The 1980s decade is defined by consumption and youth culture. However, throughout this course our class analyzed consumption and consumer culture narrowly from a white, middle-class American perspective. Hence, this essay highlights the experience of a black, Jamaican-Canadian woman in the consumer culture and advertising era of the 1980s – Annie White.
Annie White was born in 1971 and raised in a rural, poverty-stricken neighborhood in the parish (similar to province) of St. Ann. White was raised in a poor single-parent family where her mother raised 4 children (including her, the eldest). Still, White had full access to television, radio, newspapers, and other forms of media. Regardless, many of her consumer choices and experiences with
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Upon arriving in Canada in 2001, Annie White recalls the frustration she experienced with advertising not being true to reality. White argues: “In Canada the advertisements are too demanding, too in your face; too much advertising. […] Most of the advertisements are misleading. They are luring, because when you actually go to the place [the store], it is not the actual price they said on TV. They will say in the commercial that the burger is for $5, but it is actually $5.99 plus tax.” (A. White, personal communication, October 15, 2016)
In other words, advertising in Canada is not doing its job, which according to Annie White, is to inform consumers so they can choose products that will help them in their daily lives (which poor people cannot afford). White continues by expressing her love for Jamaican advertising in the 1980s, which were “more informative and kid-friendly” (A. White, personal communication, October 15, 2016). For example, one of her favourite commercials by Quench-Aid (a product comparable to Kool-Aid) taught children step-by-step instructions for how to make their product (a refreshing fruit drink) (A. White, personal communication, October 15, 2016). Advertising in our age would benefit from White’s argument for more honesty and information relevant to the
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However, the advertisers promoting these value and goods are not organizations, corporations, or governing powers, they are ordinary people. Annie White’s interactions with her Jamaican family living in America dictated the values she associated with American goods. According to White, many of her peers believed that owning any American goods meant an increase in status, because they saw America as a country which represented wealth and success (A. White, personal communication, October 15, 2016). As a result, many people rely on commodities and goods to indicate status. In his article, “Conspicuous Consumption” (1899), Thorstein Veblen suggests that “consumption of higher quality goods denotes his [or her] evidence of wealth. Being able to consume in due quantity and quality becomes an indication of inferiority” (Veblen, 2000, 190). In other words, consuming American goods– to indicate wealth and establish a social hierarchy in which they have the highest prestige over
The first chapter on ‘Account Planning’ deals with issues of racialization and biopolitics that have historically informed representations of Asian Americans in advertisements. With changing social and economic conditions, it navigates the emergence of ‘Asian American’ from being a census category to cultural and linguistic representations that are iterated through multicultural advertising. The category of Asian American is presented through historical examples and textual analysis of advertisements. Further, this chapter not only reflects on the historical naturalization of race for the community when projected as excellent consumers but also for such a broad term enveloping several nationalities and differing ethnicities, it underscores how Asian American advertising attempts to construct such representations separately from other racial and ethnic communities, like African American and Latino consumers, within the United
Americans have long since depended on a falsified ideology of idealized life referred to as the American dream. The construct of this dream has become more elusive with the emergence of popular cultural advertisements that sell items promoting a highly gendered goal of achieving perfection. In “Masters of Desire: The Culture of American Advertising,” Jack Solomon states that ads are creating a “symbolic association between their products and what is most coveted by the consumer” to draw on the consumer’s desire to outwardly express high social standing (544). The American dream has sold the idea of equality between genders, races, and socioeconomic backgrounds, but advertisements have manipulated this concept entirely through representations
Kern-Foxworth, Marilyn. “Memories of the Way We Were: Blacks in Early Print and Electronic Advertising.” Aunt Jemima, Uncle Ben, and Rastus: Blacks in Advertising, Yesterday, Today, and Tomorrow. Westport: Praeger Publishers, 1994. 29-42. Print.
Advertisements are one of many things that Americans cannot get away from. Every American sees an average of 3,000 advertisements a day; whether it’s on the television, radio, while surfing the internet, or while driving around town. Advertisements try to get consumers to buy their products by getting their attention. Most advertisements don’t have anything to do with the product itself. Every company has a different way of getting the public’s attention, but every advertisement has the same goal - to sell the product. Every advertisement tries to appeal to the audience by using ethos, pathos, and logos, while also focusing on who their audience is and the purpose of the ad. An example of this is a Charmin commercial where there is a bear who gets excited when he gets to use the toilet paper because it is so soft.
Van Den Haag, Ernest. "Conspicuous Consumption of Self". National Review VI (April 11, 1959): 656-658.
The author of this book Bruce Barton was a partner in a successful advertising firm during the 1920’s. This was a time when the industry of advertising was under going some major changes. These changes had a lot to do with a number of factors the first of which being the post war prosperity this meant people had more money than they ever had before. Another one of these factors had to do with the high number of teens who were now attending high school, this proved to be important because it created a whole other market which hadn’t existed before. One more factor was the advances made in transportation and communication, these advances allowed goods, people, and information to travel long distances relatively quickly intern allowing companies to grow large enough to spread their services nationally. Still another important factor was the invention of financing, this allowed people to pay for durable objects (large objects that would last a couple of years) with affordable installments or payments. But the biggest changes were the actual advertising practices themselves, many of which were pioneered by Barton and his associates, and didn’t become norms in advertising until after the release of Bartons book “The Man Nobody Knows” in 1924. This book served not only as a manual on how to advertise more affectively but also as an example of good advertising itself.
This advertisement presents a humorous and quirky way of showing Canadian identity. It also shows reality in many shots of the advertisement because Canadians are not only perceived to be polite they are actually known for being the most polite people around the world with their mannerisms. Moreover, the quirky salesman in red is far away from being controversial in this advertisement and the only motive for him expressing Canadianness in the advertisement is so that Canadian’s can relate to someone who knows how to represent and characterize Canadian
In 1899 Thorstein Veblen wrote The Theory of the Leisure Class: An Economic Study of Institutions. In this work, Veblen presented critical thinking that pertains to people’s habits and their related social norms. He explores the way certain people disregard the divisions that exist within the social system, while subsequently emulating certain aspects of the leisure class in an effort to present an image of higher social status. He also presented the theory of conspicuous consumption, which refers to an instance when a person can fulfill their needs by purchasing a product at a lower cost that is equal in quality and function to its more expensive counterpart; however, said person chooses to buy the more expensive product, by doing so, they are attempting to present an image of a higher social status. The almost 110 year cycle between 1899 and 2010 reveals few differences in buying behaviors, other than the differing selection of luxury goods to indulge, or over-indulge in.
Commercials make the viewer think about the product being advertised. Because of the amount of television children watch throughout the week, it allows the children to be exposed to the information over and over again. Per year, children are known to view thousands of fast food commercials. On a daily basis, a teen will usually view five advertisements and a child aged six to eleven will see around four advertisements (Burger Battles 4). Businesses use this strategy to “speak directly to children” (Ruskin 3). Although the big businesses in the fast ...
Goodrum, Charles and Dalrymple, Helen, Advertising in America: The First 200 Years. (New York: Harry N. Abrams, Inc., Publishers, 1990). 37.
Curry and Clarke’s article believe in a strategy called “visual literacy” which develops women and men’s roles in advertisements (1983: 365). Advertisements are considered a part of mass media and communications, which influence an audience and impact society as a whole. Audiences quickly begin to rely on messages sent through advertisements and can create ideologies of women and men. These messages not only are extremely persuasive, but they additionally are effective in product consumption in the media (Curry and Clarke 1983:
Essay 1: WRITE A COHERENT ESSAY IN WHICH YOU ATTEMPT TO EXPLAIN THE USE OF BLACK ICONIC IMAGES (AND OTHER ETHNIC IMAGES) TO SELL PRODUCTS AS THE ECONOMY OF MASS CONSUMPTION EXPANDED IN THE LATE 19TH AND EARLY 20TH CENTURY. YOU ARE ENCOURAGED TO INCLUDE IMAGES IN YOUR PAPER! During the 19th and 20th century, America –mostly white collar, middle class Americans- saw a great increase in salaries and a huge rise in mass production which paved the way for the modern American consumerism which we know today. The advertising scene saw a dramatic boost during that period and tried to latch on to this growing pool of emerging consumers. Although only limited to print, advertising during this pivotal period showed panache and reflected American society and popular culture.
has adopted the white-man’s degree of consumerism and “[at] sixteen she had a style of
Across America in homes, schools, and businesses, sits advertisers' mass marketing tool, the television, usurping freedoms from children and their parents and changing American culture. Virtually an entire nation has surrendered itself wholesale to a medium for selling. Advertisers, within the constraints of the law, use their thirty-second commercials to target America's youth to be the decision-makers, convincing their parents to buy the advertised toys, foods, drinks, clothes, and other products. Inherent in this targeting, especially of the very young, are the advertisers; fostering the youth's loyalty to brands, creating among the children a loss of individuality and self-sufficiency, denying them the ability to explore and create but instead often encouraging poor health habits. The children demanding advertiser's products are influencing economic hardships in many families today. These children, targeted by advertisers, are so vulnerable to trickery, are so mentally and emotionally unable to understand reality because they lack the cognitive reasoning skills needed to be skeptical of advertisements. Children spend thousands of hours captivated by various advertising tactics and do not understand their subtleties.
Advertising." Current Issues: Macmillan Social Science Library. Detroit: Gale, 2010. Opposing Viewpoints in Context. Web. 4 Dec. 2013.