When one envisions gross violence, gore, and frankly terrifying stories, one author who repeatedly shows up as a highly well-established author is Cormac McCarthy. His gripping, minimalistic prose and an almost bluntly declarative tone perfectly balance the implicit and explicit, creating environments that enchant the reader. One of his most intense examples of this style was "Blood Meridian," a gripping tale set in the Wild West, where Cormac McCarthy's subliminal messages throughout the vivid violence, gore, and anarchy of the story delve into the critical psychological archetypes of Carl Jung and Eric Neumann to show facets of the minds of the characters that McCarthy hides in abstract speech. Furthermore, the author's specific imagery creates an environment that acts as the primary molding of the characters, bringing a method to their madness. …show more content…
This theme is consistent with how characters seem to reject principles of compassion and love throughout the novel, themes that are generally associated with feminine ideas. It shows the patriarchal system that is ingrained in the story and characters and furthers that diminishment of feminism. However, the countlessly repressed feminine idea is still expressed unconventionally, though, albeit heavy inference, the omnipresent Great Mother archetype, coined by Carl Jung, is ingrained into the novel's landscape. For example, during the description of "The sun that rises is the color of steel. His mounted shadow falls for miles before
Cormac McCarthy's setting in Blood Meridian is a landscape of endless and diverse beauty. McCarthy highlights the surprising beauty of combinations of scrubby plants, jagged rock, and the fused auburn and crimson colors of the fiery wasteland that frame this nightmarish novel. Various descriptions, from the desolate to the scenic, feature McCarthy's highly wrought, lyrical prose. Such descriptions of the divine landscape seem to serve a dual function. While being an isolated highlight to this gruesome novel, McCarthy's beautiful setting also serves as an intricate device in defining the novel's themes and creating the reality in which it is set.
Moving forward into chapter seventeen of Cormac McCarthy’s “Blood Meridian”, Glanton’s crew rode on as the Apaches they drank with held back, as they refused to ride through the night. The next night Glanton’s men made a fire and discussed what’s happened in their group, the members who’d been killed. Then brought up there possibly being life on other planets. The Judge immediately disagreed though and did a trick, as if that was being the proof to his point or something.
Blood Meridian or the Evening Redness in the West (1985) is Cormac McCarthy's fifth book. McCarthy is an American novelist. He has written ten novels and he also won the Pulitzer Prize. Blood Meridian was among Time magazine's list of 100 best English-language books published between 1923 and 2005 [1] and placed joint runner-up in a poll taken in 2006 by The New York Times of the best American fiction published in the last 25 years [2]. This novel is known as one of the most violent books in literature. However, in this case the aim of this paper is to focus in other interesting aspect of the story: the use of religious imagery.
It’s the year 2028, and the world we used to know as bright and beautiful is no longer thriving with light. A disease similar to the plague broke out and caused great havoc. Although it may seem like forever ago, sickness spread only a few years ago. The Road by Cormac McCarthy is about a man and his son who fortunately survived this sickness; although they made it, the struggle to keep going is tough. Before most of the population became deceased, people went insane. They started to bomb houses, burn down businesses and towns, and destroy the environment. Anyone who had the disease was bad blood. Many saw it as the end of the world, which in many cases was true.
..., the use of literary techniques including irony, characterization and theme convey the author’s purpose and enhance Into The Wild. The author accomplished his purpose of telling the true story of Chris McCandless. He was an eccentric, unpredictable man that led a very interesting life. His life deserved a tribute as truthful and respectful as Jon Krakauer’s. Through his use of literary techniques, the author creates an intense, and emotional piece of literature that captures the hearts of most of its readers. Irony, characterization, and theme all play a vital role in the creation of such a renowned work of art. “Sensational…[Krakauer] is such a good reporter that we come as close as we probably ever can to another person’s heart and soul” (Men’s Journal).
Tabitha Wheelwright embodies the archetype of the mother. Which shows us how with reflection, John sees her with a divine quality; he mythologizes her. Jung’s theory states that:
Southern gothic is a type of literature that focuses on the harsh conflicts of violence and racism, which is observed in the perspective of black and white individuals. Some of the most familiar southern authors are William Faulkner, Flannery O’Connor, and Cormac McCarthy. One author in particular, Flannery O’Connor, is a remarkable author, who directly reflects upon southern grotesque within her two short stories, “A Good Man is Hard to Find” and “Revelation.” These two short stories are very similar to each other, which is why I believe that O’Connor often writes with violent characters to expose real violence in the world while tying them in with a particular spiritual insight. The first short story that O’Connor refers to with southern grotesque and violence is in “A Good Man is Hard to Find.”
The Road by Cormac McCarthy is about a father and son who are surrounded by an apocalyptic world where they are trying to survive. Many of McCarthy’s books are about negative or violent times like Blood Meridian and All The Pretty Horses. McCarthy enjoys writing about the terror in the real world. When writing literature, he avoids using commas and quotation marks.. Many works of literature have a plethora of themes throughout them, in The Road, the theme that sticks out the most is paternal love. The boy is the only thing that stands between the man and death. Aside from that, the father doesn’t kill anyone for food, he only takes the life of people who threaten the boy. Lastly, the man allows the boy have the last of their supplies, food,
Death is something everyone must face at one point or another. For varying reasons, many people are willing to die for a certain cause. Some find that there is no other way out of their dilemma. Other feel so strongly about what they believe is right, that they are more than willing to pay the ultimate price. Moral or ethical dilemmas are pivotal devices used in many literary works. However, the literary characters explored in this essay are so firm in their convictions that they are willing to sacrifice themselves for their own respective beliefs. As readers of these works, we are often so moved by their beliefs that we often side with the characters in their journey. We, as readers, are offered insight on situations that we become deeply
Novelist Cormac McCarthy believes his dark books reflect the harsh events of human nature. McCarthy had a vision of life that was plain and simple in his mind making it harder for some readers to accept. In an interview Oprah asks McCarthy where the apocalyptic dream came from and he replied “I went and stood at a window, and I could hear the trains coming through, a very lonesome sound. I just had this image of these fires up on the hill and I thought a lot about my little boy” (New York Times
In Cormac McCarthy’s Sci-Fi novel, “The Road”, two mysterious people, a father and his curious son, contact survival of the fittest during tragic apocalyptic times. With a shopping cart of food and supplies, they excavate into the remains of tattered houses, torn buildings and other sheltering places, while averting from troublesome communes. In the duration of the novel, they’re plagued with sickness that temporarily unable them to proceed onward. Due to the inopportune events occurring before the apocalypse, the wife of the son and father committed suicide due to these anonymous survivors lurking the remains of earth. The last people on earth could be the ‘bad guys’ as the young boy describes them. In page 47, the wife reacted to this, stating, “Sooner or later they will catch us and they will kill us. They will rape me. They'll rape him. They are going to rape us and kill us and eat us and you won't face it. You'd rather wait for it to happen. But I can't.”
In “The Beast In The Cave”, H.P. Lovecraft develops a suspenseful plot in order to build tension throughout the story that inevitably leaves the reader feeling disturbed and the story hanging. The plot itself is seems simple, but is complicated at the same time. Victoria Nelson talks about how Lovecraft’s stories tease the reader “with the tantalizing prospect of utter loss of control, of possession or engulfment, while remaining at the same time safely contained within the girdle of a formalized, almost ritualized narrative”. With “The Beast In The Cave”, the protagonist faces only one conflict throughout the story making it a simple plot line; however, the predicament he is in provides the complexity and tension that Lovecraft creates in other stories as well.
The exploration of the west was no walk in the park. There were some bloody and gruesome battles that took place. In Cormac McCarthy’s novel, Blood Meridian, he demonstrates how bloody and gruesome the expansion to the west really was. The author uses the literary theory of Deconstruction to show the reader how dark this era really was. McCarthy demonstrates this by using vivid detail during the fights and battles, while staying historically accurate, with the constant presence between good and evil throughout the novel.
It is easily inferred that the narrator sees her mother as extremely beautiful. She even sits and thinks about it in class. She describes her mother s head as if it should be on a sixpence, (Kincaid 807). She stares at her mother s long neck and hair and glorifies virtually every feature. The narrator even makes reference to the fact that many women had loved her father, but he chose her regal mother. This heightens her mother s stature in the narrator s eyes. Through her thorough description of her mother s beauty, the narrator conveys her obsession with every detail of her mother. Although the narrator s adoration for her mother s physical appearance is vast, the longing to be like her and be with her is even greater.
[3] Modleski claims that this desire to build and maintain relationships is only thwarted by the presence of the ‘good mother’s’ anti-thesis: the ‘villainess’. As she signifies the contrary values of the ‘good mother’ (she is selfish, manipulative, scheming, etc.). the ‘villainess’ embodies the entirety of the spectator’s displaced, repressed anger at her own powerlessness. [4] She, as Modleski describes, takes everything that makes women vulnerable and turns it to her advantage (pregnancy, for example, is used by the villainess for the sake of manipulation, not guilt, shame or responsibility).