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The portrayal of women in 19th century literature
The portrayal of women in 19th century literature
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In Trifles, by Susan Glaspell, there are many character types. The character type that is most recurrent throughout the play is the ego-centric county attorney. County Attorney Henderson is ego-centric in the aspect that he can never be wrong, because of this he treats others like he is above them, and it causes him to miss important clues in the case. One way that the county attorney comes off as self-centered is the way he addresses the women in the play. As soon as Henderson approaches the women, he says, “[With the gallantry of a young politician] And yet for all their worries, what would we do without the ladies? [The women do not unbend. He goes to the sink, takes a dipperful of water from the pail and pouring it into a basin washes his hands. Starts to wipe it on a roller towel, turns it for a cleaner place.] Dirty towels! [Kicks his foot against the pans under the sink.] Not much of a housekeeper would you say, ladies?” (p.1158) This quote from the county attorney represents his ego-centric personality because of the way he lacks respect for …show more content…
Wright. Henderson takes on the murder by himself when he says, “I’m going to stay here a while by myself. [To the sheriff.] You can send Frank out for me can’t you? I want to go over everything. I’m not satisfied I can’t do better”(p.1164). Henderson’s confidence is overwhelming. He has overlooked the entire motive and evidence collected by the women, and is sure he can figure things out by himself. If he was not self-indulged, he would eagerly ask for input from those around him. The county attorney also clearly brushes off the sheriff when he says: SHERIFF. [Chuckling.]. Married to the law. [Moves toward the other room.] I just want you to come in here a minute, George. We ought to take a look at these windows. COUNTY ATTORNEY. [Scoffingly.] Oh, windows! (p.
I. Article Summary: Suzy Clarkson Holstein's article, “Silent Justice in a Different Key: Glaspell's 'Trifles'” evaluates the play Trifles and how the difference between the men in the play mirror how a woman's perspective is very different from a man's. Trifles is about two women, Mrs. Peters and Mrs. Hale, who show up at a house with their husbands and the county attorney to investigate a murder. The entire time the men are looking for evidence to implicate the accused wife, Minnie Wright, of killing her husband. Meanwhile, Mrs. Peters and Mrs. Hale are there to gather up some items to bring Minnie Wright in jail. While doing so, the women uncover evidence that would prove the wife is culpable but decide to hide it from the men in the last moments of the play. Trifles is evaluated on how the women are able to come up with the evidence unlike the men because they didn't approach it like a crime scene but rather a home, “By contrast, the women arrive at a home. Although neither they or the men realize it, they too are conducting an investigation” (Holstein 283). Holstein also notes they are able to find evidence because they use their own life experiences to relate to the accused murderer, Minnie Wright as shown here; “But the women do not simply remember and sympathize with Minnie. They identify with her, quite literally” (285). Holstein finishes the article by noting the women decide to hide the evidence because of the solidarity they feel towards Minnie Wright; “From Mrs. Hale's perspective, people are linked together through fragile, sometimes imperceptible strands. The tiny trifles of life –a neighbor's visit, a bird's song, the sewing of a quilt –have profound reverberations” (287).
The novel Theodore Boone: Kid Lawyer has a very in-depth conflict that is showcased all throughout the novel. In Theo's community, there is a high-profile murder trial about to begin. Mr. Pete Duffy, a wealthy business man, is accused of murdering his wife Myra Duffy. The prosecutors have the idea that Mr. Duffy did it for the one million dollar insurance policy he took out on his wife earlier, however they have no proof to support this accusation (Grisham 53). The defendants do however have the proof that no one saw the murder, for all everyone knew, Mr. Duffy was playing his daily round of golf at the golf course right by his house. As the trial moved on, the jury was starting to lean towards letting Mr. Duffy walk a free man. To this point, there has been no proof to support the prosecutors statements that Mr. Duffy killed h...
Susan Glaspell's Trifles explores the classical male stereotype of women by declaring that women frequently worry about matters of little, or no importance. This stereotype makes the assumption that only males are concerned with important issues, issues that females would never discuss or confront. The characters spend the entirety of the play searching for clues to solve a murder case. Ironically, the female characters, Mrs. Peters and Mrs. Hale, uncover crucial evidence and solve the murder case, not the male characters. The men in the play, the Sheriff, County Attorney, and Hale, search the scene of the crime for evidence on their own, and mock the women's discussions. The women's interest in the quilt, broken bird cage door, and dead canary, all of which are assumed to be unimportant or trifling objects, is what consequentially leads to their solving of the crime. The women are able to discover who the killer is by paying attention to detail, and prove that the items which the men consider insignificant are important after all.
While Mrs. Peters and Mrs. Hale are right in covering up for Minnie, Glaspell is wrong in portraying all men as jerks. Now as we approach the turn of another century, we see that there are plenty of men at this day in age that would understand Minnie’s actions and cover for her just like Mrs. Peters and Mrs. Hale. Surely, there were a few men a hundred years ago that would not have acted as Mr. Peters and Mr. Henderson, and would have covered and understood Minnie’s actions.
Laidlaw by William McIlvanney Laidlaw is a novel written by the famous Scottish-born author William McIlvanney. His inspirational style of writing has delivered him prestigious awards for all his high-quality novels. Laidlaw is set in the urban city of Glasgow in the 90's and delivers a cutting edge insight into big industries and crime in society. McIlvanney creates a stunning atmosphere and examines the fascinating issues of why people commit murder and the devastating results of violence. One of the reasons I selected this novel wasn't just because of the quality and origin of the author and the setting, it was because of the infuriating character of Chief Detective Inspector Jack Laidlaw, he is the main character and the most memorable one.
Mrs. Hale feels a natural responsibility to defend and protect Minnie Foster Wright through her connection as a fellow woman and housewife. Upon her introduction to Minnie through her home, Mrs. Hale finds an immediate connection. She understands Minnie’s life as a homemaker and a farmer’s wife and is quick to defend her when her skills as a wife and woman come into question. When the men recognize Minnie’s lackluster cleaning of kitchen towels Mrs. Hale retorts “[m]en’s hands aren’t as clean as they might be” (Glaspell 160). She asserts her loyalty to Minnie and notes that men are not always perfect or without blame, without “clean hands”. As a woman, Mrs. Hale easily sees herself in Minnie’s place and comes to her defense as if she were defending herself. It is easier to share her loyalty with a woman so much like her than it is to be loyal to men that act superior and do not understand the challenges of being a housewife. The men find a woman’s chores as petty, nothing but “trifles” (Glaspell 160).Scholar Karen Stein argues that it is these commonalities that create the responsibility of everywoman to defend one another (Ortiz 165). Mrs. Hale sees herself in every...
In the play Trifles, written by Susan Glaspell, we observe like flies on the wall as two women discover the crimes of a peer and weigh her guilt against their own. Mrs. Peters and Mrs. Hale find similarities within themselves and their experiences that mirror the feelings of Mrs. Wright prior to her alleged offense. Not only are we witness to this in their words, but in the stage business that takes place as well, denoted by descriptive stage direction. In their hearts, we see them struggle throughout the play with the social constructs of gender roles, guilt, and culpability.
The power of women is different than that of men. Women display a subtle and indirect kind of power, but can be resilient enough to impact the outside world. In Trifles, Susan Glaspell delivers the idea that gender and authority are chauvinistic issues that confirm male characters as the power holders, while the female characters are less significant and often weak. This insignificance and weakness indicated in the play by the fact that the women had the evidence to solve a murder, but the men just ignored the women as if they had no value to the case at all. This weakness and inability of the female to contest the man’s view are apparent. According to Ben-Zvi, “Women who kill evoke fear because they challenge societal constructs of femininity-passivity, restraint, and nurture; thus the rush to isolate and label the female offender, to cauterize the act” (141). This play presents women against men, Ms. Wright against her husband, the two women against their spouses and the other men. The male characters are logical, arrogant, and stupid while the women are sympathetic, loyal, and drawn to empathize with Mrs. Wright and forgive her crime. The play questions the extent to which one should maintain loyalty to others. Mrs. Peters and Mrs. Hale try to withhold incriminating evidence against Mrs. Wright, and by challenging the reader to question whether
but washing must be done and procrastination won’t do it for me (Schlissel 83).” Although this woman obviously did not like doing the washing, she saw it as her job to do. In addition, the book describes this scene, “The banks of a river would be lined with women who carried their kettles, their washtubs, and piles of unwashed linen (Schlissel 82).” Again, it is the women who are doing the cleaning. The McGuffey Readers, being the handbook that young girls would read in school, taught them that it was their place to do the cleaning.
Susan Glaspell's play, "Trifles", attempts to define one of the main behavioral differences between man and woman. For most of the story, the two genders are not only geographically separated, but also separated in thought processes and motive, so that the reader might readily make comparisons between the two genders. Glaspell not only verbally acknowledges this behavioral difference in the play, but also demonstrates it through the characters' actions and the turns of the plot. The timid and overlooked women who appear in the beginning of the play eventually become the delicate detectives who, discounted by the men, discover all of the clues that display a female to be the disillusioned murderer of her (not so dearly) departed husband. Meanwhile, the men in the play not only arrogantly overlook the "trifling" clues that the women find that point to the murderer, but also underestimate the murderer herself. "These were trifles to the men but in reality they told the story and only the women could see that (Erin Williams)". The women seem to be the insightful unsung heroes while the men remain outwardly in charge, but sadly ignorant.
"Trifles," a one-act play written by Susan Glaspell, is a cleverly written story about a murder and more importantly, it effectively describes the treatment of women during the early 1900s. In the opening scene, we learn a great deal of information about the people of the play and of their opinions. We know that there are five main characters, three men and two women. The weather outside is frighteningly cold, and yet the men enter the warm farmhouse first. The women stand together away from the men, which immediately puts the men against the women. Mrs. Hale?s and Mrs. Peters?s treatment from the men in the play is reflective of the beliefs of that time. These women, aware of the powerless slot that has been made for them, manage to use their power in a way that gives them an edge. This power enables them to succeed in protecting Minnie, the accused. "Trifles" not only tells a story, it shows the demeaning view the men have for the women, the women?s reaction to man?s prejudice, and the women?s defiance of their powerless position.
In the play Trifles, Susan Glaspell brings together three women through a crime investigation in the late nineteenth century. Glaspell uses symbolism, contrast of sexes, and well-constructed characters to show that justice for all is equally important to finding the truth. Perhaps the most prevalent literary device in the Trifles is the rich symbolism. Each of the women in the play are equally important, but come together to become more powerful. Mrs. Hale and Mrs. Peters directly bond, while Mrs. Wright indirectly contributes from jail by leaving them small clues.
Throughout “Trifles” by Susan Glaspell, the setting, stage set, societal norms, and symbolism within the play all contribute to our understanding of the wife’s central conflict. With the guilt of killing her husband, Mrs. Wright develops an internal conflict within herself. This conflict is exacerbated throughout the play due to these factors.
Farther down the hall I hear voices. The general court is in session. Inside the
“Trifles”, by Susan Glaspell, focuses on three points; relationship between men and women, the privacy of a home life and the justice that law must find. By using the play structure, powerful diction, meaningful symbolism and a tense tone, she successfully serves her purpose. The classic plot line of progression only further allows the reader to be enthralled by the focus of the story.