorphosis from the innocent American school girl to this highly skilled stealthy creature that could live off of the land without support from anything or anyone. "She had crossed to the other side. She was part of the land. She was wearing her culottes, her pink sweater, and a necklace of human tongues. She was dangerous. She was ready for the kill." (116).
Looking through the thick pines, Apollo stops and points his tail. His mouth is bearing the ivory-like jaws ready to greet the threat. The stench of death is blowing through the wind. Bruce looks around. First he spots dead carcasses everywhere, then through an opening in the trees all he can see is the gigantic head of a mountain lion mouth dripping with crimson droplets from its fresh kill. The big cat backs away, snapping every branch on the way out. With the adrenaline racing through his veins, Bruce charges through the limbs raising his knife. He gets to where he last saw the beast and then he sees nothing. Not a single track. He kneels down to examine the lions fresh kill. It was a… just then the sensation of knives jabbing into Bruce’s back awakens him from his confused state. The razor sharp claws sink deep into his flesh. Bruce lets out a blood curdling yell as the pads of the enormous feet slide down his back. The only thing Apollo could do to save Bruce is snap at the legs of the mountain lion. As the weight of the giant cat pushing down on Bruce’s back, his legs collapse. The cracking of bone sends shivers up Bruce’s Spine. As he lays there in pain as motionless as can be, he can hear the fight between the cat and Apollo. Bruce cannot move to help Apollo. The snarls and growls rage on for several
on mortal thoughts and ask them to fill me, from the crown to the toe, top full/ Of direst cruelty!". In this way, she wanted them to. unsex her, to make her less feminine and to not feel... ... middle of paper ... ...
Jane describing and connecting her observations of Bertha to a violent and wild animal limits the reader’s chance to manifest an image of Bertha ourselves. By associating Bertha’s actions with that of an animal, we as the reader have no choice but to see a vision of Bertha as a monster. Whereas Bertha’s situation and her actions might garner sympathy from the reader, Jane’s bias perspective and descriptors prevent us from viewing Bertha with complete sympathy. Looking at the scene through Jane’s perspective, we see Bertha as a “figure [running] backwards and forwards” that “snatched and growled like some strange wild animal” which constructs Bertha as a monster with animalistic imagery (380). Having Bertha run backward and forward seems unnatural as it is almost like a frantic pacing but the hurried tone of running makes Bertha’s action appear more manic and monstrous. The snatching and growling in connection to a wild animal give the connotation of Bertha as a threatening or violent being with wild tendencies. The animalistic vocalizations of Bertha continue as Jane later describes “a fierce cry” emitting from Bertha, and Jane then describing her as a “clothed hyena” standing on “its hind feet” (381). The fierce cry could have read as a human cry for help or out of pain, but when it precedes the imagery of Bertha as a “clothed hyena” the reader cannot disassociate from the animalistic imagery. The clothing aspect of Jane’s description of Bertha is interesting because even though Jane might recognize Bertha as a human due to her clothing, Jane continues to follow with the construction of Bertha as a monster by persisting with the image of a hyena. To Jane, no covering of Bertha with a human element, such as clothing, will make Bertha any less of a
...” has varied symbols of interpretation in terms of meaning. The writer uses the beast as an emblem of savagery in the pack. Within the pack of youngsters, most of them suppose they see a monster or creature of some type, however as the novel goes on the readers notice that the youngsters are solely probing for their inner beast. As order disappears, violence and primal instinct begin to require over the human mind, and although the “beasty” may be a illustration of that growing urge that reveals their inner savageness.
She experienced a dream when a black dog popped out of the weeds by a ditch and advanced toward her. She later found herself in the ditch. That is when her senses drifted away. She said, “Old woman, that black dog came up out of the weeds to stall you off, and now there he is sitting on his fine tail, smiling at you.” The quote shows how she was not right in the mind after the dog attacked her.
...h first started on this journey, she thought she was prepared to do whatever was necessary to get her way. In the end however, she could not handle the stress and brutality.
The Creature That Opened My Eyes Sympathy, anger, hate, and empathy, these are just a few of the emotions that came over me while getting to know and trying to understand the creature created by victor frankenstein in Mary Shelley’s Frankenstein. For the first time I became completely enthralled in a novel and learned to appreciate literature not only for the great stories they tell but also for the affect it could have on someones life as cliché as that might sound, if that weren’t enough it also gave me a greater appreciation and understanding of the idiom “never judge a book by its cover.” As a pimply faced, insecure, loner, and at most times self absorbed sophomore in high school I was never one to put anytime or focus when it came time
"Here," he yelled, bringing his foot down hard onto Priam's. He cried out, eyes shut tight. Air was slowly being stripped from him; the last thing he wanted. Blythe tightened his grip, refusing to let go. Priam had to act fast, or he would pass out. He didn't want that, either.
The beast uncoiled her sleek tail, slimy as it was, and leapt; plunging at the girl with all her might. The second I describe this story, your mind plunges into the fantasy I have created, imagining, on the edge of it’s seat, what will happen next? Fantasy is one of the strongest tools of humanity, and it can affect your reality in many ways. Fantasy can rip it apart, piece by piece, or it can strengthen it with new, profound energy. The quality of your reality entirely depends how you perceive them both together. When in a difficult situation, many people tend to hold on to “hope”. However, “hope” can simply be translated as fantasy, but that of a brighter future. One with a happy ending. This “hope”, or fantasy, is essential, as it makes the difficult
He closed on Atrides, spear stabbing his shield. Right on the boss but the bronze could not drive through. So back he drew to his ranks, dodging death, glancing. Left and right, fearing a lance would graze his flesh. But Meriones caught him in full retreat, he let fly.
Now I sat, the ringing of my ears soothing as I listened to the cheering grow louder and louder with every second. Ecstatic praise and applause constant in my drums as my mind had gone numb with though. The piercing cries of children and families filling my ears as my eyes focused in along the body of the beast. It’s face had construed into a large smile, teeth jagged and crossed, spilling out of the creatures mouth with a wicked grin. It’s eyes, though black in entirety, gazed directly onto me. Through the blackness you could barely make something out. Small grey squiggles within the wringed and milky black of the pools. I could almost read it. The bare lines forming abstract messages and ideas. My thoughts were then subverted by the loud voice which came yelling from a podium, hidden behind thick metal
She forced herself to turn away from him and sat up. She could now see the extent of her wounds. She had a long gash from her chest to her hip. She watched as the blood poured out. The bright shimmering green, once characterized as beautiful, looked sickly as it spewed out of her.
In every battle he had fought, he was mocked for dressing as he did which was in honour of his grandfather who accomplished far more than he ever would have. He was certain his grandfather went through this in his later years. "For tradition's sake." he answered her as he kept it short and sweet. It was clear that he wasn't keen to the idea of entertaining this sadistic creature. His eyes still pierced into every bit of her anatomy: legs, back, musculature, and anything he could find that could give him a clue to the intent of her movements. He counted the seconds it took for her to move behind him and circle back into his field of view. It was stupid of him to try and be tough, he figured -- but he listened, and he kept every bit of his expertise on full alert. Eyes were on her tail, and he was itching to draw his guns; nearly holding his own breath to stop himself from making the first