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Comparisons of 'Cousin Kate' and 'The Seduction
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Compare and contrast Cousin Kate by Christina Rossetti with The
Seduction by Eileen McAuley
Comparison of Cousin Kate by Christina Rossetti and The Seduction by Eileen McAuley
For this essay I have been asked to compare two poems. One from the
era of pre twentieth century and one from the twentieth century. The
poem from pre twentieth century I am writing about is ‘Cousin Kate’ by
Christina Rossetti. The poem from the twentieth century will be ‘The
Seduction’ by Eileen McAuley. These two poems have many similarities,
but they also have many differences. It is pretty obvious that both
these poets have different writing techniques, obviously because they
were written in different eras. These two poems which I will be
discussing have many similarities even though they were written in
different eras one of the similarities is exploitation. In the poem
’Cousin Kate’ the narrator feels she has been exploited by the Great
Lord, because she feels he used her to have sexual intercourse. And in
‘The Seduction’ the young girl is exploited by magazines, and the
young naïve teenager actually believed in what the editors wrote about
perfect stories of romance and she believed after reading this
magazines that it was almost abnormal not to have sexual intercourse.
The author of this poem, Christina Rossetti, begins this poem with "I
was a cottage maiden." This shows us that the narrator is writing in
the past tense the narrator is reminiscing on the past. The narrator
is also writing in first person narrative which creates a bond between
the author and the reader as if the narrator is talking directly to
us.
The next line of this poem starts with “Hardened by sun and air” this
tells us that the narrator is a to...
... middle of paper ...
...Cousin Kate’ it
was disgraceful as being chaste was highly important at that time.
“Shameless shameful” This live is incongruous an oxymoron the
alliteration of the letter ‘S’ also emphasizes the oxymoron.
The next line implies his predatory nature and his desire from the
beginning of meeting the narrator “His plaything” The word ‘plaything’
this word is very emotive word it conveys to us the lord’s true
intentions of using the narrator just for sexual intercourse. This is
also similar to ‘The Seduction’ as in The Seduction the young male
teenager buy’s the girl drinks and encourages her to come to the river
with him “’I’ll take you to the river where I spend the afternoons.”
This line implies that there is only one thing on his mind and that is
not to talk about but to take her chastity as the lord intended to do
with the narrator in ‘Cousin Kate’.
Laura Deeb’s An Enchanted Modern: Gender and Public Piety in Shi’i Lebanon seeks to rectify post-9/11 notions of political Islam as anti-modern and incongruous with Western formulations of secular modernity. Specifically, Deeb is writing in opposition to a Weberian characterization of modern secular Western societies as the development of bureaucracies through social rationalization and disenchantment. Within this Weberian framework Deeb asserts that Shia communities are in-part modern because of the development of beuorocratic institutions to govern and regulate religious practice. However, Deeb makes a stronger argument oriented towards dislodging the assumptions "that Islamism is static and monolithic, and that
...r to say that she loves him; and even, to remove her wooded leg as some bazar display of trust. All before reliving his hollow bible and making off with her artificial Limb
marriage. She was to do just as he said, without so much as uttering a
In the stories “A Rose for Emily” by William Faulkner and “Story of an Hour” by Kate Chopin both women suffer through expectations brought on by society and the ideas of marriage. Emily loses her sanity trying to obtain love and live up to the expectations of society. Emily kills the man she loved so that he would never leave, and so that she could maintain her reputation. She was put on a pedestal, and that pedestal would end up being her destruction. Louise is a woman afflicted by heart problems, which could relate her unhappiness. After losing her husband she starts to feel free; however when her husband walks through the door she dies. Louise was a prisoner of societies making, she was never given a voice. She could never explain her unhappiness because women were expected to love and obey their husband’s without complaints. Marriage to these women meant different things, although the idea of marriage damaged both women. Louise and Emily were women damaged by the pressures of who they are expected to be.
In “The Tell-Tale Heart” by Edgar Allan Poe and “A Rose for Emily” by William Faulkner both main characters are portrayed as irrational and are isolated from reality. The narrator in “The Tell-Tale Heart” murders an elderly man, as he is fearful of the man’s eye. Emily Grierson in “A Rose for Emily” lives secluded from society, until she marries a man, Homer. She ultimately kills Homer in his bed and leaves his body to decompose for many years. Both the narrator in Edgar Allan Poe’s “The Tell-Tale Heart” and Emily Grierson in William Faulkner’s “A Rose for Emily” deny reality so vehemently that they isolate themselves from reality. Their isolation and denial of reality cause both to commit murder.
Comparing Edna of Kate Chopin's The Awakening and Nora of Henrik Ibsen's A Doll's House
Throughout the novels Perfume and Chronicles of a Death Foretold the authors tends to use many literary devices in order to really bring life to the work and keep the reader intrigued. Exaggeration is very apparent in both novels and almost seems excessive, but vivid at the same time. In Perfume Suskind refers to “stench” many times and based on the imagery used in the novel the context gives the word “stench” almost a positive meaning at times. For Example, when Grenouille murders the girl, the way he describes her “sweaty armpits, oily hair, and fishy genitals”, makes the sensation seem like an actual perfume to his nose. The author also uses scent to characterize in the novel. Grenouille who had to apparent sent seemed equal to one with
high reverence. She feels that the laws of the gods should be obeyed above all others,
Another instance of Hermia’s dedication to her chastity and purity as a demonstration of comes in II.
William Faulkner’s “A Rose for Emily,” and Charlotte Perkins Gilman’s “The Yellow Wallpaper,” are two short stories that incorporate multiple similarities and differences. Both stories’ main characters are females who are isolated from the world by male figures and are eventually driven to insanity. In “The Yellow Wallpaper,” the unidentified narrator moves to a secluded area with her husband and sister-in-law in hopes to overcome her illness. In “A Rose for Emily,” Emily’s father keeps Emily sheltered from the world and when he dies, she is left with nothing. Both stories have many similarities and differences pertaining to the setting, characterization, symbolism, and their isolation from the world by dominant male figures, which leads them to insanity.
over his wife as he refers to her as a belonging; it also shows that
A Comparison of Susan Hill's The Woman in Black and M.R. James' Oh, Whistle, and I'll Come to You, My Lad
During the course of the spring semester, as a class, we read and watched movies about fallen women and femme fatale in American Literature. Throughout each piece that we studied, I have chosen a book and a movie that I believe will compare and contrast effectively. We watched a movie in class written by J.F. Lawton called Pretty Woman, a movie that made a tragedy into a love story. This story exposed the life of a prostitute in Los Angeles, California. The prostitute, Vivian, happened to give directions to a rich man because he was lost, which led to her staying the night in his hotel room. The man needed Vivian to be his date on a social outing, which later led to more. On the other hand, during the semester we read a book by James M. Cain titled The Postman Always Rings Twice, a book that verbalized a forceful story. The story was about a girl named Cora, a prostitute who lives in a hash house. Then along the way she meets a man named Nick, whom she eventually marries. However Cora has a discomfort of being around her husband that provided her with a pretty virtuous lifestyle. Her solution to her discomfort creates problems that lead to more threatening problems. The movie and the book were both about women being saved from a place they felt undesirable. One fell in love after prostitution while the other never felt love. Now, with that in mind, The Postman Always Rings Twice is more realistic because Cora’s life explains the outcome of a prostitute that readers can relate to unlike Vivian from the movie Pretty Woman whose life is not a realistic outcome that readers can relate to.
Decisions are made every day, and greater the number of choices, the harder it becomes to evaluate the opportunity cost of a particular option, especially when the outcomes are unknown. Everyone experience a dilemma at some point in life, maybe, critical enough to alter their fates; some regret while others rejoice. Such is the case for the narrator, of “The Road Not Taken” by Robert Frost, who is required to choose his fate. There is deep regret because he “could not travel both” only to settle for the “one less traveled by” (19). Blanche Farley, however, tries to cheat out of regret through her lead character of “The Lover Not Taken;” a companion poem of “The Road Not Taken,” only with a parodistic spin. Although the poems share common features of structure, style and a common theme, there is a distinct difference in the imagery and perspectives in the respective poems.
Although this verse attempts to show the equality of women on the spiratual path, there