Contrary Interpretations of The Yellow Wallpaper
“The Yellow Wallpaper” was first published in New England Magazine in 1892. Charlotte Perkins Gilman, an advocate for the advancement of women, authored the short story. She intended the piece to bring to light the inherent ineptitude of the Weir Mitchell “rest cure.” Though this subject is addressed, many other pertinent topics are broached, ever so subtly. Other themes in the book include the role of women in a society dominated by men, the role of the mother, and how oppression can affect the mind of a creative individual. These themes, however, can be altered merely by how the tale is edited. I intend to point out some of the pertinent differences that exist between the full text of the story and an abridged version, describing how they give the same story contrary interpretations.
To better understand the differences I will be noting, one may find it helpful to be familiar with the basic plot of “The Yellow Wallpaper.” Both versions relate the story of a woman losing her mind. She has not been feeling well for some time, so her husband, a physician, decides a summer spent relaxing in the country would benefit her. While there, she is forbidden to write in her journal, as it indulges her imagination, which is not in accordance with her husband’s wishes. Despite this, the narrator makes entries in the journal whenever she has the opportunity. Through these entries we learn of her obsession with the wallpaper in her bedroom. She is enthralled with it and studies the paper for hours. She fancies she sees a woman trapped behind the pattern in the paper. The story reaches its climax when her husband must force his way into the bedroom, only to find...
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...woman being driven mad by her position in life. The wallpaper merely serves as a catalyst for her breakdown. This interpretive discrepancy, as well as the loss of authenticity and finally the weakening of John’s power, ultimately leaves the two versions of “The Yellow Wallpaper” open to varying interpretations.
Works Cited
Gilman, Charlotte Perkins. The Yellow Wallpaper. Ed. Dale M. Bauer. Bedford Cultural Edition. Boston: Bedford/St. Martin’s, 1998.
---. “The Yellow Wallpaper.” Great American Short Stories. Pleasantville: Reader’s Digest, 1977. 195-206.
Works Consulted
Golden, Catherine, ed. The Captive Imagination: A Casebook on "The Yellow Wallpaper." New York: Feminist Press, 1992
Kasmer, Lisa. "Charlotte Perkins Gilman's 'The Yellow Wallpaper': A Symptomatic Reading." Literature and Psychology. 36, (1990): 1-15.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. Print.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
Her mental state is again revealed a few pages later when she states, "It is getting to be a great effort for me to think straight" (Gilman 430). Related to thought disorder is obsession, which the protagonist displays in her relentless thoughts about the yellow wallpaper which covers her bedroom walls. The narrator begins her obsession with the yellow wallpaper at the very beginning of the story. "I never saw a worse paper in my life," she says. "It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study" (Gilman 427)....
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Wohlpart, Jim. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
In conclusion, Poe shows the insanity of the narrator through the claims of the narrator as to why he is not insane, the actions of the narrator bring out the narrative irony of the story, and the character of the narrator fits the definition of insanity as it applies to "The Tell Tale Heart". The "Tell Tale Heart" is a story about how insanity can overtake someone's mind and cause one to behave irrationally.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." Images of Woman in American Popular Culture. Ed. Angela G. Dorenkamp, et al. Port Worth: Harcourt Brace, 1995. 78-89.
Ford, Karen. “The Yellow Wallpaper and Women’s Discourse.” Tulsa Studies in Women’s Literature 4.2 (1985): 309-14. JSTOR. Web. 6 April 2011.
Boston: Bedford/St. Martin's, a new book, 2011. Print. The. Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer.
Golden, Catherine, ed. The Captive Imagination: A Casebook on "The Yellow Wallpaper." New York: Feminist Press, 1992.
Mares, M., & Verma, S. (2015). Television and Its Effects on Interfamilial Relationships. Retrieved September 28,
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper.'" Women's Studies 12:2 (1986): 113-128.
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.
Gilman has stated in multiple papers that the main reason for her writing “The Yellow Wallpaper” was to shed light on her awful experience with this ‘rest cure’. However, she also managed to inject her own feminist agenda into the piece. Charlotte Perkins Gilman chose to include certain subtle, but alarming details regarding the narrator’s life as a representation of how women were treated at the time. She wants us to understand why the narrator ends up being driven to madness, or in her case, freedom. There are untold layers to this truly simple, short story just like there were many layers to Gilman