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Gender roles in the joy luck club
Gender roles in the joy luck club
Intersections of gender class and race in the joy luck club
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Joy Luck Club Conflicts
Many Misconceptions and Delusions
Conflicts play a crucial role in novels. Without conflict, novels would be uninteresting and very dull. Conflicts are seen in many different forms, as internal conflicts, when a character must deal with private problems, and external conflicts, when a character must deal with problems originating from an external source, like another person or society in general. Some common conflicts seen in other novels are person versus society, as in The Scarlet Letter when Hester is forced to face her mistake of adultery due to the obsession of the unforgiving town. An example of an internal conflict is present within Animal Dreams, when Cody must decide where she belongs and must also deal with the pain of her lost baby. These types of conflicts and more are visible within the novel entitled The Joy Luck Club written by Amy Tan. Three prominent conflicts seen in The Joy Luck Club are between Waverly and Lindo, Lindo and Suyuan, and between June and Waverly.
The first prominent conflict within this novel deals with Waverly and her mother Lindo. Waverly feels as though her mother is attempting to ruin her life by causing her to "see black where there once was white" (Tan 186). Lindo, Waverly believes, is attempting to influence her daughter for the worse. She does not want to be influenced by her mother's opinions, her criticisms of everything that she loves, yet Waverly fears that even if she "recognized her sneak attack, [she] was afraid that some unseen speck of truth would fly into [her] eye, blur what [she] was seeing and transform [it]" (Tan 181) into the thing that her mother saw, into something full of faults, something that is not good enough for her. Waverly resents this, yet Lindo believes that it is for Waverly's own good. She does not want Waverly to accept something just because it was a gift, like the fur jacket that Rich gave Waverly. Lindo believes that she has taught Waverly to grow up with values, with goals that everyone and everything must meet. As Waverly shows Lindo the jacket, Lindo inspects it, finally reporting, "This is not so good" (Tan 186). Waverly protests, "He gave me this from his heart" (Tan 186), to which Lindo replies, "That is why I worry" (Tan 186). Lindo simply wants Waverly to strive for the best. Lindo believes that her daughter deserves th...
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...ruin everything that she holds dear, while Lindo is just trying to make her see that she deserves better. I relate to the essence of that conflict. I too
look for flaws in people and situations, just as Lindo does for her daughter. Yet, I do it to sabotage my own happiness, as though I feel subconsciously as if I do not deserve to be happy. I would see flaws in people that I liked, or in my own work, thinking that I could do better each time with everything that came my way. I think that, because of this scrutiny that I put myself through, it has helped me to become a better student. I am able to see little details that require changing, that need to be improved. Also, I have recently come to realize that I deserve to be happy, that I am a good person, that I deserve what everyone else seems to have: pride in themselves and in others. I am gradually learning to accept others for what they are and have stopped looking for flaws in people. I now let them be what they are. I have accepted myself, and now am able to accept them. This book has helped me to see what qualities I have inside of myself and how pointless it really is to be so scrutinizing of myself and of others.
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Amy Tan’s novel, The Joy Luck Club uses much characterization. Each character is portrayed in different yet similar ways. When she was raised, she would do whatever she could to please other people. She even “gave up her life for her parents promise” (49), I the story The Red Candle we get to see how Tan portrays Lindo Jong and how she is brought to life.
“The minute our train leaves the Hong Kong border and enters Shenzhen, China, I feel different. I can feel the skin on my forehead tingling, my blood rushing through a new course, my bones aching with a familiar old pain. And I think, my mother was right. I am becoming Chinese. (179). In the story A Pair of Tickets by Amy Tan, the protagonist character, Jing-mei, finds herself in several difficult situations due to how her social and cultural upbringing has shaped her. She finds herself pulled between her Chinese DNA and her American background. While she was raised being told that she was Chinese and “it’s in her blood”, she does not identify as such, because she grew up in America and only sees herself as an American. After her mother’s passing,
"I am waiting like a tiger in the trees, now ready to leap out, ready to cut her spirit loose." The Joy Luck Club, an Oliver Stone production, depicts four women and their strife bringing up their American born daughters. Directed by Wayne Wang, this rated R movie featured actors and actresses such as Ming-na Wen, Rosalind Chao, Russell Wong, and Lisa Lu.
No matter where one grows up, they will always strive for their parent’s approval. The location, the time, or their age will not determine if they would love for their parents to approve of them. The problem usually uproots because the parents grow up in a different generation than their kids. Some parents want their kids to do better than them, or grow up as they did. In Hosseini’s Kite Runner and in Amy Tan’s The Joy Luck Club, express the problem that children have getting their parent’s approval very well.
In The Joy Luck Club, Amy Tan explores mother-daughter relationships, and at a lower level, relationships between friends, lovers, and even enemies. The mother-daughter relationships are most likely different aspects of Tan's relationship with her mother, and perhaps some parts are entirely figments of her imagination. In this book, she presents the conflicting views and the stories of both sides, providing the reader--and ultimately, the characters--with an understanding of the mentalities of both mother and daughter, and why each one is the way she is.
The Joy Luck Club is the telling of a tale of struggle by four mothers and their four daughters trying to understand the issue of gender identity, how they each discover or lose their sense of self and what they mean to one another. Throughout the book each of the mothers works hard at teaching their daughters the virtues of Chinese wisdom while allowing the opportunities of American life. They try passing on a piece of themselves despite the great barriers that are built between the women. Each of the stories gives a wonderful glimpse into the Chinese culture and heritage that the mothers are trying to reveal to their daughters through the use of festivals, food dishes, marriage ceremonies, and the raising of children, essentially their past experiences.
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
Almost all the stories we had read throughout the semester reflect the conflict within a character. Some of them are physically imprisoned as the woman in The Yellow Wallpaper, others are confined in their own prejudices and emotional lives like the narrator in Cathedral and in Sonny’s Blues or the
“Here is how I came to love my mother. How I saw her my own true nature. What was beneath my skin. Inside my bones.” (Tan 40)
Is it fair to judge someone by their sex? In traditional Chinese culture, many judgments were made about a person just by observing their sex. The women was looked upon as an inferior being. They had little or no status in society, and little was expected from them. They were discriminated against when they tried to stand up for themselves. Chinese culture was customarily male dominated. The male was expected to do most of the work, and the woman was expected to stay at home with their mouth shut. This custom leaves an unwelcome feeling in a woman's heart. They feel like nobody cares, and it makes it much harder to live with an optimistic view on life.
Sadly, the characters revealed in The Joy Luck Club have personal histories so complicated by cultural and emotional misunderstandings that their lives are spent in failed attempts to cross the chasms created by these circumstances.
Romanticism and Puritanism collide in Nathaniel Hawthorne 's The Scarlet Letter, as Hawthorne’s characters are dealt with a conflict between following one’s own moral code versus following the code of a pious and conservative society. Hawthorne introduces characters who are in a struggle to rebel against a stubborn society. Throughout his novel, Hawthorne allegorizes a Romantic moral that expressing one’s true beliefs and emotions is ultimately rewarding. Across their progression, the characters Hester Prynne, Arthur Dimmesdale, and Roger Chillingworth embody such Romantic moral.
Throughout the novel the reader finds out that one cannot stew over a negative situation, but instead, find the positive in a negative situation and move on to better things. In addition, people should always be themselves because we all matter, no matter what our differences.