The Complex Relationship between the American and Jig in Ernest Hemingway’s “Hills Like White Elephants” In Hemingway’s “Hills Like White Elephants”, the American and Jig are like the tracks at the train station, they can never meet. While Jig represents fertility, life and continuity, the American represents sterility, dryness and death. Unfortunately, Jig depends emotionally on the American – as many women depended on their male counterparts in the 1940s – and lacks the autonomy and willpower required to openly affirm herself in their relationship. As they struggle to find common ground, the very discussion that can bring them together only tears them apart. The differences in each character – in their personality, means of communication and desires – truly emphasize the constant opposition that burns between them, this very opposition leads to the couple’s inevitable separation, as Jig discovers herself and her independence through the dilemma at hand. The ubiquitous conflict between the American and Jig is underlined by the tremendous differences in their personality, communication methods and desires. In the beginning, the environment seems relaxed, neither, the American nor Jig, is speaking. Jig is looking out at the scenery that is “brown and dry” (paragraph 8) – like their relationship – as the American orders drinks. Unlike the American who is disconnected, Jig seems to be imaginative, intuitive and connected with her world, while she gazes out the window, she remarks that the hills “look like white elephants” (paragraph 9). At this point, she seems to have something on her mind: white elephants are believed to be rare and precious, although they require much upkeep, commitment and sacrifice, e... ... middle of paper ... ...g and the American is what eventually tears them apart, they have different needs and desires and this, in turn, allows Jig to discover her independence, despite the difficult choice she faces. After having weighed everything, Jig would have probably had the abortion. Regardless of whether she leaves the American or remains forever unhappy with him, Jig’s decision is made: she takes a final stance and acknowledges – in an ironic tone – “I feel fine… there’s nothing wrong with me. I feel fine” (paragraph 110). The question of self-affirmation has been solved here, as she looks to her own self, her own happiness and her own will to look at things as they are. WORKS CITED Hemingway, Ernest. “Hills Like White Elephants”. Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 4th Compact Ed. Upper Saddle River: Prentice Hall, 2008. 290-293.
In Hemingway’s “Hills like White Elephants” and Wallace’s “Good People,” both of the young females, Jig and Sheri, experience an unplanned pregnancy and must decide whether an abortion is the right choice. While the former story employs dialogue to depict the relationship of an adventurous, carefree couple in the 1920s, the latter uses third person limited point of view to show a faithful young couple whose religion is their source of morality. Thus, Wallace digs much deeper since both religion and love are a factor in Sheri’s ultimate decision. The enigmatic endings of both stories leave us questioning Jig and Sheri’s choice and its impact on the future of their relationship with their respective partners. The text suggests that Jig will not comply with the American’s wish of aborting the baby because of her vision and the indicative dialogue between her and the American, and Sheri will conform to her religious beliefs and carry the child.
Gale. Weeks, Lewis E., Jr. "Hemingway Hills: Symbolism in 'Hills like White'" Elephants. Studies in Short Fiction. 17.1 (Winter 1980): 75-77.
Through his endless amounts of pestering, he never finds a way to get his desire and true feelings across to the young lady and becomes increasingly bothersome because of his inability to convey his feelings. “‘We can have the whole world,’ the American declares. ‘No we [cannot],’ Jig retorts. ‘We can go everywhere.’ No, we [cannot].
There is a common theme in “Hill’s like White Elephants” and “The Birthmark” of a life altering decision. Both women are thinking about having an operation that will affect them for the rest of their lives. In “Hill’s like White Elephants”, Jig and the American are debating whether or not they should have an abortion. This decision is something that will affect both of them deeply throughout their lives together. By the way the two characters interact with each other the reader can deduce how important they feel the operation is. There seems to be a tension in their sentences with each other. Jig says things like “Everything tastes of licorice. Especially all the things you've waited so long for” and “That's all we do, isn't it-look at things and try new drinks” (Hemingway 841)? These responses to the American show that Jig is in a distasteful state of mind which would most likely stem from her thoughts about the operation and what they will do in regard to it. Because these thoughts of the operation are affecting her socially, it shows just how important the operation is to her. How Jig interprets the scenery around them while they are discussing the operation also suggests the importance ...
Hemingway provides the reader with insight into this story, before it is even read, through the title. The girl in the story mentions the hills that can be seen from the train station and describes them as looking like white elephants. Jig is at a crossroads in her life, accompanied by her partner. She is pregnant and cannot decide whether to choose life for the baby, or to get an abortion. Throughout the story, she experiences persistent uncertainty over what she wants to do with her life. Whatever decision she makes will have a drastic impact in her later years as a woman. While seated at the bar inside the train station, the girl says, “The hills look like white elephants” (Hemingway). The hills that are spotted in the distance directly parallel the decision that Jig must make. Critic Kenneth Johnston was recorded stating, “A white elephant is a rare pale-gray variety of an Asian elephant held sacred by the Burmese and Siamese. The girl’s reverence for life is captured by this meaning of the phrase.” Johnston also says, “A white ...
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
The story "Hills Like White Elephants" is a conversation between a young woman `Jig' and an American man waiting for a train at a station in Spain. The author never names the topic of their discussion but as their dialogue progresses; it becomes evident that Jig is pregnant. The man wants Jig to abort the unborn child but she is unconvinced and wants to become a mother. Hemingway has brilliantly written the story's dialogue which "captures the feel of a private conversation while at the same time communicating the necessary narrative background" (O'Brien 19). At the end of the story, it is unclear as to what decision has been made; however, Hemingway gives the reader several clues regarding what Jig feels, and what she wants to do. Jig's private thoughts are illuminated by Hemingway's description of the setting, the character, and the conflict. Stanley Renner suggests that, as a result of the couple's discussion, "Jig has become able to make a more clear-sighted estimation, and perhaps a better choice, of men" Wyche(59). The couple's inability to communicate effectively their true thoughts and emotions makes their dialogue very appealing. The story examines the gender differences and miscommunications as they influence the decision whether to abort the unborn child or not (Smiley). In his book on Hemingway, published in 1999, Carl P. Eby points out that "[f]or the past two decades, Hemingway criticism has been dominated by a reconsideration of the role of gender in his work" (Bauer 125).
In the story, "Hills like White Elephants" written by Ernest Hemingway, the main character Jig faces a life changing event, abortion. The struggles with the complications of abortion concern and desire Jig to want to keep the baby. Bringing a new life into the world is a long time commitment and it is something Jig feels she can treasure forever. However, her companion attempted to persuade her in another direction, to proceed with the abortion. As naïve as he is, he feels his persuasion can overcome Jig's desires. Jig is a sarcastic yet reserved woman, who desires to bring a new life into the world, even if her companion does not approve; she knows what is best.
Hills Like White Elephants, written by Ernest Hemingway, is a story that takes place in Spain while a man and woman wait for a train. The story is set up as a dialogue between the two, in which the man is trying to convince the woman to do something she is hesitant in doing. Through out the story, Hemingway uses metaphors to express the characters’ opinions and feelings.
In Ernest Hemingway’s “Hills Like White Elephants” the character Jig is submissive to her counterpart The American Man, who is encouraging her to have an abortion. While Jig is not sure what she wants, she does not wish to press the subject of the operation because The American Man is intent upon persuading her to go through with the procedure. Throughout this story Jig’s helplessness, indecisiveness, and her lack of education become apparent, although by the end of the story she becomes confident, decisive, and ultimately takes back control of her decisions and life.
---, "Hills Like White Elephants." The Short Stories of Ernest Hemingway. New York: Charles Scribner?s Sons, 1953. 273-278.
Throughout Hills Like White Elephants, the American refers to his girlfriend only as Jig (which is a device used for measuring whiskey). This nickname implies that he sees her only as an object; a companion to his wolfish self-gratification. The name in itself is an epithet for the bibulous and carefree lost generation lifestyle on which the two indulged. By leaving the American nameless, Hemingway endows the character with strength in anonymity. He is not concerned with his health, life or future and is only preoccupied with his present existence and the preservation of what he considers to be pleasurable to him alone. This gives the American the upper hand over Jig; thus exhibiting his dominance. Although she so desperately wants to move on from this lifestyle and start a family, she does not want to lose the man she loves. Therefore she is willing to postpone her transition into womanhood so as not to ruin the romantic connection she feels exists between them.
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.