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Greek theatre and mask work
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Costumes played an important role; among a few of the most important. Actors use costumes and props to give the audience a more realistic vibe, and are able to express themselves more precisely through costumes. Plenty of restrictions and laws came with Roman theater history and costumes, but following by these laws proved a loyal citizen of Rome.
The material the costumes were made of were similar, in both Greek and Roman theater history. The actors wore robes or loose clothing, and the colors and or style were symbols of the character. For example, a purple costume was meant to be worn by the actor playing a wealthy man. Red costumes were the opposite, meant to portray a poor man. A yellow costume/tassel was meant to be worn by an actor who portrayed a God in the play. Short tunics were meant to portray a slave.
The masks worn by the actors were large with a main expression plastered onto their features. The masks and their expressions were assigned
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The different types of masks were colored for the different genders; white masks were meant for women, and brown or darker coloured masks were meant for men. The theater arena was a large, outdoor space, built to hold thousands, so the masks had to be of size. Some mask were made of wood, linen, leather cork, and occasionally real hair. They were also lightweight, but not durable. The masked did help to enhance emotions and expressions, helped to project voices, helped differentiate characters for those seated far from the stage, Masks covered whole head with wig and had holes for eyes and mouth.Masks are used for amplifying the actors' voices. Masks can also help define different characters to
In William Golding’s “Lord Of The Flies”, a group of boys is stranded on an island that completely changes them. The boys turn totally different from how they act from society as if they were putting on masks. It’s not just the boys that wear masks, but a lot of people try to hide from other people. What a mask does is that it hides a person’s trait and shows something completely different. I have made a mask like one of the boys, Ralph, that tries to show that he’s a leader, but hides a different personality. Here are some of the qualities of my mask.
Masks are a way an individual expresses themselves with various types of people. We are given different occasions and have to act a certain way to do so. Gergen states that the cause of having a mask is “When an individual seeks approval from this diverse range of personalities,he or she adopts a wholly different mask or public identities.” (197) Each person has a different personality when they are with certain people, based on actions and reactions. For instance, when having a guest visiting for the first time, we tend to look our best and choose the best way to make them feel welcome. We tend to hide things that don 't seem “appropriate” and take out things that seem new. We probably don’t notice, but we create a mask based on appearance since we are hiding the reality based on their first
A mask makes one unknown, unrecognized, and mysterious. When the first mask was put on, Jack "looked no longer at himself but at an awesome stranger" (Golding page #). At the formation of Jack's tribe, all who join wear a mask from that time on and become a part of the savages. As three savages return to steal fire, they are driven because they are "demoniac figures with faces of white and red" (Golding page #) not individual boys. The mask becomes such an anonymous symbol that, towards the end of the story, Ralph "gazed at the green and black mask before him trying to remember what Jack looked like" (Golding page #). Whether stealing, fighting, or hunting, the savages found their courage because they "looked like something else" "hidden behind the mask of paint" (Golding page #).
2) The mask represents values that the Chokwe people attach to the rite of passage and womanhood. Such values are introspection and wisdom. The mask conveys introspection and wisdom because the eyes and mouth are closed meaning the female is looking inward, thinking and reflecting. The woman that the mask represents is constructed this way because the women that it celebrates have already obtained wisdom and have no need to look outward for it.
II. The upper class of the masquerades clothing was very expensive and detailed. “Fantastic Costumes representing Greek Gods and Goddesses on Mount Olympus, fairies and mythical creatures were created.” (Elizabethan Masques)
Though a mask may just be a paper cut out, a molded piece of plastic, or in the Lord of the Flies, a painted face, they all have the same ability to create a feeling of freedom from responsibility. They may make they wearer feel more important or powerful and too good for work, leading to a lack of fulfillment of their responsibility. This belief in freedom from responsibility is best exemplified by Jack, the first one on the island to begin wearing a mask. He used a mask because he felt it gave him power and skill, giving him reason to take up hunting as a prime responsibility, opposed to keeping the fire going. In their...
In the article “In Defense of Masks” by Kenneth Gergen, he claims that instead of developing “a coherent sense of identity”, people put on different “masks” that he constantly changes. Gergen believes that an individual’s development of a coherent sense of identity can make him “experience severe emotional distress”. People tend to act a certain way so they can receive the approval of others. The approval of others can bring satisfaction and enhance the self-esteem of a person but to succeed in this he must adopt different public identities. Moreover, in some cases individuals consciously wear various masks because of the situation they’re found in.
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master’s detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.
When attending a masquerade, a person is expected to wear a mask. In fact, it’s looked down upon if a mask isn’t worn. But, what if for some people that mask never came off? In A Doll’s House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each character: Nora, Torvald, Kristine and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. Henrik Ibsen’s use of the masquerade serves as an extended metaphor to show the masks that the characters use in their everyday lives.
All humans wear a mask of some kind; whether it is a false representation varies from person to person. This reality is revealed in poetic fashion in the piece “We Wear the Mask” by Paul Laurence Dunbar; the short story “Young Goodman Brown” by Nathaniel Hawthorne and the play Othello by William Shakespeare. While all in different genre’s, they all contain the similarity of deception and creating a mask for the rest of the world to see in order to hide their true self. In the story “Young Goodman Brown”, Goodman Brown experiences everyone around him wearing the mask of Christianity and holiness, and he therefore loses his own faith. In the Shakespearian play Othello, the antagonist, Iago, deceives the Othello by maintaining a mask of honesty
The importance of costume in the theatre cannot be rated too highly, for it is not only an outward and immediately visible medium of expression for the actor himself but it is significant of the dramatic values which he is suppose to portray (Brooke, 1). The colors, texture and shape of a costume can create a feeling of the character that the actor may not be able to portray. There is not any definite information on what exactly the Greeks used for costumes because so much time has elapsed since the original records were taken. Most information is based on the different artifacts that were found, such as paintings and pottery. Sometimes hints of what was worn could be found in the plays themselves.
It hides our cheeks and shades our eyes.” My first thought was this poem was written by an avid actor. I believed he was explaining the difference between himself on and off stage. It turns out I was totally wrong after reading through the rest of the poem. The mask is a symbol. It is a symbol of the heartache each African-American faced in the 19th century. The heartache they rarely displayed because of the fear of what would happen to them if they began an uprising against the white culture.
Throughout ancient history, clothing styles have varied based off of different cultures, many using what was available to them at this time. Often clothing was constructed simply and somewhat efficiently— unless in the upper class— out materials such as wool and linen which is made from flax. Everything was pieced together by hand and in most cultures the fabric was dyed through the use of vegetable roots and the like. In this paper, five different cultures— Egyptian, Greek, Roman, Celtic, and the vikings— will be compared by their clothing styles.
William Shakespeare, Christopher Marlowe, and Ben Johnson are names that have resonated through the centuries. Not since ancient Athens has there been such gluttony of talent, producing stories for the ages. Might Athens be were these Englishmen found their inspiration? Greece produced its share of legendary playwrights; Sophocles and Euripides are two of the most famous. There are far m Elizabethan England gave birth to some of the most famous names in theatre. ore similarities between Elizabethan and Greek Theatre then there are differences. The influence of both eras is felt even today, stage productions of Shakespeare and Euripides are performed from London too Broadway and everywhere in between. I believe that both eras have influenced modern theatre simply because the Greek so obviously influenced Elizabethan theatre.
Costume design is a very underrated element of theater. Many people do not understand the true importance and the hard work that goes into it. The costume design has many different roles associated with it that the audience is not always aware of. For example, the costumes are able to establish time and place, reveal character, demonstrate relationships, tell the story, coordinate with other production elements, and meet the needs of individual performers. There are four main types of costume design used in theater.