Coronation Of The Virgin And Madonna Of Fiesres Analysis

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Coronation of the Virgin by Fra Angelico and Madonna of Foligno by Raphael are masterpieces that possess pleasantly bright and vibrant colors that catch and retain the viewer’s attention. While one could appreciate the great artistry, use of color, contrast of dark and light, and use one point perspective, these works are particularly unique because of the esoteric structures of the paintings. The paintings are of Christian religious influence and within each painting are imbedded symbols and hidden meanings that would be understood by devout Christians of the time. Both paintings utilize different techniques to structure the viewers understanding of the painting through the use of symbols, gestures, expressions, and references to religious …show more content…

Fra Angelico lived in the Convent of Fiesole doing such work before taking his talents to Florence. As a Dominican friar, he satisfied practices of the Dominican order while also pleasing the Medici as a well-rounded painter. The painting of Madonna and Child surrounded by saints was common during the time and likely influenced Raphael’s work. However, what makes Raphael’s work unique is that such scenes were usually depicted in a heaven like setting where as Madonna of Foligno takes place in an earthly setting that is inviting to the presence of people. This is a break away from the traditional practice of painting a divine setting that people could only look up to and never participate in. This creates a perception that everyone can participate in the glory and sanctity of witnessing the divine moment. Raphael similarly utilizes a variety of techniques and methods to create a structured and guided viewing of his artwork. The arrangement of divine bodies, use of pure and bright colors, and one perspective is key to Raphael’s effectiveness. This is where each figure is grouped together but retains distinct individuality in the work. A distinct style of Raphael’s was his depiction of gentle faces that were typically round with expressions of serenity and peace. He looked to depict a “sacra conversazione” or a scared conversation in this painting, in which holy figures and the viewers could communicate with one

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