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Symbolism as a literary tool essay
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Eric Burdon once said, “Inside each of us, there is the seed of both good and evil. It's a constant struggle as to which one will win. And one cannot exist without the other”. Cormac McCarthy’s novel, The Road, illustrates a recurring motif of Good vs. Evil in a charred post-apocalyptic universe. This new world that is scorched of life contains the father and son duo who go one each day with Good and Evil lurking behind. The father and son, for most of the novel, are the good side of the spectrum but even the good in people parts away when the stress of living one more day is constantly knocking on the front door. McCarthy’s larger purpose in writing The Road is to show how Good and Evil coincide with each other while facing identical circumstances.
Here is the conflict between father and son against the man from the diesel truck. In this part of the novel the man and his son encounter a man that parted from his group with the diesel truck. Here the man from the truck lunges at the boy and
When the thief took their cart he took away their food, shelter, clothing and everything else that ensured them to live another day. When the father and son finally catch up to the thief the son says, “Papa please don’t kill the man. The thief’s eyes swung widely” (256). The father in this section could be depicted as evil do to the fact that he is trying to kill the man that almost killed him. While the thief was heart shaken he said, “Come on man. I done what you said. Listen to the boy. Take your clothes off” (256). The father is forcing the thief to take his clothes off which means that death was in his near future which is what the thief may have caused when he took the cart. All in all, the father is evil in this section because he tried to reverse what would have happened to them if they didn’t have the cart upon the thief which would have been
He always wants to help someone else in need before himself, whereas the father is only concerned about their own personal wellbeings. He “is the one” who worries about their ethical choices and wants to help a stranger in any way he can (259). McCarthy proves the importance of the boy’s spirit of love for other people when his dad dies and he must take the leap of faith to continue along the road with a new family. Despite all the corrupted people they encountered beforehand, the boy meets someone who is “carrying the fire” (129). This mantra by the father and son, symbolizes hope and humanity. The qualities Steinbeck labels for a writer to create in his writings can be summed up in “carrying the fire” since the two never did give up. It is the greatness of the heart and spirit Steinbeck notes that is “inside [them]. [And] [i]t [is] always there” (279). It is noteworthy that even in the midst of death and ashes, the two are able to hold onto their relationship and sanity. The “good guys” can continue to carry meaning and structure in their lives, even in a time where society turned into a battle to survive on the remnants of
In Cormac McCarthy’s The Road, the boy and his father carry the fire within themselves. This image of fire is the true nature of their courage to continue on the road to the unknown.
Many find reverence and respect for something through death. For some, respect is found for something once feared. In a passage from The Crossing by Cormac McCarthy, a man cares for a wolf that has died. The prominent religious motif and the paradox contrasting beauty and terror create a sense of awe that is felt by the narrator as he cares for the wolf.
1. In the book, the father tries to help the son in the beginning but then throughout the book he stops trying to help and listens to the mother. If I had been in this same situation, I would have helped get the child away from his mother because nobody should have to live like that. The father was tired of having to watch his son get abused so eventually he just left and didn’t do anything. David thought that his father would help him but he did not.
Cormac McCarthy’s novel, The Road, is set sometime in the future after a global disaster in which tells a story of a nameless boy and father who both travel along a highway that stretches to the East coast. This post-apocalyptic novel shows the exposes of terrifying events such as cannibalism, starvation, and not surviving portraying the powerful act of the man protecting his son from all the events in which depicts Cormac McCarthy’s powerful theme of one person sacrificing or doing anything humanly possible for the one they love which generates the power of love.
The Road by Cormac McCarthy is about a father and son who are surrounded by an apocalyptic world where they are trying to survive. Many of McCarthy’s books are about negative or violent times like Blood Meridian and All The Pretty Horses. McCarthy enjoys writing about the terror in the real world. When writing literature, he avoids using commas and quotation marks.. Many works of literature have a plethora of themes throughout them, in The Road, the theme that sticks out the most is paternal love. The boy is the only thing that stands between the man and death. Aside from that, the father doesn’t kill anyone for food, he only takes the life of people who threaten the boy. Lastly, the man allows the boy have the last of their supplies, food,
Cormac McCarthy's The Road, is an award-winning novel about an unidentifiable man who is traveling with his son. The protagonists are trapped in a post-apocalyptic world that has been besieged by nothingness and entirely stripped of life, food, and most of all, morality. They travel a treacherous road leading south where they encounter cannibals, burnt bodies, and the ruins of former houses. The world and people around them has turned amoral and unforgiving. For the protagonists, however, morality and goodness still exist. With each day, they are able to maintain faith, hope, and goodness which gives them the motivation to continue their journey. McCarthy's novel shows that even during the worst of times, love and morality will prevail and goodness will be found.
Even the man and the boy commit cruel acts like when the man stole their supplies in the shopping cart and they went after him to get those items back. “Take your clothes off. What? Take them off. Every goddamned stitch. Come on. Don’t do this. I’ll kill you where you stand.”(256). This act was the only cruel act they committed. The act was righted by trying to give back the thief’s clothes by leaving them in the road. The act of the man and child trying to give the clothes back is what separates the man and child from the bad guys, ultimately making them the good
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
In Cormac McCarthy’s Sci-Fi novel, “The Road”, two mysterious people, a father and his curious son, contact survival of the fittest during tragic apocalyptic times. With a shopping cart of food and supplies, they excavate into the remains of tattered houses, torn buildings and other sheltering places, while averting from troublesome communes. In the duration of the novel, they’re plagued with sickness that temporarily unable them to proceed onward. Due to the inopportune events occurring before the apocalypse, the wife of the son and father committed suicide due to these anonymous survivors lurking the remains of earth. The last people on earth could be the ‘bad guys’ as the young boy describes them. In page 47, the wife reacted to this, stating, “Sooner or later they will catch us and they will kill us. They will rape me. They'll rape him. They are going to rape us and kill us and eat us and you won't face it. You'd rather wait for it to happen. But I can't.”
As a reader, I appreciate Cormac McCarthy's writing style in The Road, and believe it influences the way readers perceive the characters and the post-apocalyptic nature of the setting. McCarthy's writing produces a “dreamy feel”, which reminds me of older black and white films. The staccato movements which dominated cinema screens in the earlier half of the 20th century, produced an effect usually associated with dream sequences. Also, older films were characteristically black and white, while The Road's landscape is covered with an ashy grey. Overall, the writing produces a strong disorienting effect which correlates to the protagonists who have also lost everything anchoring them to the past. Beyond the effect produced on
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
...s son live by seven rules that make them the good guys. They do what they have to do to survive, without compromising their morals. They are the epitome of a light shining in the darkness. The conflict of the father and son’s polar opposite personalities is exemplified when looking at how they feel about the rules. The child has ease with following every rule but number six, whereas the father has trouble with every rule but number six. This shows that maybe the characters complete each other. This also shows that maybe the son is better cut out for living in this kind of world than his father is. That fact shows that the father taught the child correctly.
The boy constantly begs his father to be sympathetic and charitable to the drifters that they encounter on the road, but the father usually refuses or either puts up an argument before finally giving into the boy, and handing over one or two cans of food to the stranger. Although “the man” is in survival mode, he expresses no compassion for humanity and therefore represents “the bad guys”. “They came upon him shuffling along the road before them, dragging one leg slightly and stopping from time to time to stand stooped and uncertain before setting out again.”(McCarthy 49). “They followed him a good ways but at his pace they were losing the day and finally he just sat down in the road and did not get up again.”(McCarthy 49). “He was burntlooking as the country, his clothing scorched and black.” “One of his eyes was burnt shut and his hair was but a nitty wig of ash upon his blackened skull.”(McCarthy 49, 50). “What is wrong with the man?” “He’s been struck by lightning.” “Can’t we help him?” “Papa?” “No.” “We cant help him.” “The boy kept pulling at his coat.” “Papa?” “Stop it.” “Cant we help him Papa?” “No.” “We can’t help him.” “There’s nothing to be done for him.” “They went on. “The boy was crying” “He kept looking back.” (McCarthy 50). I was agitated with “the man” during this part of the novel, because I feel that he should have at least stopped and checked on the fee...
At first the relationship between a father and his son can be perceived as a simple companionship. However, this bond can potentially evolve into more of a dynamic fitting relationship. In The Road The Man and his son have to depend on one another because they each hold a piece of each other. The Man holds his sons sense of adulthood while the son posses his father’s innocence. This reliance between the father and son create a relationship where they need each other in order to stay alive. “The boy was all that stood between him and death.” (McCarthy 29) It is evident that without a reason to live, in this case his son, The Man has no motivation to continue living his life. It essentially proves how the boy needs his father to love and protect him, while the father needs the boy to fuel ...