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Good and evil in literature throughout history
Survival on the road
Post-apocalyptic literature
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Recommended: Good and evil in literature throughout history
Goodness and Morality in The Road
Cormac McCarthy's The Road, is an award-winning novel about an unidentifiable man who is traveling with his son. The protagonists are trapped in a post-apocalyptic world that has been besieged by nothingness and entirely stripped of life, food, and most of all, morality. They travel a treacherous road leading south where they encounter cannibals, burnt bodies, and the ruins of former houses. The world and people around them has turned amoral and unforgiving. For the protagonists, however, morality and goodness still exist. With each day, they are able to maintain faith, hope, and goodness which gives them the motivation to continue their journey. McCarthy's novel shows that even during the worst of times, love and morality will prevail and goodness will be found.
Morality is a culturally based idea of right and wrong. In The Road, due to the aftermath of the unspecified cataclysm, the land was left desolate and the survivors are desperate. The world no longer has any remnants of the past thus culture and ethics do not exist. As a result, the remaining majority trivializes the use of morals due to desperation and in an attempt to survive. However, the protagonists are able to find solace in the goodness of each other. They
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choose to hold on tightly to common ideas of morality and goodness because they value it over mere survival. This idea is not only one of the most predominant themes in the novel but also gives the protagonists motivation which enables them to prolong their survival. The reader can infer by the first sentence of the novel that the son is a precious element to the man’s life. The first sentence gives detail of the man awakening in utter darkness merely to reach out and touch the only thing dear to him, his son (McCarthy 1). The man then compares the setting to a glaucoma that is dimming the world, making it grayer with each day ( McCarthy 1).This is one of the most significant points in the book and implies that the boy is a symbol for comfort for the man and is also his entire purpose for continuing to survive. The man and his son share a mutualistic relationship where they rely on each other for comfort, support, and life. The protagonists choose to make the best of what they have by directing their attention solely to each other, using the other protagonist as an escape from the terrible reality that they are forced to live in. They find comfort in each other’s goodness and choose to value that over mere survival unlike the amoral people in the novel. For example, the people in the novel who were considered to be amoral were often referred to as “the bad guys.” Although, like previously stated, these people only became this way through desperation. The man and his son, however, refuse to succumb to these kind of actions. They felt as though they could continue to survive just as well without living savagely. Proof of this is found on page 2 where the man says that they are each other’s “world entire” (McCarthy 2). They engulf themselves in each other, escaping the brutal world around them. In addition, there are other ideas as to why the protagonists continue to value goodness. For instance, on page 5 in the novel, the man proclaims the child as his warrant and then says out loud, “If he is not the word of God, God never spoke” (McCarthy 5). By saying this, it is assumed that a world without his son is a world without a god and that he values his son so highly that he is comparable to that of a religion. Religion, for most, is a building block for morality, ethics, and common ideas of goodness. With this statement it can be inferred that his goodness and morality derives solely from the love he has for his son. With each day, the world around them becomes more faded, making their survival more difficult to sustain. As the story continues, the man slowly starts to become out of reach with his own identity and the identity of other objects. Memories of what he once knew can no longer be applied to the world in which he is living. As a result, he disposes of his money, credit cards, and driver’s license (McCarthy 51). At this point, nothing other than his son matters to him and it can be inferred that love is the only thing that can still be applied which is why it is not only an essential component to the survival of both of them, but also gives more evidence as to why love and goodness is the only motivation to continue living in a world entirely depleted of meaning. Furthermore, on page 83, the man reassures that nothing bad will happen to him or the boy by saying “Because we’re carrying the fire” (McCarthy 83). Fire is a symbol for warmth, light, life, and protection. The fire that the man and son mention throughout the novel can be interpreted literally but was most likely used as a symbol to depict the goodness that both of them carry throughout their journey. Since fire is such a widely used symbol for life, the speculation here is that without the goodness that the man and his son carry they would be unable to survive. Throughout pages 107-111 the man and his son explore a thought-to-be abandoned house in the middle of nowhere. While in the midst of their exploration, they venture upon a foul-smelling room filled with naked bodies, both male and female, that are desperately clinging to life. Both in shock, the man and his son struggle to exit the room but manage to shut the door behind them. To add to the horror, the man then notices that the boy is pointing out the window looking at four men and two women headed their way, most likely with intent to kill them (McCarthy 111). As a result, the man grabs the boy by the hand and tells him to run. Fearing for their lives, they tear through the house and eventually into a field where they both fall to the ground. While laying motionless and listening to their surroundings, the man pushes the revolver in the boy’s hand and asks him if he “knows how to do it” (McCarthy 112). This action is a very significant element in the novel purely because it shows how the man values life. The man made a split-second decision to end the life of his son if he thought it were to be corrupted by others. The man has no knowledge as to whether or not these people have intentions to harm him or his son, however, if the time comes, and he feels that it is necessary to end his son’s life in order to protect him, that is something that he will do. The reason for this being so significant is because the man values his ideas of goodness and morality more so than mere survival. It is inferred here that to the man, a life without goodness is a life not worth living. Moreover, on page 161, the man and his son cross paths with a stranger traveling the same road as them.
The son eventually convinces his father to share some of their food with him and as a result they begin talking and the man invites him to stay for dinner. While eating, the man and the stranger begin talking about the boy and the man mentions how he believes his son is a god. The old man refuses to believe this because he cannot see how a god could be walking among them in a world so lifeless (McCarthy 172). To the stranger, it is simply impossible to see goodness in this world because he has lost everything. The man, however, the the world still contains goodness due to the love that he has for his
son. Morality and goodness are such an essential key in the theme of Cormac McCarthy’s The Road. With the love that the protagonists have for each other, they are able to continue to find meaning in a world that was completely stripped of life. The novel shows that even in the most desperate of situations, good will continue to triumph over evil. An example of this can be found on page 189 where the man says “When your dreams are of some world that never was or of some world that will never be and you are happy again, then you have given up” (McCarthy 189). This statement is extremely significant because the man has often had dreams of places that will never be. For example, the man often dreams of his wife, and throughout the novel good dreams tend to haunt him. The man, however, has not given up and continues to find hope. The assumption here is that he would prefer the reality that he is living in over his past. It can be inferred here that the man’s son is his driving force to continue his life and makes it worth living. Cormac McCarthy’s The Road, proves that morality is entirely relative. In the novel, the world is savage, lifeless, and brutal. As a result, most of the people surviving choose to live accordingly. Although, the protagonists are able to find goodness in each other thus the world is still worth living. The goodness that the protagonists carry throughout their journey is essential to both their survival and the theme. In conclusion, Cormac McCarthy’s The Road is the ultimate test of character. With each passing day the world only becomes grayer and more lifeless. Food is almost nonexistent and the protagonists consider themselves lucky to survive after an encounter with nothing more than another person. However, even in a lifeless world, the protagonists still value goodness and morality over mere survival. McCarthy’s novel shows readers that goodness, love, and morality will occur in the most unlikely of places.
In Cormac McCarthy’s The Road, the author makes various references to the Bible and to religion. Those references also can be compared on how they have changed the way of humans in real life. Along with how the boy maintains his innocence throughout this whole book even when he witnessed events that could’ve changed him. The man tried to the best of his abilities to preserve the innocence of the boy. Through all of the obstacles that they both faced, the man managed to keep the boy safe and even in his last moments he was sure that he taught his boy how to tell when people were good.
To begin, “On Morality'; is an essay of a woman who travels to Death Valley on an assignment arranged by The American Scholar. “I have been trying to think, because The American Scholar asked me to, in some abstract way about ‘morality,’ a word I distrust more every day….'; Her task is to generate a piece of work on morality, with which she succeeds notably. She is placed in an area where morality and stories run rampant. Several reports are about; each carried by a beer toting chitchat. More importantly, the region that she is in gains her mind; it allows her to see issues of morality as a certain mindset. The idea she provides says, as human beings, we cannot distinguish “what is ‘good’ and what is ‘evil’';. Morality has been so distorted by television and press that the definition within the human conscience is lost. This being the case, the only way to distinguish between good or bad is: all actions are sound as long as they do not hurt another person or persons. This is similar to a widely known essay called “Utilitarianism'; [Morality and the Good Life] by J.S. Mills with which he quotes “… actions are right in the proportion as they tend to promote happiness, wrong as they tend to produce the reverse of happiness.';
The story, The Road, begins with an unnamed man and boy in the woods. The story is set in a “post-apocalyptic world,” with the date, time and location unknown. “McCarthy himself imagines the disaster to be a meteor strike, although he claims that "his money is on humans destroying each other before an environmental catastrophe sets in (Cooper);” others say they see the setting as a post nuclear war setting. Throughout the reading, the reader can assume that the story takes place in the United States because the man mentions following the “state roads.” We first see the man and boy in the woods, it is morning time and the man has just risen from his sleep. He checks on the boy and then walks to the road to get his bearings. He thinks it is October but is unsure because he has not kept a calendar in a long time, indicating that the area has been desolate for an extended amount of time. They plan to move South, hoping that the climate will provide for less harsh winters. When he goes back to camp, the boy wakes up and they have breakfast. After they eat, they pack up all their belongings and head along the road. They push a cart with supplies and carry a knapsack with their essential belongings, should they need to abandon the cart and run for safety. They come across an abandoned gas station where the man finds old bottles of oil they can burn in their lamp and a phone where he tries to dial the number to his father’s house but there is no phone service any more. They continue their walk after gathering all they could from the station. They crest a hill and see all the ashen houses and billboards in the city below. They make camp for the night under a rock cliff after it starts to rain. The next morning they walk through the city...
The Road, a post-apocalyptic, survival skills fiction book written by Cormac McCarthy and published in 2006 is part of the Oprah Winfrey book club. During an interview with Oprah, McCarthy answered questions about The Road that he had never been asked before because pervious to the interview he had never been interviewed. Oprah asked what inspired the heart breaking book; it turns out that McCarthy wrote the book after taking a vacation with his son John. While on the vacation he imagined the world fifty years later and seen fire in the distant hills. After the book was finished, McCarthy dedicated it to his son, John. Throughout the book McCarthy included things that he knows he and his son would do and conversations that he thinks they may have had. (Cormac). Some question if the book is worth reading for college course writing classes because of the amount of common writing “rule breaks”. After reading and doing assignments to go along with The Road, I strongly believe that the novel should be required for more college courses such as Writing and Rhetoric II. McCarthy wrote the book in a way to force readers to get out of their comfort zones; the book has a great storyline; so doing the assignments are fairly easy, and embedded in the book are several brilliant survival tactics.
While reading the novel “The Road” by Cormac McCarthy the overall aspect is pessimistic. It is about violence, hardship, death, fear, and the loss of hope. Throughout the book, the two main characters, the man, and boy face up against some of the toughest survival and life lessons. Together they face the woman’s suicide, starvation, the idea of rape, sickness, survival of the apocalypse, and in a sense being hunted like prey by cannibals who also managed to survive the terrifying possibilities that cause Earth to go to chaos. Within the novel, there are hundreds of examples to provide evidence of the pessimistic nature of the novel. Cormac McCarthy who is the author continuously writes in his novel about some of the deepest and darkest situations
Losing a phone compared to being raped, starved, killed, and eaten in pieces makes everyday life seem not so excruciating. Cormac McCarthy was born July 20, 1933 and is one of the most influencing writers of this era. McCarthy was once so poor he could not even afford toothpaste. Of course this was before he became famous. His lifestyle was hotel to hotel. One time he got thrown out of a $40 dollar a month hotel and even became homeless. This is a man who from experience knows what should be appreciated. McCarthy published a novel that would give readers just that message called The Road. Placed in a world of poverty the story is about a man and his son. They travel to a warmer place in hopes of finding something more than the scattered decomposing bodies and ashes. The father and son face hunger, death, and distrust on their long journey. 15 year old Lawrence King was shot for being gay. Known as a common hate crime, the murderer obviously thought he was more superior to keep his life and to take someone’s life. Believing ideas in a possible accepting world with no conditions is dangerous thought to that person’s immunity to the facts of reality.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
In Cormac McCarthy’s Sci-Fi novel, “The Road”, two mysterious people, a father and his curious son, contact survival of the fittest during tragic apocalyptic times. With a shopping cart of food and supplies, they excavate into the remains of tattered houses, torn buildings and other sheltering places, while averting from troublesome communes. In the duration of the novel, they’re plagued with sickness that temporarily unable them to proceed onward. Due to the inopportune events occurring before the apocalypse, the wife of the son and father committed suicide due to these anonymous survivors lurking the remains of earth. The last people on earth could be the ‘bad guys’ as the young boy describes them. In page 47, the wife reacted to this, stating, “Sooner or later they will catch us and they will kill us. They will rape me. They'll rape him. They are going to rape us and kill us and eat us and you won't face it. You'd rather wait for it to happen. But I can't.”
In Cormac McCarthy’s The Road, the author makes various references to the Bible and to religion. Those references also can be compared on how they have changed the way of humans in real life. Along with how the boy maintains his innocence throughout this whole book even when he witnessed events that could’ve changed him. The man tried to the best of his abilities to preserve the innocence of the boy. Through all of the obstacles that they both faced, the man managed to keep the boy safe and even in his last moments he was sure that he taught his boy how to tell when people were good.
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
It is a novel based in a post-apocalyptic world that revolves around the lives of a father and his son who are just trying to survive. With everything around them destroyed and stripped of life, the two continue their lives hoping for better days to come. They live in a constant state of fear with everyday being spent constantly moving and scavenging for food, all while trying to remain unnoticed. Living in a world where survival is the only goal, the idea of morality has become non-existent. Cannibalism is a major fear because everyone around them is a potential predator. But in this “Barren, silent, godless” (The Road 4) world, where “the days more gray each one then what had gone before” (The Road 1), the man and his son are able to hold their own. Their sense of morality remains intact and they refuse to resort to the lifestyle that the majority of people around them have chosen. They feel as though certain actions are intrinsically wrong and therefore never justifiable. The man refers to himself and his son as the “good guys” and Erik J. Wielenberg explains that they follow a specific moral code. This code includes the rules: Don’t eat people, Don’t steal, Don’t lie, Keep your promises, Help others, and Never give up. (Wielenberg 4). According to these principles, cannibalism is never justifiable. Although the threat of starvation has caused the society to resort to cannibalism, the man and his son promise one another that regardless of the situation, they will refuse to do it. “We wouldn’t ever eat anybody, would we? ..No matter what?” The father assures his son by repeating, “No. No, matter what” (The Road
The Road by Cormac McCarthy, is set in a post-apocalyptic United States. A father and his son have survived the event that cause the destruction and death of so many. The two of them follow a road that will lead them to the coast where they hope to find and untouched landscape that they can live in. Through their journey they encounter others that are just trying to stay alive, one’s who will steal, enslave them, or even kill them.
In Cormac McCarthy’s The Road, in the post-apocalyptic world that the man and the boy live in, dreams begin to take on the form of a new “reality.” As the novel progresses, the man’s dreams, initially memories remnant of his pre-apocalypse life, become “brighter” as the boy’s dreams become darker and nightmarish. Through the use of color and distinct language, McCarthy emphasizes the contrast between reality and dreams. The man’s reliance on bad dreams to keep him tied to the harsh reality alludes to the hopelessness of the situation; he can never truly escape. McCarthy suggests that those who strive for a life that no longer exists are deluded with false hope. Having dreams is a natural human tendency, but in a world that has become so inhumane, the man can’t even afford to retain this element of being human. The loss of the past is a concept that the characters living in this ashen world struggle with, and McCarthy presents memory as a weakness to be exploited.
Morality is a code of conduct, or a set of beliefs in classifying between right and wrong behaviours. In the novel, Gulliver’s Travels, Swift used a moral touchstone in each adventure that Gulliver has traveled too. In each travel Gulliver has journeyed too, there is only one set of characters that depicts the morals of society and how mankind are currently viewed.