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Shakespeare comedy on twelfth night
Summary and preview of Twelfth Night by William Shakespeare
Shakespeare's use of language
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Twelfth Night is a significant Christian holiday that marks the Feast of the Epiphany (the day the tree wise men presented baby Jesus with gifts). It is celebrated by playing pranks on one another-, which usually result in confusion and chaos. Hence the title of the play- as it’s subject revolves around confusion and chaos as well. In Shakespeare’s Twelfth Night, confusion and chaos are shown in multiple ways. Confusion of identity and chaos creates the love triangle between Duke Orsino, Viola /“Cesario” and Olivia while it also plays a role in the prank on Malvolio. Furthermore, chaos transpires when Antonio mistakes “Cesario” for Sebastian. Evidently, the presence of confusion and chaos in “Twelfth Night” is vital to the play, especially bearing in mind the traditions connected to its title.
Confusion is a major factor in the plot of Twelfth Night- especially in the crazy love triangle between Duke Orsino, Viola (“Cesario”) and Olivia. What makes the whole situation even crazier is that Viola is actually a woman. This is apparent through little hints given to the characters here and there and also by how easily Olivia falls in love with “Cesario” when she is actually in mourning. In Shakespeare’s Twelfth Night, Olivia wonders how she could so suddenly change her mind about loving when she questions, “How now?
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/Even so quickly may one catch the plague?” (1.5.298-299). She feels as if she’s fallen in love with “Cesario” because she can relate with “him”. The real reason she admires “Cesario” is because “he” is Viola and therefore understands what Olivia is thinking and wants- being a woman herself” However, as Viola’s appearance is that of a man, Olivia names this understanding as perfection. As the play progresses so does the bizarre love triangle-, which generates further bewilderment. In the final scene, the whole situation comes to light, and ensured chaos presents itself when Olivia asks where Viola is going and she, in turn, blatantly states: After him I love/ More than I love these eyes, more than my life, / More, by all mores, than e'er I shall love wife./ If I do feign, you witnesses above,/ Punish my life for tainting of my love! (5.1.130-134) Viola states her undying love for Orsino- which receives confused responses from both Orsino and Olivia as Viola “is a gentleman”. All these factors of confusion and chaos are the basis of the love triangle in Twelfth Night-, which is a major component of the play. In the traditions of the Twelfth Night holiday, pranks were momentous. People dressed up as completely different characters and made a fool of their friends and acquaintances. In the same way, Malvolio is tricked and confused by the use of disguises-, which leads to confusion and chaos for him. He shows his utter confusion at why everyone thinks he’s insane by stating: “By this hand, I am. Good fool, some ink, paper, and light, and convey what I will set down to my lady. / It shall advantage thee more than ever the bearing of / letter did.” (4.2.113-116). He becomes so desperate to prove his sanity after Feste confuses him by acting as Sir Topas, that he tries to prove it to a mere fool who he insulted consistently before. Furthermore, in the end, Malvolio is so done with the chaos ensued by the prank that is unbeknownst to him that he straight out accuses Olivia of toying with his emotions. He goes on to say: “And made the most notorious geck and gull/ That e'er invention played on? Tell me why.” (5.1.340-341). He believes that Olivia did it, because it looks like her writing and her seal on the letter he received. All this confusion of disguise reveals Malvolio to be a much bigger fool than was thought and leads to chaos at the end of the play. It’s amazing how confusion and chaos play such a major role in Twelfth Night that they are displayed even in a mere prank in the play. Chaos is most evident when the craziness of a situation comes to the attention of everyone.
First of all, Olivia was so desperately in love with “Cesario” that she didn’t even notice that she married the wrong man- even if they did look alike. She wants to have been married to ‘Cesario” so much that she believes that his utter disbelief at what she’s saying is only a ruse to make sure Orsino didn’t kill him. This is shown when she says:
Alas, it is the baseness of thy fear/ That makes thee strangle thy propriety. / Fear not, Cesario. Take thy fortunes up. / Be that thou know’st thou art, and then thou art/ As great as that thou fear’st.
(5.1.143-146) Here, Olivia names “Cesario’s” incomprehension as fear from his master so that she can try to get a grasp on the ridiculous situation. Furthermore, before Act 5, Duke Orsino had no idea how seriously Olivia loved “Cesario”. Clearly, when he realized the truth, he was stupefied. In Twelfth Night, Duke Orsino expresses his anger: O thou dissembling cub! What wilt thou be/ When time hath sowed a grizzle on thy case?/ Or will not else thy craft so quickly grow/ That thine own trip shall be thine overthrow?/ Farewell, and take her; but direct thy feet/ Where thou and I henceforth may never meet. (5.1.160-165) At this time, Olivia has just informed the Duke of her and Sebastian’s wedding (thinking him to be “Cesario”) and the Duke is enraged with “Cesario”. Naturally, where confusion is present, chaos naturally follows. That is the main reason people play pranks- to laugh at the chaos that ensues. Therefore, Shakespeare took that relationship between confusion and chaos and turned it into a whole new thing by putting it in a situation where the confusion is that of identity. In Shakespeare’s Twelfth Night, confusion and chaos are shown everywhere. From a crazy love triangle, to a mere prank played on a self-absorbed man, to the chaos caused by the previous love triangle. Twelfth Night is the time for pranks and practical jokes that cause bewilderment and disarray. The presence of confusion and chaos in “Twelfth Night” is vital to the play, especially bearing in mind the traditions connected to its title. Shakespeare took the concept of confusion and chaos by use of pranks and disguise to a whole new level when writing this play. The title was specifically chosen to represent the crazy traditions of the holiday and make them the subject of the play.
When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit? / I had rather hear you solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106).
During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just like Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beauty would feel so strong for him and he wastes no time.... ... middle of paper ...
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
In Twelfth Night, the character Viola, who cross-dresses as a man named Cesario, is used to show how true love is capable of breaking gender barriers. Viola is an amiable character who has no severe faults. The audience can clearly detect that Viola's love is the purest because unlike Orsino and Olivia, her character's love is not narcissistic and does not jump from one person to the next. In other words, her actions are motivated by deep and abiding passion rather than whimsical choices. Viola's main problem, however, throughout the play is one of identity. Because of her costume, she must be both herself and Cesario. Thi...
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
EXPOSITION: Orsino expresses his love for Olivia: While Olivia is mourning for her dead brother; Orsino falls in love with her. He is trying to get her to marry him but she refuses. Since she mourns for the loss of her brother for seven years, Olivia will not see anybody who seeks a relationship with her.
It is also one of the themes in Twelfth Night that the play revolves around as Shakespeare makes it out to be by presenting the character of ‘Caesario’. In Twelfth Night, Shakespeare presents the obvious deception of the play that is Viola. Viola’s role in the play is purely based on the ideas of disguise and deception. She initially deceives everyone by disguising herself as a man, ‘Cesario’, in order to serve Orsino. We can see this from the quote, “For such disguise as haply shall become: The form of my intent”.
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.