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According to the nurture theory of the evolution of human behavior, when a child is first brought into the world it has no basis or idea of how to perceive things. The child is pure and innocent. It is naive to its surroundings, depending on the guidance of those around it to show it the way. When a child is born, most are accompanied by loving nurses, doctors, and parents. The moment this child encounters these other beings, the influences upon the individual begins. Their parents and peers influence their personas and ultimately who they become. They instill in them the values and morals necessary to survive in society. They teach them self-control, cleanliness, repression of anger and respect for elders and property. It is these morals and values which society has come to accept as standards. However, if a person is taught morals and values that stray from these standards they are considered to be corrupt. Society has developed methods of alleviating this unwanted behavior. In the tamest cases, people are ostracized and shun in society due to their lack of conformity to societies principles. Others endure strict penalties such as paying fines or jail time. But in extreme cases the penalty is death. In The Picture of Dorian Gray, Oscar Wilde uses the influence of Lord Henry Wotton as well as the portrait of Dorian Gray to represent this corruption and its consequences.
Wilde emphasizes Dorian’s beauty and youth in order to signify his innocent nature. Dorian is described as handsome, good looking, and beautiful throughout the novel. Lord Henry even calls Dorian an Adonis (in Greek mythology a youth who fell in love with his own image reflected in water), when he first views his portrait. Along with these youthful good looks comes the assumption that he is incapable of wronging others, also known as the halo-effect. This is revealed by Wilde, who sates that Dorian possesses “something in his face that made one trust him at once. All the candor of youth was there, as well as youth’s passionate purity. One felt that he had kept himself unspotted form the world.”(11-12; ch. 2).
This purity and innocence allows the audience to perceive Dorian as a “blank slate” or a “human canvas”. Although he is in fact in his late twenties, he is still portrayed as naïve and innocent. He is said to have a “simple and beautiful nature”(10; ch. 1), a comment t...
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...hat causes Dorian to be heartless to his actions toward others, which in essence starts his downward spiral into a life of corruption. The portrait further signifies the deterioration and corruption of an innocent, moral human being. Each time Dorian commits an act that is deemed immoral by society; the image of him in the portrait begins growing older and uglier showing the scars of his evil doing. The portrait acts as not only as a mirror of Dorian’s soul, but as a societal ideal. It represents what society perceives as moral and ethical behavior, therefore giving substance and value to the heinous crimes that Dorian has committed. When Dorian’s actions stray or contrast to what is deemed acceptable in society the portrait punishes Dorian by taking away the two qualities which Dorian holds dearest to him, youth and beauty, thus making him aware of his unscrupulous actions and in the end condemning him to death. Society holds within itself morals and values that must be adhered to. It is these guidelines that attempt to keep our surroundings in safe and prosperous conditions. Not conforming to these principles has strict repercussions, in some cases, such as Dorian Grays, death.
Basil goes to speak to Dorian to tell to him of the rumors they have been spreading. Many people believe him to be immoral and a corrupting influence that must be avoided to keep one’s good name. Hearing such rumors trouble Basil because he worships Dorian so strongly and is so devoted to him. He even refuses to exhibit the portrait of Dorian, the imitation he made, “Because, without intending it, I have put into it some expression of all this curious idolatry.” (13 Wilde) Basil feared that the world would be able to tell how much he adored Dorian. Continuing his conversation, Basil claims “but you, Dorian with your pure, bright, innocent face, and your marvelous untroubled youth—I can’t believe anything against you.” (127 Wilde) Which is to say that Basil believes that when one commits sin it changes the man’s outward appearance, corrupting him and since Dorian is beautiful he is without sin...
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
Wilde first shows the importance of looks when Basil first sets eyes on Dorian Gray. "I knew that I had come face to face with someone whose mere personality was so fascinating that...it would absorb my whole nature, my whole soul, my very art itself" (7). This was before Basil had even talked to Dorian, and he had already judged what type of personality he had, ...
Obsession is the most compelling theme of The Picture of Dorian Gray, Dorian’s obsession with his beauty and youth, and Basil’s worship of Dorian, are a driving force. Dorian’s tale is similar to every celebrity that has been adored only to fall in public approval when their true natures are revealed. There is no doubt that Dorian is a celebrity in his time, he is adored by many in London like a celebrity would be admired today. The idolatry, quest for beauty, and downfall of obsession are seen in fiction as well as reality, through Dorian’s obsessions and modern day obsessions like plastic surgery or following a favorite celebrity on every form of social media. Obsession is a toxic force that has a hold on humans regardless if it is in fiction or reality.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
trading his soul for his youth, Dorian rids of the good inside of himself. The
In society, there has constantly been the question as to whether people can change or not. Author Oscar Wilde proves in his novel The Picture of Dorian Gray, that one can. The question he poses to his readers is “What kind of transformation is shown by the protagonist Dorian Gray: good or bad?” It is possible to think that Dorian Gray has become a better person, not for others, but for himself since he lives in the pursuit of pleasure and always achieves it. However, as it is demonstrated by the portrait, the damnation of the lives of others can provoke damage to one’s conscience and soul. Dorian’s soul is ruined gradually by his hedonistic adventures, eventually failing to redeem his actions, but not before he leaves a devastating path of destruction and experiences self-inflicted destruction.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Oscar Wilde's novel, The Picture of Dorian Gray, explores the themes of influence, corruption and conscience. “The obvious influence of Lord Henry upon Dorian shows how one may corrupt another to such an extent that one's own conscience withers and dies”(Weintraub 116).
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
In the novel The Picture of Dorian Gray, Oscar Wilde compiles a deadly combination of narcissistic and vain qualities into the title character, Dorian Gray. In a similar manner, John William Waterhouse depicts the aptly-named Narcissus as obsessed with his reflection in his painting Echo and Narcissus. These two characters may come from different places and different eras, but their mental and emotional similarities are striking. Captivated with the idea of being young forever, Dorian Gray falls in love with himself, leaving the woman who loves him behind just as Narcissus did to Echo.
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.