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Recently on a girl’s night out Stella shared a personal story with Luna. It was kind of a cross between a story and a lecture about a woman who had been married 12 years with her husband and never took her clothes off for him once. Stella recalled her experience, “A distressed client of the Cafe once told me, “Stella, I can’t get my wife pregnant. We have been trying for years. My patience is lost!” I said to him, “John, I don’t mean to pry, but I have to ask. How is the sex in the bedroom?” He replied with desperation in his voice, “I need your help. Can you please sleep with me? I think I am broken.” I said “John, your wife is beautiful, what is stopping you from staying up?” He said to me, “I can’t admire her beauty, she won’t take off …show more content…
Turns out it was for their best. I felt so sorry for him, he thought there was something wrong with his penis not erecting. All he had was a lot of …show more content…
All I did was kiss his mouth and he finished. Still, I sent him home that day with lipstick on his collar and a promise never to tell his wife it was mine.
She came to the restaurant a few days later wanting to speak with me. She wanted to know if John had been having meals at the restaurant with other women. I said, “He has stopped by several times to eat, but never with any women. Why would you ask?” Cindy Williams, was her name. She broke down crying about finding the shirt with the lipstick, and explained the same story John had told me in the beginning of the week. They had been fighting because she would not take off her clothes and he could not get aroused.
Well, I have often thought of myself as a healer. I said, “Cindy, follow me upstairs.” When we got there, I said, “Cindy, stand in front of that mirror and look at yourself for a while. You have to start taking off your clothes, and each time you remove something, answer me what is so wrong with what you see in the mirror?” At first she was nervous, and I said, “Come on, it’s only us girls! We all have the same parts.” She removed her shoes, nylons, and skirt, leaving herself with a button down blouse. I said, “Stop! Right there! What do you see in the mirror?”
She looked and said, “Legs and my
Mark Fossie and Mary Anne Belle were childhood sweethearts nearly betrothed at birth. While in Nam, Mark came up with a master plan to fly Mary Anne over to Vietnam to be with him. As men joked one evening about how easy it could be to sneak someone over Mark heard and took this as no joke. He was going to try it! He spent almost all of his money to get her over but it paid off,they were reunited. The picture of a happy couple they spent most of their time together adn for a while things seemed very normal to them. All they had ever known was being a "them" and when they were together things just seemed to be right. How blindly we see things when we are surrounded by the arms of the one we love. She was young and curious and being the only women there she was very flirtatious.
In this passage, Williams’ emphasises the nature of Blanche’s demise through the contrapuntal mode of the scene juxtaposing Blanche’s bathing with Stanley and Stella’s conversation. Williams wrote in a letter to Elia Kazan, who was to direct the film production of the play, that ‘It is a thing (misunderstanding) not a person (Stanley) that destroys (Blanche) in the ends’. This passage is significant as it shows the extent of Stanley’s misunderstanding of Blanche and his stubbornness to ascertain his condemnations to Stella. Furthermore, the use of colloquial lexis shows the true feebleness of Stanley’s claim because his judicial façade is diminished and shows the dangerous influence of claims as he sways Mitch away from Blanche. Stella’s character
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
she was told "to take a streetcar named Desire, and then to transfer to one
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
I asked him ‘Didn’t you have a wife or a girlfriend you could do this with?’ He said ‘I like this better. I like it better this way.’ “
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Everyone has experienced a situation in life where it's like a rug has been pulled out from under them. Well, T. Williams’ novel A Streetcar Named Desire portrays a similar situation of three unconventional characters whose reality is not the American Dream that they are striving for. Blanche, Stella, and Stanley approach life hoping for different outcomes in their lives. But what is the American Dream they were striving for? Simply put, by looking at the principles of America, the primary dream for everyone is to have a well-lived life. For some people this includes a family, success, happiness, independence, money, and love. If these are T. Williams’ constructs of the American Dream, then Stella and Stanley Kowalski may never find their
Tennessee Williams was born Thomas Lanier Williams in 1911. As a successful playwright, his career was greatly influenced by events in his life. He was noted for bringing the reader "a slice of his own life and the feel of southern culture", as his primary sources of inspiration were "the writers he grew up with, his family, and the South." The connection between his life and his work can be seen in several of his plays.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Written in 1947, by playwright Tennessee Williams, the play A Streetcar Named Desire opens in the 1940s in the well-known city of New Orleans. Readers are presented with the young couple Stan and Stella Kowalski who live below another young couple, Eunice and Steve. While Stan and Stella manage to maintain a relationship, it is abusive. Stella reunites with her alcoholic sister Blanche, after learning that the family plantation had been lost due to bankruptcy. Blanche, a widow often finds herself in difficult and unforeseen circumstances. Blanche’s poor choices and vulnerability leads to an affair with Stan’s poker buddy Mitch. Coinciding with his abusive nature, Stanley rapes Blanche. No one believes her until the very end, causing her to get sent away to a mental institution. While the play and film were smashing, each had their similarities overall, in regards to setting, plot, and characters while differences concerned narrative technique.
After two world wars, the balance of power between the genders in America had completely shifted. Tennessee Williams’ A Streetcar Named Desire is a harsh, yet powerful play that exposes the reality of the gender struggle. Williams illustrates society’s changing attitudes towards masculinity and femininity through his eloquent use of dramatic devices such as characterization, dialogue, setting, symbolism, and foreshadowing.
In the story Alice in Wonderland, the world of Wonderland represents the main antagonist Alice’s fantasy that is fueled by her desire of staying in the past and remaining a child. Ultimately, she fears the changes that come with becoming an adult; thus, she resists reality and embraces the lies of her fantasy of staying a child by staying in Wonderland. Furthermore, this is similar to how the main antagonist in A Streetcar Named Desire, Blanche DuBois, resists reality by lying to herself and everyone she knows because she also fears reality. Unlike Blanche, Alice soon realizes that by embracing her fantasies and desires she would be led down a path of destruction because fantasy and reality are incompatible. Likewise, Tennessee Williams covers the topic of the incompatibility of fantasy and reality in A Streetcar Named Desire by making the character Blanche DuBois, which represents fantasy, resist and have a conflict with the character Stanley Kowalski, which represents reality, because he wants to convey that it is natural to fear and resist reality and take solace in desire and fantasy.
Fantasy worlds are fun until reality surfaces and the truth is revealed. In Tennessee William’s play, A Streetcar Named Desire, Blanche Dubois is an aging Southern Belle trying to run from her past. Blanche refuses to admit to the poor decisions she has made along the way and creates a fantasy world in her head to cover the truth. Blanche’s continuous conflict with her poor decisions and her desires cause a battle of fantasy versus reality. Blanche often tries to escape reality through motifs: light, bathing, and alcohol.
Which consisted a cute cute plum cami top, boyfriend jeans, plaid sleeved button up around the waist, and black leather pumps from Michael Kors. Lastly I put on my makeup and perfume. I left my hair natural which is plain straight. " I'm ready Lisa" I said walking out the bathroom. "Finally we have 20 min to get to the restaurant, the driver is outside " she said dragging me outside to the car that was waiting out