Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
French revolution art and philosophy
French revolution artistic impact
French revolution art and philosophy
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: French revolution art and philosophy
art.
6) Stylistic Context: The structure of this painting clearly diverts from the soft billowy treatment of the classical Louis XVI style. David minimizes most of the over feminine elegance and replaces it with admirable masculinity. Oath of the Horatii was released just 4 years before the revolution of France, in 1789 when the revolution broke out. David became the neoclassical painter ideologist of the French Revolution. This painting led the way for other neoclassical painters to follow.
7) Subject: The subject of this painting, which was completed in Rome, is based on Corneille’s play, Horace, the play depicts a time of war, where 3 brother from Rome and 3 brothers from Alba are chosen to settle the war. In Oath of the Horatii, David depicts the moment when the 3 brother’s father, Horatius, raises the 3 swords in honor as they speak an oath to defend their country. (Khan Academy)
8)
…show more content…
Horatius, centered in the middle wears a vivid red cloak, the brothers, to the left of their father wear red white and blue. The brothers stand in almost an A frame stance, with one arm lifted to their father and their swords. Behind the passionate father are women and children, the 3 women and two young children are colored in earth tones, one of the women, although elegantly dress in an off white dress, she seems collapsed in her sitting pose, for she is not only the sister to the Horatii brothers, but is also the soon to be wife of one of the Curatius brothers from Alba that have been chosen to fight. The scene is closed off from other eyes, and the partial shadowed back ground consists of three magnificent arches of ancient times, while a checkered style floor helps add
Various people are devoted to numerous pursuits in their lives. A man in particular known as Thomas Jefferson was devoted to religion. Sworn on the Altar of God is a biography written by Edwin S. Gaustad that goes in depth about Jefferson’s unwavering religious beliefs throughout his life. The book exemplifies how Thomas Jefferson interacts with religious, political, and personal issues. The book follows a timeline from when he was first born into an Anglican family to when he broadened his horizons as a young adult to the impacts he made before, during, and after his Presidency to the aftermath of his death. Edwin S. Gaustad effectively argues that Thomas Jefferson used his religious beliefs to have a positive impact on the world around him.
The painting takes place in Rome in the Mythological Era. It is not known who commissioned this work. Emperor Rudolf II in Prague owned this piece of artwork as well as four others of Veronese’s paintings.
The painting is of a young St. John the Baptist preaching to his congregation. St. John is an important figure in Catholicism not only for his preaching and baptisms in the River Jordan, but for his role as the last prophet and the forerunner of Jesus Christ. His preaching foretells the coming of Christ as the Messiah, and thereupon Christ’s baptism, the voice from Heaven told St. John that Jesus was God’s son. This piece by Calabrese captures John at the height of his oration. Fixed atop a decrepit tree trunk yet grappling for stability, John is shown here in his ascetic attire composed of camel hair, holding his staff and scroll bearing the words “Ecce Agnus Dei,” which translates into Beho...
After fighting and winning many battles, Beowulf's life enters a new stage when he finally becomes king of his homeland, Geatland. Even in his old age, his code of honor still obligates him to fight against an evil, fiery dragon. For fifty years he has governed his kingdom well. While Beowulf is governing, the dragon "...kept watch over a hoard, a steep stone-barrow" (Norton 55). Under it lays a path concealed from the sight of men. Over centuries no one had disturbed the dragon’s kingdom until one day when a thief broke into the treasure, laid hand on a cup fretted with gold, which infuriated the dragon. "The fiery dragon had destroyed the people's stronghold, the land along the sea, the heart of the country" (Norton 57).
“Then the screaming and shouts of triumph rose up together, of men killing and men killed, and the ground ran blood.” From first examination the Iliad seems to be an epic founded on an idealized form of glory, the kind that young boys think about when they want to join the army. A place full of heroism and manliness where glory can be achieved with a few strokes of a sword and then you go home and everything is just lovely. Many people view the Iliad this way, based on it’s many vivid battle descriptions and apparent lack of remorse for the deaths that occur. This, however, is not how war is presented in the Iliad. Homer presents a very practical outlook on war countering the attainment of the glory with the reality of its price and the destruction it causes. He successfully does this by showing the value of the lives of each person that dies and, in a sense, mourning their passing, describing the terror and ugliness of war, and, through the characters of Achilleus and Hector, displaying the high price of glory.
The pieces of art I will be comparing and contrasting are the three statues of David, by Donatello (Donato di Niccolò di Betto Bardi), Michelangelo (Michelangelo di Lodovico Buonarroti Simoni), and Bernini (Gian Lorenzo Bernini). The statues are modeled after the biblical David, who was destined to become the second king of Israel. Also most famously known as the slayer of the Philistine giant Goliath with a stone and a sling. The sculptures are all based on the same biblical hero, but differ from one another. Each David is unique in its own certain way.
Through the play Medea, Euripides shows us the importance of keeping a promise given. At the beginning of the story, we see the play's two opposing views of promise keeping represented by the Nurse and the Tutor. As she stands outside of Medea's house and laments the way Jason has slighted Medea by taking another wife, the Nurse speaks of the 'eternal promise'; Jason and Medea made to each other on their wedding day (17-21). The Nurse wishes Jason were dead for the way he has abandoned his wife and children, so strongly does she feel vows should not be broken (83).
At the top of the ladder sits the father, a high and mighty figure, like that of King Arthur. He towers above his family as if a king on a throne, looking down upon his royal subjects. He is the sole ruler and therefore must set himself apart from them. This is reflected in the position of his arms, which he keeps close to his body, like the independent child who refuses to hold his mother's hand when crossing the street. Even his manner of dress holds a stately aura. The yellow hat upon his head is golden and pointy similar to that of a royal crown worn by the great rulers of the past. The fringes on his costume surround his neck like the golden mane of a fearsome lion, king of the jungle. The leotard, itself, is an almost fleshy tone like soft peaches in the summer. It reminds one of an acrobat in costume during his death-defying tightrope act, high above the audience. His shoes, however, are thin and black like a bat in the night, contrasting sharply with the rest of the colors of the painting. It were as if they are demanding the well-deserved attention they have earned in all the effort it had taken them to get to the top. Yet, he looks down at the child with great hope, as would a king to his newborn successor, who would follow in his footsteps, performing great deeds to society and loved by all his people. It is also a look of unconditional love that cannot dissipate even if the child were to accidentally burn their house down or fall on top of him, breaking a few ribs in the process.
The Iliad is a story about the war between the Trojans and the Greeks. They believe that if you fight in a war, this is how you prove ones honor and integrity, but to not fight would show cowardice or fear. During this time, the males were trained from a young age to assume a major role in the war efforts (Rosenberg, 1999, p. 119).
“My fathers and brothers were kings of Sparta. I, Kyniska, with my chariot of fleet horses, erected this statue.... ... middle of paper ... ... Retrieved from http://www.ancient.eu.com/chariot/ R. Ingersoll, K. (2008).
Bowron, Edgar Peters., Peter Björn. Kerber, and Pompeo Batoni. Pompeo Batoni: Prince of Painters in Eighteenth-century Rome. New Haven: Yale UP, 2007. 100-50. Print.
Michelangelo’s David does not react with the surroundings but it stands alone with the little movements disguised behind it. The sculpture brings out David as a soldier preparing for war and not a person engaged in a battle (Miller, Vandome, & McBrewster, 2010). The hands are larger than normal and the arms are longer than his body. This is meant to illustrate the renaissance period. In contrast, the Bernini’s David has aspects of motion, showing that he was already engaged in the battle with Goliath. The idea of movement is enhanced by the loosely flowing robes. In addition, the sculpture demonstrates that unlike Michelangelo’s David that has longer hands, Bernini’s David has contracted muscles. The Michelangelo’s sculpture was created during Renascence period while the Bernini’s sculpture was done during the Baroque period.
There are many running themes in the literary work “The Iliad”, but the one that stands out to me and that caught my attention. In The Iliad, Homer uses the he theme of war and Kleos, the glory and honor that comes along with it. The Greeks at that time strongly believed that war was an honorable and glorified act and the literature strongly supports that belief. The characters in the literature sacrifice a lot in their lives in order to go out to war, and both the men and the women suffer unimaginable tragedies in order to live this life of glory.
Thompson, Nancy L. "Roman Art." The Metropolitan Museum of Art - Home. N.p., n.d. Web. 23
The Iliad tells the story of the Trojan War, which lasted 10 years. The Grecians eventually won the war, but the outcome could have very easily shifted due to a quarrel between King Agamemnon and Achilles. Pride and anger is what the two men were fighting about. This story is a very good example of how those two simple emotions can lead to tragedy.