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Before long it was nightfall. I found myself going to bed contented; I was going into a deep sleep and when I awoke, I soon found myself in a strange and mysterious place where the sky was like an everlasting golden sunset!Three questions appeared in my mind: How did I get here? How do I escape? Where do I go from here? Frustration, confusion and anger reached their absolute peak and took the form of a savage beast with a shield for a heart, and a sword for a tongue and its eyes, its eyes! It saw into the fibre of my very being. It had a demonic form and it had snakes for hair, it uttered three small words with a big impact which shook my core. My heart was beating so fast it was a runaway train. If you think dying is harder think again, you haven’t seen anything yet. The three words echoed in my mind: ‘are you terrified?’My body instantly knew what to do before my brain: I ran. (What would you have done?) I looked back at the creature, and it smirked at me with its putrid face – instantly I knew it was all of my life’s troubles that had taken this form.I found myself in a desolate garden as the creature crept back into the darkness and disappeared.My mind was in a haze, I was in a trance that I couldn’t escape from, and I felt helpless …show more content…
As I was trapped in the eternal abyss, a voice cried out to me. However, this was unlike any voice, it was unique; it was as though a message had been called out from heaven. The voice told me to complete two trials in order to regain my memories and return home. It told me “you must go to the black forest where dread and misery lies.”I pondered, why can’t I remember, was I brought here by someone or something? Time seemed to stop. I thought of various scenarios and tried to figure it out by examining my
Mary Shelley's Frankenstein as a Complex Character "Frankenstein" is a gothic horror novel which was written by Mary Shelly in 1818. It was inspired by a biological scientist named "Luigi Galvani". He had experimented with electricity and deceased frogs, and discovered that a charge passing through a inanimate frog's body will generate muscle spasms throughout its body. Frankenstein is about a man on a pursuit to create a perfect being, an "angel" however his experiment fails and his creation becomes an atrocity compared to an "angel". The creature is created using Luigi Galvani experiments of electricity and dead corpses of criminals, stitched together to form this creature.
Victor Frankenstein: The Real Monster. & nbsp; Science is a broad field that covers many aspects of everyday life and existence. Some areas of science include the study of the universe, the environment, dinosaurs, animals, and insects. Another popular science is the study of people and how they function. In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is an inspiring scientist who studies the dead. He wants to be the first person to give life to a dead human being. He spends all of his Frankenstein is to blame for the tragedy, not the monster he has created, because he is the mastermind behind the whole operation, and he is supposed to have everything under control, working properly as a good scientist should. & nbsp; Although some critics say that the monster Victor has created is to blame for the destruction and violence that followed the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being.  something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and & nbsp; I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. (156) & nbsp; Victor is saying that he has isolated himself for two years and in the end, he is not at all happy because of the bad outcome. He also adds, "Winter, spring and summer passed.so deeply was I engrossed in my occupation" (156). By spending most of his time inside on his experiment, never going out, but mostly worrying about his success, he has got himself crazier. This has made him lose sight of his surroundings and judgment & nbsp; Moreover, the monster should not be held responsible for killing Victor's family members and friends as shown in the book and movie, because it is Victor who has brought a dead creature back to life. He expects the monster to know everything when he wakes up cool, calm, and collected. But when the monster is awakened, he does not know anything. He sees a world different from what he is used to, which makes him get nervous and scared, so he&nb has removed him from dead. With the dawning of life, the monster has to learn about his new environment. In the play of Frankenstein, the monster starts to gradually get used to things. The problems he encounters are with Victor's assistant, Peter Krempe, Victor's friend, Henry, and other family members, including Elizabeth, and these are reactions to how these people treat him. These reactions are clearly shown in the movie of Young Frankenstein, where Victor tries to teach the monster how to live like to show off the monster to an audience in a dance routine of sorts. But then people start to scream, panic and throw things at the monster, so he reacts by attacking them to defend himself. In this case, it is clear that Victor tries to push the monster too hard because he wants to be famous.
Mary Shelley was an extremely talented writer who used many different techniques to make Frankenstein so engaging. Her most notable tool was how she managed to entwine stories within each other. Other books may do this once in their story but Mary Shelley repeatedly does it allowing us to see the story in other peoples perspectives.
In any novel the author is free to create and shape their characters in whatever way they see fit. In Frankenstein, Shelley does an excellent job of shaping her characters, be it however minute their part in the story, so that the reader gets a clear picture of Shelley's creations. It seems that each character in Shelley's Frankenstein is created by Shelley to give the reader a certain impression of the character. By doing this Shelley creates the characters the way she wants us to see them. She tells us certain things about them and gives them certain traits so that they will fit into the story the way she wants them to. In particular I will examine the characters of the monster, Elizabeth, and old man De Lacey.
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
Mary Shelley discusses many important themes in her famous novel Frankenstein. She presents these themes through the characters and their actions, and many of them represent occurrences from her own life. Many of the themes present debateable issues, and Shelley's thoughts on them. Three of the most important themes in the novel are birth and creation; alienation; and the family and the domestic affections.
How can such disparate characters, that are even resentful towards one another, be so consubstantial? Though Victor and the monster do not share the same physical or social traits, they have many of the same personality traits. Victor and the monster are analogous with their desire for knowledge, relationships with nature, and with desires for family. The author uses complex diction, symbolism, and syntax to emphasize these similarities. Throughout the plot, these similarities become more apparent and as this occurs their relationship worsens.
Throughout the novel of Frankenstein, the setting is used in a variety of ways to convey different states of mind and feelings at various points in the text.
to take over and play the role of god. In this essay I will be
fact it was not unusual for the quiet girl named Mary to write such a
is it simply because of when it was written? Is it supposed to not be
Frankenstein: A Different Perspective Going into Mary Shelley’s Frankenstein, the first thought that comes to the reader’s mind are the several misconceptions that exist about this literary work. The first is the idea that the monster goes by the particular name of Frankenstein. Another misleading aspect is the depiction of him: a scary creature whose only purpose is to serve evil intentions. However, upon reading the story we learn that the “monster” goes unnamed throughout the entire book, initially unaware of his capabilities. He learns to read, and stumbles upon papers that reveal his creator, Victor.
Jones 1 Kelsey M. Jones Mrs. Yeakel AP Literature 7 December 2016 Sympathy for a Monster The play “Frankenstein” by Mary Shelley is about an isolated man who wants to pursue his talent in science and create life, but what he creates does more damage than good. Victor Frankenstein creates what is called “the creature” from body parts of dead people. The creature starts to kill everyone Victor loves because he feels he was brought into a world unloved and unwanted. In this essay, some of the evil actions of the creature will be brought up along with why people may show sympathy to him.
With music blasting, voices singing and talking, it was another typical ride to school with my sister. Because of our belated departure, I went fast, too fast. We started down the first road to our destination. This road is about three miles long and filled with little hills. As we broke the top of one of the small, blind hills in the middle of the right lane was a dead deer. Without any thought, purely by instinct I pulled the wheel of the car to the left and back over to the right. No big deal but I was going fast. The car swerved back to the left, to the right, to the left. Each time I could feel the car scratching the earth with its side. My body jolted with the sporadic movements of the car. The car swerved to the right for the last time. With my eyes sealed tight, I could feel my body float off the seat of the car.
I walked through the tunnel at dusk. The same route I had been down for months. I saw the familiar warm light coming through the end, and stopped to view the shadow of my hand on the tunnel wall. It was like a ritual to me, and acted as a method to remind myself I exist, and that the hand and body I see is my own. I still wait for the moment I will become part of the world again.