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Since Adam, man has been ruled by their conscience telling them what is good and what is evil. Those who follow the promptings of their conscience are know as moral or down to earth while those who disobey their conscience are often become despicable and become slaves to their choices. This is seen throughout Alexandre Dumas’s revenge based book The Count of Monte Cristo and especially in the actions of the character Edmond Dantés. When introduced Edmond Dantés was knows as a very moral down to earth character of whom the world seemed to revolve around. However, in a series of unfortunate events towards Dantés was imprisoned on spurious charges and condemned to fourteen years in prison before escaping. Upon his discovery of those who had wronged him he swore revenge and renamed himself The Count of Monte Cristo. Dumas uses a series of changes in Dantés as the most despicable character, through his thoughts, actions, and desire to appease his conscience falsely with revenge. …show more content…
After Abbe Faria clarified the event of Dantés past Abbe Faria forewarned, “I regret having helped you clarify your past…I’ve instilled in you’re a feeling that wasn’t there before: vengeance” (Dumas 58). After such an instance Dante’s allowed thoughts of revenge to plague his mind. He spent both his free time while in prison and outside of prison planning a revenge plot against those who had betrayed him. These were people he once called his coworkers, his acquaintances, and his friends. Those who had gone against him simply in order to make a quick buck, marry a girl in love with Dantés, gain power, or save one honor. This was ironically though the dishonorable actions of Fernand, Danglars, Caderousse, and Villefort. With a feeling of vengeance towards these four Dantés’s quest for revenge could not be
“I wish to be Province myself, for I feel that the most beautiful, noblest, sublime thing in the world is to recompense and punish” (Dumas 213). In the novel The Count of Monte Cristo by Alexandre Dumas, there are many examples of vengeance from the main character, Edmond Dantes. Dantes started out as a young sailor with an encouraging career, a beautiful fiancee, and a loving father. However, those who were envious of his promising young life came together to take Dantes apart, as Dantes was wrongfully convicted and thrown in prison. What he learned about the men who wronged him ignited a fire in his heart to get his revenge on those three people, known as Fernand, Danglars, Villefort. Edmond Dantes started out as a young man with great ambitions
As everyone is thinking that Dantes is dead from prison, he really escaped and changed his name to The Count of Monte Cristo. Changing his name was a way to disguise him from being Dantes. After being locked up for so long, no one knew who he was. This disguise kept him from not having to go back to prison, and also helped with getting revenge on those who sent him to prison for no reason. In this novel, since Dantes was not able to be recognized, he used this dishonesty to back at Danglars, Mercedes, Benedetto, and Caderousse.
This quote symbols all feelings of sympathy and kindness have left Datnes heart as he now get revenge on all those who betrayed him. Dantes wants to be the instrument that hands out the punishment to his enemies.
During Dantès’ time in the prison Château d’If, he becomes good friends with his neighboring prisoner, Abbé Faria, a priest who helps Dantès figure out who put him in prison and why. When Abbé dies from a disease he obtains from his past relatives, Dantès considers killing himself because he cannot bare the loneliness. Right before he makes the final decision to commit suicide, he cries out to himself “I want to live, to fight in to the end...
There is no doubt that when bad things happen to people, they want to reflect their misery on others whom they think caused it, which is exactly what happened with Edmond Dantes, a once innocent man who became consumed by hatred.
In analyzing this gradient of morality, it is useful first to examine a work from early literature whose strong purity of morality is unwavering; for the purposes of this discussion, Dante’s Inferno provides this model. It is fairly straightforward to discover Dante’s dualistic construction of morality in his winding caverns of Hell; each stern, finite circle of Hell is associated with a clear sin that is both definable and directly punishable. As Dante moves downwards in this moral machination, he notes that
Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.
When one thinks of God as a synonym of love, it is then easy to understand why Dante chose fraud as the worst of sins; the act of fraud then serves as an antonym of love. The most relevant example of fraud can be found in Lucifer’s betrayal of God. He was Lucifer’s master, and even though Dis was heaven 's most beautiful angel, greed led him to betray his own master. The fact that an angel, a Celestine creature was lured by greed into betraying his omnipresent master, indicates that of all sins, fraud is the most severe of all. Since Lucifer’s betrayal was directly aimed at the creator of every living thing, it then transforms Satan’s disloyalty into a marker that denotes the most precarious side of human nature. In terms of severity, after Lucifer’s actions, Judas Iscariot is the figure best known for betraying a member of the divine trinity, in this case, his master Jesus Christ. Then, the reasoning behind the incorporation of Iscariot into the narrative becomes clear as well as why he was situated as a central figure. By Dante choosing to place Judas directly in Lucifer’s frontal mouth, and having Lucifer chew his skull for eternity, one sees the dire consequences of betraying God. Dante’s decision to include Brutus and Cassius in the narrative is less apparent, yet it can be traced
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
It is believed by many that it is human nature to deem themselves to be a tantamount to God. Such is the case when one decides to take revenge against those who wrong him. Though vengeance seems like the perfect way to achieve justice, a sense of equity, in actuality it is merely an unsatisfactory hypocritical action. This is the definitive realization of the protagonist, Edmond Dantès in Alexandre Dumas’ “The Count of Monte Cristo”. The protagonist comes to understand that after a lifetime of searching for justice, he really only yearns justice from himself. Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a naïve, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
In his Divine Comedy, Dante portrays two main types of characters along his journey. There are characters that provide false or misleading information, who are found mainly in the Inferno and the Purgatorio, and those who provide honest and beneficial information, found in the Purgatorio and Paradiso. Almost every personage Dante encounters can be easily assigned to one of these two categories. For instance, Francesca da Rimini clearly provides bad council to Dante when she attempts to gain his sympathy for her predicament. Similarly, Beatrice is a paragon of righteousness who aims to bring Dante back from his sojourn of the upright path when Dante had l...
“There is no greater pain than to remember, in our present grief, past happiness…”(Canto 5) is what Francesca mentioned to Dante and I believed that this is where Dante himself founded that he shouldn’t dwell on the past and this is also where he learned that lust isn’t truly needed in life. That there is love, but lust is an unnecessary part of life. The deeper that Dante would go feel started to change his view towards people. He began to feel pity and sadness towards each and every soul he met during his journey. Once he met Brunetto Latini, Dante explained that he lost himself in a valley and that 's why he was sent there. The Pilgrim explaining himself proves that he was truly on a journey of self-discovery. Once he met Satan himself Dante realized, “the lovely things the heavens hold” (Canto 34) which one of the steps to self-discovery, finding the beauty in
Seeing as this work was written by Dante, and the journey is taken by Dante, he has a unique opportunity to judge his fellow man and decide how they will be punished. He also gets to place his enemies in hell, forever besmirching their names for generations to remember. Perhaps unknowing to Dante, that is worse than any of the punishments that he placed his enemies in. The reality of The Inferno is unlikely and therefore these punishments are nothing but a fictiona...
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.
(For clearer explanation in this essay, Edmond Dantès refers to Edmond Dantès and what he becomes later novel after his symbolic death in prison, the Count of Monte Cristo.) In action of his revenge, the murder of Caderousse’s wife, Monsieur le Marquis de Saint-Méran and Madame la Marquise de Saint Méran, Héloïse de Villefort, and Barrois happen with no from remorse Dantès. These victims most had nothing to do with the Dantès directly. They were just pawns of his little game of revenge. “The problem of innocent suffering does not trouble Monte Cristo, even though his revenge wreaks devastation on whole families.”(Aubrey 2) Even though he is sent to prison wrongfully, he should not be able to ruin so many lives for his act of revenge. Also, over the course of the book, he confuses his desire for revenge and claims various times that his revenge is for justice. “Revenge is mostly about “acting out” (typically through violence) markedly negative emotions. Revenge is, by nature, personal; justice is impersonal, impartial, and both a social and legal phenomenon.” (Seltzer 1) Revenge is the thing that clouds his morals most, and the fact that he even thinks he is God-like for most of the story shows how disconnected he is, morally. “Dantès puts himself in a position that is god-like to exercise complete