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Characteristics of hamlet and oedipus rex ppt
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Comparison of Oedipus and Hamlet
Compare and contrast Oedipus and Hamlet. Is Oedipus more a man of action? Or is he more a man driven by whim and sudden, rash decisions? Which character is more selfless? Does Hamlet show any signs of selfish motives in his actions or inactions? Which protagonist seems more learned? wiser? more religious? more loving? more incestuous? Which seems to be a better murder investigator? Does Oedipus have any of Claudius' motives when he kills the king, Laius? Then which murderer is more blameworthy--Oedipus or Claudius?
Different men in different eras: los41183 said in 2000: "It is hard to compare two men with such obvious religious and moralistic differences. Oedipus grew up in the time of the Greek gods, gods who set their examples through destruction of the titans, incestuous marriages with siblings, and rash actions that changed the way their followers lived. Hamlet, on the other hand, grew up with strict Catholicism shaping his conscience. He followed that conscience to the letter, allowing for the lengthy period in between the revelation of the ghost to the actual bloodbath in the closing scenes.
This lapse is what sets the differences between Oedipus and Hamlet, for as soon as Oedipus had the truth fully revealed to him, he acted, rash as his actions may have been. By far, Oedipus is the more thorough of investigators, but this is due mainly to his hubris that will not allow otherwise.* Hamlet took his time to trap Claudius into admission of guilt, whereas all of Thebes knew that Oedipus was on the lookout for a murderer.
The quiet, pensive nature of Hamlet versus the vainglorious outrage of Oedipus is the key to the debate over whether the actions both men take are selfish or selfless. This is a debate that is not answered easily and fully deserves further thought. When discussing which of the murders was the worst, that of Claudius comes to mind first. After putting thought into the mass murder of Laius' caravan, though, that thought is taken back. Which truly is worse, premeditated regicide or heat-of-the-moment "road rage" (the original road rage at that)? As a usurper of throne and wife, Claudius is the ultimate familiar turncoat, but as a guiltless killer of men who would not let him pass on a road, one must wonder if Oedipus has a conscience at all. One can suppose that this, again, is the result of r...
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...s still very young. Oedipus, after ruling a kingdom for ten years, was the wiser man. Oedipus was the more religious man, also, a product of the Greek society. Oedipus never really spoke of love, while Hamlet was a very passionate individual. Hamlet was definitely more incestuous; Oedipus was not aware that Jocasta was his mother.
"I think Oedipus was the better investigator, but only because Hamlet didn?t really investigate. The ghost of his father told him what happened; Hamlet just had to prove it. Oedipus did not have any of Claudius? motives; he did not conspire to commit murder; it was a chance encounter on a road where his anger got the best of him. Claudius is much more blameworthy for conspiring to kill his own brother, just to gain the throne."
Responsibility: jy717 (1999) wondered "1) to what extent is each tragic hero responsible for his own downfall? 2) to what extent does each hero take responsibility for his actions?"
Disgruntled Reader (1999) offered these comparison-contrast questions:
? How can the ending of the two plays be considered positive ones?
? To what degrees are Oedipus and Hamlet victims of fate? Of hamarita (fatal character flaw)?
Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
Throughout the centuries, from Ancient Greece to the 20th century, though much has changed with the times, the basics of tragedy have not been altered - the tragic hero does something and is destined to die.
Both Oedipus and Hamlet are tragic heroes because they contains all the characteristics needed to be considered one. Hamlet is a prince that had to see his mother get married again after his father unexpectedly died. A ghost appears around the castle and he claims that he is the king. He also tells Hamlet that he was murder which causes Hamlet to become skeptical. In order to confirm what the ghost says he conducts some investigations. It’s through a play, “The murder of Gonzago,” that Hamlet is able to confirm that what the ghost told him was completely true. After Hamlet discovers this he has to decide whether to bring an end to Claudius or let him be. One can consider this to be one of Hamlet’s biggest flaw. Hamlet shows his indecisive side. Hamlet can’t make a decision quickly which eventually leads him towards his defeat and also the suffering of people he is close to. “To be, or not to be” (Shakespeare 1750). A famous quote from Hamlet, but what does it mean? The quote comes directly from a Hamlet’s speech on whether it is better to be alive or dead. Hamlet goes on and on like a broken record discussing if death is the most appropriate thing
..., yet both of them are almost the same. Hamlet meets his end with revenge, and Oedipus meets his downfall with his curiosity. One thing absolutely common between them they are tragic heroes. They differ and relate, but one thing is certain, and that is they contain all five characteristics that define them. Tragically in the end, both men are fated to suffer for their reaming lives, which will end with their own dramatic deaths. Oedipus and Hamlet perhaps they are not completely different.
Even though Oedipus may be the hero, he is also selfish and ruthless. One example of his ruthlessness is when he meets Laius at the place where the three roads meet. Instead of letting the older man pass, he makes a scene, why should he be the one to move? He is royalty. He believes that he should move for no man. He is also selfish in the fact that when Teresias enters and gives Oedipus the clues that tell him that he has killed Laius, he refuses to believe him, to the point of insulting him, and kicking him out.
Despite the fact that Hamlet was uneasy with Claudius’ gain of power prior to encountering his father’s ghost, it didn’t cause him to act impetuously. Aware of the grave situation Hamlet decisively chose his methods to discover whether King Claudius was his father’s murder.
Oedipus is a hero, as defined by Johnston. According to Johnston, ‘a hero is someone who confronts fate in a very personal manner and whose reaction to that encounter serves to illuminate for us our own particular condition’ (Johnston, Part 2). Oedipus definitely confronts fate in a personal manner. Among other things, he challenges the mysterious qualities of fate by pursuing the Shepherd despite warnings from Jocasta (Sophocles, 71). Oedipus follows through on confronting fate with his individual approach of uncompromising persistence and integrity (Johnston, Part 3). Even at the end of his downfall, Oedipus maintains that Kreon should banish him and that he must obey the curses he himself ordered for the murderer of King Laios (Sophocles, 89-90). Despite being so broken and publicly shamed, Oedipus still persists with his former way of interacting with fate : noble defiance (Johnston, Part 3). Although this quality itself is admirable, Oedipus takes uncompromising to the extreme, losing insight on everything else. Oedipus becomes ignorant to his surroundings, leading to his downfall (Johnston, Part 3). Oedipus’ story also challenges the fundamental belief that life should be rational and just. (Johnston, Part 3) His story illuminates that fate is arbitrarily cruel and will sometimes pick the gre...
The Oedipus complex refers to the thoughts some men have regarding their mother or maternal figures. Many scenes from the play can prove Hamlet did have these thoughts about his mother, such as acts one and three. If the reader knows what he or she is looking for, then these signs can be easily spotted. The story of Oedipus Rex is an ancient myth of a sick and diseased land, which can only be saved by the death of the hero. Hamlet’s situation seems to fit this description well. Harold Fisch feels that the sickness in the state of Denmark has takes over inside Hamlet, (173 – 174). As in the story of Oedipus Rex Hamlet must die so that eventually health and fertility will be restored in Denmark. Denmark is in a state of disgust and corruption. When hamlet and Claudius are killed, no longer will there be corruption and incest, everything will be back to normal. Claudius’ evil deeds and Hamlet’s sick thoughts will be extinguished once for both of them are dead.
Oedipus is the better person of the two. He becomes king by saving the city of Thebes from the Sphinx, a very noble deed. Macbeth helps to save Scotland but is only one soldier in a huge army that fights off the attackers. Oedipus shows pride by thinking that he alone can save the city from the plague, but he wants to save the city, and he has the citizens first in his mind. Oedipus addresses the citizens:
In the play Hamlet, by William Shakespeare, the protagonist, Price Hamlet, uses several ways to defend himself against his oedipal desires, his animosity towards his uncle, as well as his own inner conflict . Hamlet's hatred towards Claudius stems from two crimes committed; Claudius' murder of his brother and his incest with Hamlet's mother. Because of the seriousness of both crimes, as well as the fact that both persons affected are closely related, there is evidence of an interrelation between both of the crimes; which can further explains Hamlet's reaction. Following his father, King Hamlet's death, his mother, Gertrude proceeds to marry his Uncle Claudius; this causes a surge of Hamlet's oedipal desires towards his mother. Hamlet attempts to reconcile his incestuous urges using his relationship with Ophelia. Furthermore, his need for vengeance for his father's death causes Hamlet to experience great anger towards his Uncle; Hamlet incorporates the Oedipus Complex in his revenge against his father's murderer, who is presently his mother's husband. At the same time, Hamlet experiences an inner conflict. He is torn between his duty to avenge his father's death and his inability to kill his uncle; which can be seen in relation to his Oedipal Complex as well.
Both Claudius and Hamlet are similar in many ways. They both have trouble taking action and are very indecisive. This can be seen when Claudius wants to pray and repent for his sins but has trouble praying because he does not want to give up everything that he has gained from that sin. He refuses to let everyone know that it was in fact him that killed the king and deal with the consequences that would follow, like him losing the power and respect he gained from being king. This indecisiveness can also be seen in Hamlet when he has trouble deciding whether to avenge his father’s death or if Claudius even killed his father. Even though the ghost of his father came to him and told Hamlet that Claudius poisoned him to take his position as king, Hamlet has trouble acting
Claudius caused all kinds of trouble and unneeded deaths to the Kingdom of Denmark. Sometimes jealousy can take over the willpower of a person and turn them into a monster. Once they decide they want to be forgiving and regret what they have done its way too late to turn back. Murder of a King is one thing, but murder of your own brother is the worst. By not killing King Hamlet, and just being the person he was created to be would have saved him and his kingdom a lot of death and hurt.
.... This creates indecision in both Faustus and Hamlet, whether to repent or not, should I kill the king or not, what if the ghost was a daemon in disguise, what if the devil actually intends to rip me apart if I repent and turn to the path of righteousness. This in turn provokes both characters tragic flaw procrastination leading to their tragic deaths. The only difference is Hamlet is surrounded by corruption and faithlessness, while Faustus has brought it upon himself in order to engage in his practice with magic.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.
Once Hamlet learned or even suspected that Claudius murdered his father, he should have prepared for anything. Instead, Hamlet enters a deep personal reflection on morals and what is right and wrong. This gives an opening for Claudius, who says”And for his death no wind of blame shall breathe/ but even his mother shall cunchange the practice/ and call it an accident”. Despite the rather clear evidence Hamlet has gathered of Claudius’ corruption, Hamlet’s lack of action and emotional breakdown opens himself up to easy manipulation. As his madness becomes apparent to all those around him, he allows himself to be sent to England despite the obvious that Claudius is plotting something. He should have known that his enemy knows the truth and fortunately, barely escapes death. As time passes, it’s clear that Hamlet is losing all sense of caution in rationality when he decides to have a fencing match with the man who already tried to kill him. All of the actions taken by both Claudius and Laertes clearly show there intent to kill, but Hamlet becomes obnoxiously trusting. Although being trusting of others isn’t a bad quality, it is definitely not something you want to take up with your enemies. Hamlet’s overall lack of motivation to defend himself becomes too apparent, he had many opportunities to win this war of deception, but caused his own