Death and Liberation The sweat on my cold palms glistened like glitter as I traced the path of my lifeline with my weary eyes. The waiting room was motionless while the crisp air conditioner in the hospital building pounded through the relentless eighty degree spring. A crinkled newspaper on the stand next to me was outdated and torn, as if someone has brutally thrown it aside during a monetary loss of the calm tide. Can you use Febreeze to push the scent of death out of the air? Or will you end up with a mixture of death and “fresh spring linen” afterwards? Where do the flowers in the hospital room go when the patient is dead? Do they wash the body bags they use to wrap up the cadavers? Can you scrub memories out of your mind like you can scrub dirt out of a bathtub with lye and hot water? I began asking myself trivial questions. Do they steam clean that ugly gray carpet, or do they use the state’s budget to rip it off and replace it every few years? How much of the hospital’s budget do they spend on tissues for the tears of families? Kleenex or a generic brand? Does being familiar to death make you immune to death’s effects? My brother used to work with chefs in restaurants that told him they’ve cut so many onions, their eyes were immune to tears while prepping for dinner. I wondered if it worked the same way with death. So many thoughts flew through my mind and I became the goose that flies north in the autumn. I was the moth that was denied the luxury of dying in her own terms—instead, I fluttered into the small crack of the fluorescent lighting. I panicked and flew frantic disorganized patterns, constantly striking against the lightbulb and the plastic casing that trapped my curious attraction to the light. Is it exhausti... ... middle of paper ... ...ng room bothered to look up—it was all within the norm. I walked out into the blasting spring heat, feeling the tears evaporate from my cheeks. I sat on a curb outside of the hospital and buried my sobs into my shaking palms. A homeless man with grey hair wheeled his cart over to me and had the audacity to ask me if I had a spare cigarette. I threw him a five dollar bill from my pocket that I was saving for the overpriced vending machines and told him to get away from me. He said “honey, that’s all I’ve ever been doing” and wheeled his squeaky cart of belongings down the hill. I stared at his back as he walked away, wondering what was that supposed to mean. And at that moment, I felt the most profound sense of jealousy towards that man. What a luxury it must be, to wheel yourself away from the situation—like a liberated dove that escapes the careless owner’s cage.
In the essay “On the Fear of Death” Elisabeth Kubler-Ross focuses on dying and the effects it has on children as well as those who are dying, while in Jessica Mitford’s “Behind the Formaldehyde Curtain” focuses more on the after fact when the deceased is being prepared of their last appearance. Both authors, point out that the current attitude toward death is to simply cover it up. A successful funeral is when the deceased looks “Lyf Lyk” in Mitford’s Essay, but in Kubler-Ross’ it is dying at a peace with oneself, no IVs attached. Both authors feel that the current views of death is dehumanizing. Mitford points this out with the allusion that the funeral parlors are a theatrical play, while Kubler-Ross comments “I think there are many reasons
The funeral was supposed to be a family affair. She had not wanted to invite so many people, most of them strangers to her, to be there at the moment she said goodbye. Yet, she was not the only person who had a right to his last moments above the earth, it seemed. Everyone, from the family who knew nothing of the anguish he had suffered in his last years, to the colleagues who saw him every day but hadn’t actually seen him, to the long-lost friends and passing acquaintances who were surprised to find that he was married, let alone dead, wanted to have a last chance to gaze upon him in his open coffin and say goodbye.
begins to wonder exactly what happens when one is cremated. This mood of awe is
The mind is a very powerful tool when it is exploited to think about situations out of the ordinary. Describing in vivid detail the conditions of one after his, her, or its death associates the mind to a world that is filled with horrific elements of a dark nature.
Americans at the end of their lives no longer have this sense of continuity and stability. Rituals today are as likely to include tubes and noisy machines, artificial ventilators and unpleasant drug regimens bringing as many unpleasant side effects as health benefits. Many times the dying languishes in a hospital bed, surrounded not by the comforts of home and family but rather by sterility and bright lights, strangers and hushed voices. Death is no longer a mysterious part of a cherished tradition but a terrifying ordeal to be postponed as long as possible, an enemy that must be fought off at all costs.
John L McIntosh. (2003) . Handbook of Death and Dying. Volume 1: The Presence of Death. Thousand Oaks, CA: Sage Reference.
Although death seems to be a theme for many literary poems, it also appears to be the most difficult to express clearly. Webster’s Dictionary defines the word “death” as, “A permanent cessation of all vital function: end of life.” While this definition sounds simple enough, a writer’s definition goes way beyond the literal meaning. Edwin Arlington Robinson and Robert Frost are just two examples of poetic writers who have used death successfully as the main theme of their works. Robinson, in the poem “Richard Cory,” and Frost in his poem, “Home Burial,” present death in different ways in order to invoke different feelings and emotions from their readers.
Whereas the prevalence of unanticipated and premature deaths led to pre-industrial cultures to focus death fears on individuals' postmortem fates, the death fears of modern cultures are more likely to focus on the processes of dying. Thus contemporary fears of dying involve the anxieties of dying within institutional settings, where often life is structured for the convenience of staff and where residents suffer both physical and psychological pain in their depersonalization. They also involve fears of being victims of advanced Alzheimer's Disease: being socially dead and yet biologically alive. In sum, the dreaded liminality between the worlds of the living and the dead have historically shifted from the period after death to the period pre...
Is there such a thing as free will, what is the relationship between mind and body, and the true difference between right and wrong are a few questions about human existence that have plagued philosophers and average men alike since the days of Socrates and Aristotle. While not everyone may pay these questions much attention, there is one philosophical thought that has probably crossed the mind of every human at some point in time, and that is the concept of death and what happens after. There are widespread thoughts about what happens postmortem which range from the idea of immortality during the days of the ancient Greeks to the belief in reincarnation that is associated with many Eastern religions. These beliefs, along with others similar to them, provide some with a sort of safety net because they know that their essence (soul, spirit, etc.) will continue to exist after they pass. That being said, not everyone shares these opinions and for some the idea of death can be frightening. Don DeLillo’s novel White Noise examines this fear through Jack Gladney and several other characters. While the novel does not offer any answers, it does stimulate thought regarding death in modern society and how it should be handled. Although many of the characters try to do things such as ignore or embrace their fear in order to get it off their minds, Jack cannot shake his angst, all of which mirroring the various reactions people in today’s society have regarding death.
The subject of death and dying is a common occurrence in the health care field. There are many factors involved in the care of a dying patient and various phases the patient, loved ones and even the healthcare professional may go through. There are many controversies in health care related to death, however much of it roots from peoples’ attitudes towards it. Everyone handles death differently; each person has a right to their own opinions and coping mechanisms. Health care professionals are very important during death related situations; as they are a great source of support for a patient and their loved ones. It is essential that health care professionals give ethical, legal and honest care to their patients, regardless of the situation.
In the face of the universal fact of death, attitudes to the corpse are various and changeable. These attitudes are formed through the practices of treatment of the dead and are embodied in various ways (Parker Pearson 1999, p. 45).
Death is a stimulating subject to discuss. Discussions regarding what an individual thinks occurs after death has the potential for creating a great debate. People’s response to death and stages of grief can vary. Death does not always have to mean sorrow, tears and gloom. Death can also bring peace and joy. Some people know in advance that they are going to die and death for others can be unexpected.
I was very excited to take Death and Dying as a college level course. Firstly, because I have always had a huge interest in death, but it coincides with a fear surrounding it. I love the opportunity to write this paper because I can delve into my own experiences and beliefs around death and dying and perhaps really establish a clear personal perspective and how I can relate to others in a professional setting.
It had been reported that, “Numerous people have told of hearing their doctors or other spectators in effect pronounce them dead” (Moody Jr, MD, 2015, p. 17). This is an out of body experience. Each reported feelings of peace and quiet, which transitioned into a bad buzzing noise. After proceeding through a tunnel, they have an “encounter with a very bright light” (Moody Jr, MD, 2015, p. 51). Questions resound around a reflection of their life, what they had learned during it, and if it was worth it. Invariably, each of the subjects’ encounter a border at which they are told they need to go back. “Considering the skepticism and lack of understanding that greet the attempt of a person to discuss his near-death experience, it is not surprising that almost everyone in this situation comes to feel that he is unique, that no one else has ever undergone what he has” (Moody Jr, MD, 2015, p. 83). Naturally, the outcome of this experience has an effect on the lives of those experiencing it.
One thing that we often hear is that “death is just a part of life.” So often in our day and age do we hear people utter these words. However, death is far more significant and impactful than some would allege. True death is not merely a time when we cease to exist; it is an entombment, a mindset in which we are dead to this world. Throughout our lives, it is true that we can all be dead in one way or another, but it does not have to be that way. When we have our eyes opened to what death actually is, it is far easier to grasp what the true meaning of life is, and to embrace it. Often, we will come across individuals who are enveloped in death and others who are immersed in true life. The shadow of death and entombment lies upon some, encompassing