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Recommended: Theatre history
Cosi was a play about an up and coming director who was given the opportunity to direct a show that would be put on by patients in a mental institution. Lewis, the director, did not seem too excited about the opportunity but he takes on the job and works hard. The play is set in the 1970’s during anti-Vietnam war protests in Sydney, Australia. The acting in Cosi was at a variety of different skill levels. Since the play was set in Australia, the actors were using Australian accents which was distracting at times because that is a difficult accent to be able to pull off. I was impressed by the believability of the actress who played Ruth, confused by the goals of the character Lewis, and intrigued by the character Roy. My favorite character
Roy served as sort of a co-director to Lewis. He appeared to have some sort of manic disorder but he had a great passion for theater. I found Roy’s character to be very believable and I think that the actor did a great job of playing him. Roy had a goal to create an amazing production of Mozart’s Cosi fan tutte and his intense enthusiasm for theater shined through as he worked toward this goal. Roy did not let his mental illness get in the way on his journey to create the production, but there were times when his mental illness did become an obstacle for him. For example, whenever the patients were having a difficult time creating a scene and Lewis did not direct them correctly, Roy would often become extremely flustered. Based on the play, it seems like Roy’s super-objective is to become a real director and take charge on his own. It is not clear what exactly his motivation is to make this play so perfect, but it could possibly be to prove himself as a functioning individual even with his mental illness. Roy’s character added humor and excitement to the show and it gave the plot clear direction. I found it very interesting to watch Matthew Cavender act because he did so with such great excitement and the audience can feel the emotion and passion behind Roy’s desire to make the play successful. Cavender’s acting was very impressive because he was able to act as if he had a mental illness
Not knowing what this play was about, I went to go see it Wednesday after noon at Holyoke Community College in the Leslie Phillips Theater. I had many mixed emotions about this play. I thought some parts were very funny, but others were a little uncomfortable because of some racia...
The play “Cosi” by Louis Nowra is the story of a university student who is set the task of producing a play in a mental institute. The play uses many dramatic techniques including, but not limited to; the setting of the play, humour, and tension as well as role, to help draw the audience into the world of the play, the world of these ‘mental patients.’ The play also helps to bring forward people’s feelings and attitudes towards the mentally ill and people’s attitudes towards love and cheating, to further draw the audience into the world of the play, and the world of the 1970’s, when people with any kind of mental illness where treated as ‘outcasts’ and were not accepted as socially acceptable.
When we came together with ideas for what text we wanted to use to inspire our performance, we ended up with about 10 ideas. Fairy tales, Edgar Allen Poe, Dr. Seuss, and urban legends had all been thrown out as ideas, but the play we chose was is a much lesser known greek play named, Casina. Casina, looking through one lens, is a comedy about two men fighting over a woman. Through a different lens, Casina is a power struggle between husband and wife and seeing which of the two will win over the other.
In Tony Kushner’s Angels in America, the interconnection of people and events, that might ordinarily be viewed as disconnected or unrelated, is implicitly presented in the characters section. Dual roles are implemented by a playwright that has one actor portraying the roles of two or more characters, with or without thematic intentions. The use of “dual roles” in several scenes of this play can be viewed as a demonstration of Kushner’s effort in maintaining the interconnectedness between characters, communities (i.e. queer, heterosexual, AIDS and political communities) and events to which they are relative. This essay will argue that Kushner’s use of dual role’s effectively interconnects characters, events and their communities that may be seen as usually unrelated. Analysis of four specific characters, Antarctica, Oceania, Australia and Europa, in Act Five, Scene Five of “Perestroika”, will demonstrate the connection of each Act Five, Scene Five character, to the actors main character based on the implicit evidence presented in the actors “primary” and “secondary” roles, the scenes dialogue and the character interactions. As one will see, by implementing dual roles, Kushner is able to expand or preserve the concept of a major character while the actor portrays another character, keeping the audience from having to completely renegotiate their knowledge between what they physically see of new characters and actually use the new context to view triumphs and struggles for a major character.
The play is about a young woman, Catherine who had been taking care of her father during his last years of life. Anne Heche plays Catherine. Prior to this play, I have never seen Anne Heche in any acting performance. I have to say she did an outstanding job in her portrayal of Catherine. She did a fantastic job of immediately drawing you into Catherine’s world. She aptly portrays the characteristics of a girl who never got a chance to grow up and the slight madness of the genius she inherited from her father. One can easily feel sad for her because after all she gave up all her dreams to take care of her ailing father. Anne Heche plays Catherine so well that it easy for you to fall in love with Catherine and desire only good things for her.
In August Wilson’s “Fences”, Troy is considered to be the protagonist in this story. Usually the protagonist will have some form of conflict either it being within themselves or something /someone. Troy Maxson characteristics and his circumstances can also classify him as being a tragic figure as well.
The piano—originally known as the fortepiano or pianoforte—is one of the most globally recognized instruments in history. Its unique timbre distinguishes it from preceding keyboard instruments and even from modern keyboard instruments that attempt to imitate it. The pianoforte has made many changes and contributions to music, which can be seen through how it came to be, what composers first thought of the instrument, and how it affected orchestral music.
What are the similarities between the plot of Cinthio’s work and Shakespeare’s Othello? (the main themes and conflicts)
Despite its undeniable greatness, throughout the last four centuries King Lear has left audiences, readers and critics alike emotionally exhausted and mentally unsatisfied by its conclusion. Shakespeare seems to have created a world too cruel and unmerciful to be true to life and too filled with horror and unrelieved suffering to be true to the art of tragedy. These divergent impressions arise from the fact that of all Shakespeare's works, King Lear expresses human existence in its most universal aspect and in its profoundest depths. A psychological analysis of the characters such as Bradley undertook cannot by itself resolve or place in proper perspective all the elements which contribute to these impressions because there is much here beyond the normal scope of psychology and the conscious or unconscious motivations in men.
William Golding , the author of The Lord of the flies believes that evil resides in all human beings. The Lord of the Flies begins softly but nearing the end everything turns upside down. But would the world be the same way it is today without societal structure and rules? Only through societal structure, rules and order will humans be thought morality/principal and proper behaviour. The Lord of the Flies demonstrates what society would look like/resort to without any rules or guidance for man to follow. Others might believe this is true because of natural evil and actions done by individuals, a comparison through savagery and civilization, and certain truths in the world that are evil.
Roy, played by Nicolas Cage, is an average Caucasian, late middle-aged man, with the exception of one aspect of him, obsessive-compulsive disorder. He has few social connections and even fewer meaningful ones. He has not had a romantic relationship in almost 15 years. The only person he maintains contact with in the beginning of the film
The desolate and chaotic conditions of the society can have a significant amount of influence on the development on a certain character of a novel. For instance, at the time the novel, Crime and Punishment by Fyodor Dostoevsky was written, the conditions of the setting, was very chaotic and was in turmoil. Crime and Punishment took place in Russia, where Russia during the time Crime and Punishment was written was suffering due to economical downfalls and failure of the poor reforms of Tsar Alexander II; ultimately transforming Russia into a poverty-stricken country. The failure of Alexander’s reforms affected much of setting in which Crime and Punishment was written in, which ultimately contributed in character development of Raskolinokov. This is evident through the use of metaphor, which Dostoevsky uses to compare the state of the country to Raskolinkov’s apartment.
Wolfgang Amadeus Mozart was born on January 27, 1756, in Salzburg, Germany. Born to Leopold Mozart, a violinist and a minor composer, learning music was a must for Amadeus. He was the youngest of seven children, even though most of his brothers and sisters died in early childhood. His eldest sister, Maria “Nannerl” Anna, began keyboard lessons at the age of seven with her father, while three-year-old Amadeus watched and listened. This acted as the first footstep for young Mozart’s long musical journey.
The media has a lot to do with the way we perceive ourselves. The American culture is filled with scenes of athletes, celebrities, and glamorous models with bodies molded into perfection, which plays into a false sense of reality and beliefs that we place on ourselves. The media also amps up the obsession with individuals becoming thin degrading people who are naturally curvaceous.
Robert B. Heilman in “The Role We Give Shakespeare” explores some of the psychological aspects of the play and concludes that it is psychologically “whole”: