Comparison Of We Were The Mulvaneys And Expensive People

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1. In We Were the Mulvaneys, Patrick avenges Marianne’s rape with his form of justice and, from what can be told from the first few pages of Expensive People, there is a hint at justice brought upon the “child murderer”. Does the definition of what “justice” for these crimes are connect between both novels?
2. After tragedy occurs in We Were the Mulvaneys, each character goes through a similar type of alienation. In Expensive People, Richard writes his confession alone, hinting a similar form of alienation. Is this a typical characteristic of Oates’ novels and how does it impact each character’s identity?
3. In both We Were the Mulvaneys and Expensive People, multiple male characters, including Zachary, Abelove, and Richard, lust after …show more content…

Her tone towards the women is positive, particularly as the novel approaches its end with the introduction of Sable Mills, a widow who lives with Corinne, also a widow by the end of the novel. It is too soon into Expensive People to tell whether or not Richard’s mother Nada is portrayed as weak or strong but she does yell at her husband in the beginning when he treats her …show more content…

It also acts as a way for the reader to see into the minds of other characters such as the quickly deteriorating Mike Sr. and the crestfallen Corinne after the changes in her family and home life.
Expensive People is a combination of social satire and gothic horror. The novel is a satire because it reflects on the role of family and how society’s views impact it. It comments on it and exaggerates the flaws. It is gothic horror because it has elements of suspense as well as romance. In this case however, the romance appears to be in the form of an Oedipus Complex, as analyzed through a psychoanalytic lens.
Expensive People begins as a novel of the narrator and main character’s confession to a murder he committed as an eleven-year-old. The narration is first-person and the narrator, Richard, takes a lot of time to explain out each event in deep detail, as was the case with Judd in We Were the Mulvaneys. By employing a narrator that is limited and slightly disturbed, she makes the narrator appear unreliable thus dragging out the confession of who was murdered. This is the classic Gothic horror theme of

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