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Edith Wharton's view on her society
Edith wharton style
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As Newland Archer went back to the club and sat by himself in the stranded library, he continues to thinking about his time with May's cousin Countless Olenska. He also ponders on the thought of her returning back to Europe and "it was clear to him and it grew clearer under close scrutiny, that is he should finally decide on returning to Europe it would be because her old life tempted her, even on the new terms offered. No: she felt herself becoming a temptation to Archer, a temptation to fall away from the standard they had both set up. Her choice would be to say near him as long as he did not ask her to come nearer; and it depend on himself to keep her to just there, safe but selected" (Wharton, 246). The passage describes that both Countless …show more content…
Rather than focusing on the images society put on them, Countless Olenska and Archer place their attention on just themselves. Countless Olenska would sacrifice going back to Europe for Archer, not taking account of anyone else thoughts. By Countless Olenska staying, the temptation would only grow between them, therefore establishing a standard not only would benefit themselves, but also society. This is is because Archers would conform to the morals and standards that are put into place by society. Although he does not believe this is the right thing to do, it is what his family and society want. While Sherman McCoy is talking to Killian, Sherman says, "You've never been, throughout anything like this. I don't doubt that you've seen a lot of it, but you've never been through it, I can't explain the feeling. All I can tell you is that I'm already dead, or the Sherman McCoy of the McCoy family and Yale and Park Avenue and Wall Street is dead. Your self - I don't know how to explain …show more content…
While Sherman is having the affair with Maria, there is no thought that his wife Judy would leave him. Sherman has the image of himself as "the Master of the Universe", which gives off the impression that he is able to do whatever he pleases without any consequences. Sherman is taught to love himself which goes a little too far and he thinks he should indulge every whim. Sherman keeps wanting more, but it will never be enough to satisfy his sense of entitlement. By acting superior over everyone, even his wife refuses to be by his side while he goes through his trial and jail time. When in need, the most important person in his life is not showing sympathy or helping him while he is being destroyed. Judy and Sherman eventually separate after the scandal, but he continues to try to win her back. As Sherman was lying in bed realizing that he was going to be put in jail, he wanted Judy next to him and "he would have put his arms around her and held on for dear life. He wanted to embrace her, longed for it “(Wolfe, 427). Sherman is finally realizing that he should have never took advantage of Judy by having a mistress, but since he was the "Master of the Universe" , he had anything what at his fingertips. Before Sherman was charged with the crime, he never needed Judy, but after Maria led the police to believe that the crime was Sherman's fault, he realizes that Judy was a true women that he took
Tale of the Living Dead Ethan Frome, by Edith Warton is truly a tale of the “living dead”. Don’t be confused by the way this term is used in movies, where the living dead are corpses that rise from the ground. In this case, the term “living dead” refers to a person who is physically alive but emotionally dead. In the novel, Ethan Frome, all three main characters are emotionally dead. The characters have been emotionally dead since the "smash-up" in which Ethan and Mattie crashed their sled into a tree.
“Editha” is a story about a young naïve woman named Editha, who insists that her fiancé, George Gearson, a methodical man, to fight in the Spanish-American War. Editha blindly and ignorantly believes in the heroic romanticism of war and is totally oblivious to the real consequences of battle. She is overjoyed that war is being declared and cannot apprehend his hate for war and his reluctance to fight in a war. Editha believes that her boyfriend is not a real 'man' unless he goes to fight for his country. George has is his chance, because the Spanish-American War has been declared. The fact that George does not seem to take anything very seriously irritates Editha, and she practically torments him into enlisting in the army when war is declared
He is sure that he will "triumph" over nature, and will willingly be "worshipped" by his wife afterwards. He is frustrated when his experiments for Georgiana's amusement fail and angry when she reads his "folio" of experiments. His striving for perfectionism cannot handle the fact that Georgiana now knows that he s not omniscient, but rather that in reaching for "pebbles" of science, which made him famous. He wants to be as flawless as he wants his wife to be. However, in pursuit of perfection, so that his wife should be the "highest and purest of earthly world", his conscience is blinded.
While everyone is legally intitled to the pursuit of happiness, the truth of the matter is that very few ever achieve it. Ones morals, standards, conscious, or perhaps even fate, keep them from accepting a pure form of satisfaction. While a person can search and struggle their entire life for happiness, the truth of the matter is, that they will never be happy with what they have infront of them. The character Ethan, portrayed in Edith Whartons novel, Ethan Frome, is emotionally weak, he battles constantly with what he wants, how to get it, and what is ethically right. Ethan was obligated to care for his wife Zeena until death, but his misguided decisions lead him to be concerned only with his immediate happiness. Much like Ethan in Ethan Frome, people who concentrate on personal happiness, without factoring in personal responsibility, set themselves up for a painful reality check.
Throughout the story Monsters Due on Maple Street and Emily Dickinson’s poem #435, I noticed many similarities. The poem seems as if it was written to match the story. Their similarities relate to stereotyping, madness, prejudice, and poor treatment for people that are looked at as outcasts.
In The Age of Innocence, women are viewed in a white light of innocence. Promiscuity was excusable, even expected of men, but for women sexuality was a part of the criteria to be accepted into society or find a husband. Women were expected to be loyal to their husbands, accept restrictions, and never divorce. Archer sees May exactly as he is expected to, as a pure young woman in need of guidance. However, May had powers of her own that weren’t taken into account by Newland. May had her loyalty, duty, and most importantly, her pregnancy. May had been aware of Newland’s desire to be with Ellen for some time. New York society never would have approved of his choice to do what would make him happy, but May takes matters into her own hands in her final fight for Newland. May reveals that she is pregnant, and this piece of news immediately eliminates Archer’s choice to leave May. Finally, Newland cannot gather up the courage to go against the morals of New York society. He has no choice but to put the interests of his family above his own desires once again. The idea of a female character revealing her intuition and shred of social power ultimately forces Newland, and the reader, to question who is really in
Edith Wharton, originally named “Edith Newbold Jones”(Cliff Notes), was born on “January 24, 1862 in New York City to George Frederic Jones and Lucretia Stevens Rhinelander Jones and died on August 11, 1937”(Cliff Notes). She was born into a wealthy family and was a “designer, short story writer and American novelist”(Cliff Notes). Wharton descended from the English and Dutch cultures. She had two siblings, one known as “Frederic Rhinelander Jones” (Cliff Notes) who was sixteen years older than her, and “Henry Edward Jones eleven years older”(Cliff Notes). While her brothers attended boarding school, Wharton became “raised as an only child in a brownstone mansion on West Twenty-third Street in New York City”(Cliff
Grant is a character introduced as Jefferson’s old teacher. His aunt Tante Lou is friends with Jefferson’s godmother Miss Emma. Miss Emma asks Grant to go and visit and talk to Jefferson. Miss Emma knows that Jefferson must be going through hard times, being depressed knowing that he is simply waiting for the day of his death. Grant agrees to help and talk to Jefferson so that he dies a man; however deep down inside him Grant questions whether he can actually help Jefferson. Grant is not a happy person; he questions what he really wants in life. However Grant continues to visit Jefferson and attempts to help him, it seems...
Throughout the lives of most people on the planet, there comes a time when there may be a loss of love, hope or remembrance in our lives. These troublesome times in our lives can be the hardest things we go through. Without love or hope, what is there to live for? Some see that the loss of hope and love means the end, these people being pessimistic, while others can see that even though they feel at a loss of love and hope that one day again they will feel love and have that sense of hope, these people are optimistic. These feelings that all of us had, have been around since the dawn of many. Throughout the centuries, the expression of these feelings has made their ways into literature, novels, plays, poems, and recently movies. The qualities of love, hope, and remembrance can be seen in Emily Bronte’s and Thomas Hardy’s poems of “Remembrance” “Darkling Thrush” and “Ah, Are you Digging on my Grave?”
In the novel Ethan Frome, Edith Wharton creates an interesting plot revolving around two star-crossed lovers. Unfortunately, there is only one important thing that gets in the way of these lovers, a wife who’s a hypochondriac. Zeena, the wife, finds herself in a particular situation, a situation where she needs to figure out how to get rid of Mattie. She tries everything to get rid of her, especially her illness, using it as an excuse to get what she wants, oppressing Ethan’s desires and needs. Despite her malicious actions, she creates a justifiable reasoning of her intent. In Ethan Frome, Edith Wharton creates a psychological response in regards to Zeena. Rather than being depicted as the villain of the novel, Zeena is merely the victim of
This quotation cuts straight to the heart of Willa Cather's whole argument throughout O Pioneers!, which is that it is Alexandra Bergson's will to survive and continually adapt which makes her successful -the facts that her neighbours are unwilling to take up new ideas and technologies, they are unwilling to gamble, and, worse, unwilling to listen to those whose relationship with the landscape is harmonious and respectful (such as that of Ivar), mark them down as part of the legacy of ignorant, unadventurous past. Alexandra is not content with a position such as Ivar's, though; she does not seek to subsume herself into nature, but to respectfully co-exist with it until she can in a greater development tame it. Whereas Ivar merely wishes to leave no mark, she has more controversial ideas. It is this which marks her out as something special; she was born with the fiery imagination of the true pioneer, born to prosper in "the struggle in which [she] was destined to succeed while so many men broke their hearts and died" (page 46). If she is so destined to succeed, she must similary be destined to make her mark on society of the time, on its established traditions, and sweep them aside in order for a brighter world vision to take their place.
... when his son learns a story of his relations with Ellen and speaks to him about it many years after (Wharton 41). The lesson that he learns is that society is very concerned with the affairs of its members and even his wife had heard the rumors about the two cousins. While May was busy upholding her traditional role as faithful wife, she also was acting within social norms and ignoring his infatuation with her cousin Ellen, and allowing a facade of a strong marriage to continue. The violence presented in this book, while not as obvious as that in The Piano or Medea, is no less intense. May's innocent look but underlying manipulation of Archer's feelings towards her and his feelings of obligation demonstrate a great struggle between the "innocent" May Welland who looks "blankly at blankness" and the "fiery beauty" of Ellen, and both of their desires for Archer.
On January 24, 1862, Edith Wharton was born to George Frederic Jones and Lucretia Stevens Rhinelander in New York City. Wharton’s family were decedents of English and Dutch colonists who had made fortunes in shipping, selling and banking. Wharton, the youngest and only girl of 3 children, spoke 3 languages and was taught by a series of governesses. Because Wharton was taught only with the intention to provide her with the proper social skills needed to become a good wife, she began to read books from her father’s library, especially western culture books. At the age of 18 Edith Wharton feel in love with Walter Berry, but could not truly pursue the relationship because Berry was not from the same social class as Wharton, which in Old New York, was not socially allowed. However, in 1885 at the age of 23, Wharton married Edward Wharton who was 12 years older then her. Edward Wharton was a gentlemen and a sportsman from a well-established family in Philadelphia. Edward shared her love of travel and was acceptable in eyes of Edith’s parents. From the late 1880’s to 1902 Edward Wharton suffered from acute depression and at this time they stopped traveling and lived exclusively at “the Mount” – the home Edith Wharton designed in Lenox, Massachusetts. Edward Wharton’s depressed really put a strain on their relationship and in 1913 Edith Wharton divorced Edward Wharton. After the divorce Edith returned to writing, at this time she wrote a lot of books that often dealt with divorce, unhappy marriages, and free-spirited people who are trapped by social pressure.
Without realizing it, she has created a struggle between a friend in whom she can confide but cannot love like a husband and a husband whom she can love as such, but in whom she cannot confide. The saddest part of the story, and the part which finally shows the consequences of the wife 's ineptitude, is the final scene. Upon awakening from a stoned slumber, she finds her blindman, her confidant, sharing a close conversation with her husband, her greatest desire, as they draw a picture of a Cathedral together. Her makes her jealousy evident when she exclaims, “What are you doing? Tell me, I want to know...What 's going on?” like a child shouting to be heard (Carver 193). Her desperate tone stems form the fact that she must observe her heart 's greatest desire occur before her eyes, but from the side lines. She so desperately desires to become a part of the relationship forming between her husband and the blind man, but she cannot. Once again she falls behind, this time spiritually as her husband experiences a revelation, while she remains in the dark. The husband realizes the importance letting people “in” ones life at the blind man 's words, “Put some people in there now. What 's a Cathedral without people,” but the wife does not (193). Obsessed with becoming a part of their conversation, she completely overlooks the relevance of the
...l when Angela’s brother beats up Bryon, at Terry Jones’ house because Mark cut her hair while Bryon is in the car. When Mark arrives Terry Jones’ house he finds Bryon lying on steps severely beaten. When Bryon sees Mark he is quickly comforted by him and Mark informs him that he is going to get revenge on the Shepards. However, Bryon informs him to not provoke anything else because then they will be in an endless conflict with one another. Mark is unable to comprehend what Bryon just tells him because it is so unorthodox of Bryon. Bryon recalls his confrontation with Mike and understands what he means by “forgiving them for what they had done.” (62) This marks one of the few moments where Bryon is maturing enough to understand that violence is not the solution to everything.