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Recommended: Adaptation of Hamlet
There have been many adaptations of Hamlet, by William Shakespeare. One of the most known versions is The Lion King. To start, Scar and Claudius kill the Kings in very different ways. Another way is that they are revealed to be the antagonist in other fashions. They also both talked about how Hamlet or Simba had gotten in the way of them having the crown. The last being that they did what they did for two completely different reasons. The characters in the Lion King and Hamlet, Claudius and Scar are both similar but they are also different.
To start, Scar and Claudius kill the Kings in very different ways. To show this, when Hamlet sees the Ghost of his father he is told that he was murdered and that it was not by natural causes, “'Tis given out that, sleeping in my orchard, a serpent stung me. So the whole ear of Denmark
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For example, when Hamlet goes to see the Ghost of King Hamlet he is told of how his father was killed, “Now, Hamlet, hear. 'Tis given out that, sleeping in my orchard, a serpent stung me. So the whole ear of Denmark is by a forgèd process of my death rankly abused. But know, thou noble youth, the serpent that did sting thy father’s life now wears his crown”(I.v.34-40). In this scene, King Hamlet is telling his son, Hamlet, that his uncle, Claudius had killed King Hamlet to become King and that he must get revenge on him. In the early part of the movie, there is a stampede and Mufasa was hanging from a cliff where Scar then throws him off after saying, "Long live the King!”, and when Simba returns to confront his uncle, Scar pins him down and confesses, "Here's MY little secret, I killed Mufasa.” The director shows the reveal of Mufasa's murder in two ways. He shows it to the audience in the first part of the movie and reveals it to the characters in the climax of the movie. The two antagonists both had their reasons for committing such a horrible act to their own
No story is entirely original. Authors, playwrights, and songwriters all pick and choose elements from stories regardless of whether they intend to or not. Some stories mirror those of the past more similarly than others while adding a fresh, new twist. The Disney movie The Lion King contains many similarities to Shakespeare's play Hamlet, some of which are more obvious than others. Similarities in the character complexes of the three hyenas and Polonius's family, betrayal from Scar and Claudius, and the kingdoms deterioration and resolution are a few examples of the likenesses of the movie and play.
Hamlet and The Lion King shared majority of the themes that were found in each story. A theme of revenge was prominent in both the film and the original play as Simba and Prince Hamlet worked towards avenging their fathers throughout the story. Politics can also be seen in both as the stories explain to the viewer/reader that a bad king can mean a corrupt and equally bad kingdom (murders committed by the new kings). Although some harsh themes, family also seems to be mutual in both tales, more so seen in The Lion King. Shakespeare was able to show the reader the importance of family throughout Hamlet, when there is a power-hungry family member, and the rest of the family must stick together to overcome the struggle. The producers of The Lion King do a similar job as they explain the same thing, however also digging into the loyalty of Sarabi for Mufasa. The reason for a greater theme of positivity in the newer film is due to the demographics. The Lion King was primarily a children’s film, thus it required a simpler and happier tone. This also changes the overall plot by reducing the number of deaths and ruling out madness. This tone also affects the number of comic relief moments in the story. In Hamlet, there were only a few moments in which Rosencrantz and Guildenstern were able to lighten the mood of the play by offering comedic anecdotes. In The Lion
The leading roles in each of the stories had a corresponding role in the other. The corresponding characters shared a number of similarities, but it was the ways in which they were different that determined their fate and that of the kingdom. In Hamlet, the prince is Hamlet. He is in deep grieving of his father’s death. He is angry because he believes that everyone has already forgotten how great of a king his father was. Hamlet does not know for sure who is responsible for his father’s death, but he suspects Claudius who is his uncle and the new king. Hamlet decides that if he can convince everyone that he is insane, then maybe he will be able to get someone to tell him more about his father’s murder. In The Lion King, Simba is the prince. Simba’s father, Mufasa, is killed after he falls from a cliff into a herd of hyenas. Simba falls into a deep depression after his uncle Scar twists things around and convinces Simba that he is the one responsible for the Mufasa’s death. Simba can not deal with what has happened and he runs away from the kingdom.
The Lion King and Hamlet. In one film it is “to be or not to be” and the other is “to hunt or to be hunted”. At the surface these two seem to have nothing in common, but when one digs deep he/she can see how similar they are. Yet with all their similarities a few of their characters are written differently. Was it really bad for Claudius to be king? Was Hamlet’s Crusade as justifiable as Simba’s? Was Hamlets plot a reverse of The Lion King? Was their circle of life corrupt from the beginning and was Claudius Mufasa? Hamlet/Simba and Claudius/Scar may be similar in terms of ideology, but different from their results.
The Lion King is a story based around the betrayal of a king by his brother. The brother’s ambition of becoming the king leads to him killing the true and current king. In The Lion King, Scar betrays his brother by killing him to gain the throne for himself. Through Psychoanalytic Theory, it is clear that Scar feels shame because he is not the king and the next in line for the throne is his nephew. This shame eventually leads to Scar betraying his brother because of his ambition.
Hamlet by William Shakespeare is a story about a king that was murdered by his brother and the prince has been asked by his father?s ghost to avenge his murder. The original story line has been altered a few times since it has been written. The original Hamlet the play and the altered Hamlet the movie are shown differently in many different ways. Hamlet the movie with Mel Gibson shows different things than the play, but there are three major differences between the two. The three major differences are in the way both of the productions start out, differences in the scene that the players put on a play, and differences in the way the productions end.
Throughout the play Hamlet is in constant conflict with himself. An appearance of a ghost claiming to be his father, “I am thy father’s spirit”(I.v.14) aggravates his grief, nearly causing him to commit suicide and leaving him deeply disgusted and angered. Upon speaking with his ghost-father, Hamlet learns that his uncle-stepfather killed Hamlet the King. “The serpent that did sting thy father’s life Now wears his crown”(I.v.45-46) Hamlet is beside himself and becomes obsessed with plotting and planning revenge for the death of his father.
"I was raped," the girl said to me overtaken with tears. I was taken by surprise and was at a complete loss for words. She had just taken one of the darkest secrets of her life and brought it out to the splendid light for just me to gaze upon. A little apprehensive, I responded, "I'm sorry." What is one to say at the revelation of such a horrid thing? Anything else I thought of saying sounded stupid and insensitive, so I opted for silence and hugged her to comfort her to the best of my ability. A few months later the girl came to me and thanked me. She said that my gesture meant more to her than anything anyone else had said about the rape. I then realized that sometimes, if not most of the time, actions can speak louder than words. The parts of us that are less vocal, such as our clothing, gestures, facial expressions, etc. can be more impacting than words.
The characters in The Lion King closely resemble the characters in Hamlet. Simba, the main character in The Lion King, embodies Hamlet. Simba and Hamlet are the son of kings and both are the rightful heirs to the throne. “By pairing the play Hamlet with the Disney movie, The Lion King, students discover that both Hamlet and Simba represent the mythical archetype of exiled child whose role is to restore world order and who has an heroic task. Students also realize that they too are unique individuals on heroic journeys.”(Gavin 55) Hamlet and Simba, when he was a lion cub, were banished from their homes. Simba exiled himself because he believed that he killed his own father but, it was in fact his uncle scar that killed him. Hamlet, on the under hand, was sent off to college by his uncle Claudius. Claudius became the king of Denmark after death of Hamlet’s father. Claudius believed that Hamlet played a h...
...e murder of his father, Hamlet Sr. After Hamlet killed Polonius, and stored his body, when first asked of him the location of Polonius' body, and Hamlet replied with a riddle; "The body is with the King, but the King is not / with the body. The King is a thing-" (Hamlet - 4.2.27-28). This riddle strange in itself was evidence to Rosencrantz and Guildenstern of Hamlet's insanity. Once the King banished him to his death in England, Hamlet replied with "Farewell, dear mother." (Hamlet - 4.4.58). Shocking to the King, being his father and or uncle, and Hamlet forgave an explanation to the King of why he called him his mother; "My mother. Father and mother is man and wife, / Man and wife is one flesh, and so, my mother" (Hamlet - 4.4.60-61). Hamlet's mask of insanity had fooled the King, the Queen, Ophelia, Polonius, Rosencrantz and Guildenstern. Though he had fooled these people he always kept a full grasp of reality and his true convictions.
Hamlet is given reason to believe that his Father was murdered. A ghost bearing the “…same figure like the king that’s dead.” (Bernardo 1:1) informed him that the old King’s death was “Murder most foul…” (Ghost 1:5). When Hamlet eagerly inquires as to the meaning of the Ghost’s words he is told that “The serpent that did sting thy father’s life/ Now wears his crown.” Upon hearing this Hamlet immediately knows that his Uncle Claudius, the new king and his new step-father, is the guilty party. A mature person upon hearing news like this would, most likely, also have gone slightly insane with anger. How ever a mature person, upon regaining some control of his or her faculties, would have taken steps to punish the murderer in a just fashion. These steps would have included informing to populace and the Queen of the New King’s treachery against the old. Hamlet does not do this, instead he schemes and plots ways to kill his Uncle as opposed to giving him the opportunity to exculpate himself. Had Hamlet acted with maturity and expressed his concerns about his uncle the lives of many people would have been spared.
The characters in The Lion King closely parallel Hamlet. Simba, the main character in The Lion King, embodies Hamlet, He is the son of the King and rightful heir to the throne. The King of the Pridelands, Mufasa, parallels Hamlet Senior, who is killed by the uncle figure. In The Lion King, the uncle is Scar, and in Hamlet, the uncle figure is Claudius. Laertes, the henchman and right-hand man of Claudius, becomes, in the movie, the Hyenas, Bansai, Shenzi, and Ed. The Hyenas collectively act as hero-worshippers to Scar, loyal subjects, and fellow doers-in-evil. They support Scar completely, just as Laertes supports Claudius. Rosencrantz and Guildenstern are the comic reliefs of Hamlet, and in The Lion King, this role is fulfilled by Timon and Pumbaa, who are a meercat and warthog, respectively. Both sets compliment each other, complete each other's sentences, act as caretakers to Hamlet/Simba, and are comical to the point of being farcical. The role of Horatio, Hamlet's right-hand man, is fulfilled in The Lion King by Nala. Nala concentrates on the aspect that Simba is the rightful King and that it is his responsibility to ascend to the throne. She is his best friend and someone whom he trusts. Just as Horatio loyally follows Hamlet, Nala is completely loyal to Simba. Not only are there ties of friendship, but there is also an element of respect and reverence in both friendships. Horatio and Nala both know that they are friends and loyal followers of the rightful king.
Hamlet’s morals tell him killing his uncle is wrong, and simba feels responsible for the death of his father so he does not want to return home. Another strong theme is revenge and corruption. Both uncles in the stories are blinded by power and go as far as to kill their own family and the only solution both protagonist seem to find is revenge for the murder of their father/parents. One last theme that can be found is justice. Both characters feel the need to take matters into their own hands, which is necessary to a degree, instead of going to higher authorities or seek help from other people instead of acting alone. Hamlet’s notion for revenge nearly drove him insane. Though they do receive some justice in the death of their uncle, Hamlet being the original adult version of the book end with the death of all the royalty family. The Lion King being a movie designed for children ends with the demise of
Michael Almereyda’s movie adaptation of Shakespeare’s Hamlet brings about a new perspective through its performance. The movie adaptation, Hamlet (2000), retells the original play in a modernized setting, bringing out various different elements of characters, which highlights a new reading of these characters as individuals, and a newfangled reading of the play as well. Throughout the movie, Ophelia and Gertrude, the woman-leads, are advanced in a progressive manner compared to the original play. In particular, Gertrude from Hamlet (2000) is noticeably altered from Hamlet, the play. This new interpretation of Gertrude and the play created by the movie adaptation advances the position of Gertrude as a woman, as well as motifs of incest, misogyny,
In Act I scene V, Hamlet is told by his father’s ghost to “revenge his foul and most unnatural murder.” The ghost then goes on to tell Hamlet that as he was “sleeping in my orchard, A serpent stung me” and that “The serpent that did sting thy father’s life Now wears his crown.” Hamlet is told by the ghost to seek revenge, telling him that Claudius has corrupted Denmark and corrupted Gertrude, having seduced her in the foul lust of their incestuous marriage. The ghost urges Hamlet not to act against his mother in any way, telling him to “Leave her to heaven, And to those thorns that in her bosom lodge, To prick and sting her.”