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The role of a narrator
How to tell a true war story analysis tim obrien
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Comparison John Updikes AP and Timothy OBreins How to Tell a True War Story Although the short stories, “A&P,” by John Updike, and “How to Tell a True War Story,” by Timothy O’Brien, are both written in the technique of first person narrative, the two stories are conveyed to the reader in very different styles. John Updike, who was 29 at the time when he wrote “A & P,” narrates his story from the point of view of a 19 year old boy. The narration of the story of “A & P” illustrates the scene of the grocery store in which the teenage boy, Sammy, is a cashier who witnesses everything that goes on during the day. The store is a theater, having numerous skits taking place throughout the day with no script. Sammy is in the audience where he came only observe the acts to make up his own story and narrate the scene to others. Every important detail is observed through Sammy’s eyes and is expressed in the narration of his story of the A & P grocery store. Sammy sets the scene of a sunny, summer beach day in which three young girls dressed in nothing but bathing suits enter the store to buy some snacks for their day in the sand. Sammy is deeply intrigued by the girls and watches every move they make while ringing in other customers at the store. The girls parade through the isles as if they are putting on a show, just for Sammy. This is Sammy’s first live “girlie show” and he doesn't want to miss one single detail. Sammy expresses his excitement and fondness of one particular girl as he conveys the details of the one scene: She has on a kind of dirty-pink -- beige maybe, I don’t know -- bathing suit with a little nubble all over it and, what got me, the straps were down. They were a little off her shoulders... ... middle of paper ... ... voices in the story, one for the part telling the actual war story to the other soldier, and one telling the whole story to the reader; war story and it’s reasons. The paragraph following the descriptive tale of his two buddies fooling around with the smoke grenades suggests this theory. In any war story, but especially a true one, it’s difficult to separate what happened from what seemed to happen. What seems to happen becomes it’s own happening and has to be told that way...The story as a whole was written to share with the soldiers who were there with the added tips guidelines to help them tell their own “true war stories,” and have them be remembered, as well as believed. The graphical depiction of the story is for the fortunate who were not present at the time of the war, who should always be reminded through out time how horrible and unnecessary war is.
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
As the student develops his essay, Sammy begins to compare the girls to other customers in the store. From “houseslaves in pin curlers” to “an old party in baggy gray pants” (2192 ), Sammy negatively characterizes customers in contrast to the leader of the girls, Queenie. To Sammy, the girl is someone that is not from their town. She is everything that every girl envies and wants to be. In contrast to Sammy, she will spend her summer vacationing while he spends it working. It is clear to Sammy that their worlds are different, however it is also obvious that he would like to explore hers.
Interpretation of A & P This story takes place in 1961, in a small New England town's A&P grocery store. Sammy, the narrator, is introduced as a grocery checker and an observer of the store's patrons. He finds himself fascinated by a particular group of girls. Just in from the beach and still in their bathing suits, they are a stark contrast, to the otherwise plain store interior.
John Updike’s “A&P” is a short story about a nineteen year old boy during the 1960’s that has a summer job at the local A&P grocery. The main character in the story, Sammy, realizes that life isn’t always fair and that sometimes a person makes decisions that he will regret. Sammy sees that life doesn’t always go as planned when three young girls in bathing suits walk in and his manager Lengel gives them a hard time, and he comes to term with that sometimes you make bad decisions.
...suade the reader to think or feel a certain way but this in itself is another lie. Telling a true war story is about convincing someone of the inconvincible, to make them believe the unbelievable. That's why a series of half-truths and exaggerations are each a small part of the truth. The truth is an enigmatic cloud, a mystery; at its very core is truth. This truth can never be obtained, only hinted upon. The ideas that make up this cloud are each different yet circle a similar theme, which is the real truth. Some of these concepts may be at opposite ends and completely dissimilar but are each a part of the truth. Therefore each may be independently untrue, but the coalescence of these fabrications is in essence the only real truth.
John Updike wrote the story of “A&P” in the sixties. The story takes place in the A&P grocery store a few miles from the beach, where the main character Sammy, a nineteen-year-old boy works. He is unhappy with his job and finds it to be a bore. He does not even consider the customers in the store as people anymore. He refers to them as sheep. He gets distracted by three teenaged females that enter his job, wearing nothing but swimsuits. Sammy and his male coworker lust after the girls, as they shop. He labels one of the girls as Queenie, because the other girls seem to just follow in her steps. The entire store watches as the girls move about in the store and the onlookers seem to be curious
Like "The Lives of the Dead," it begins with a statement that the rest of the chapter throws into question. "The War wasn 't all terror and violence," the narrator tells us, "Sometimes things could almost get sweet" (31). What follows, however, is a series of vignettes that are anything but "sweet." When a Vietnamese boy with a plastic leg approaches an American soldier with a chocolate bar, the soldier reflects, "One leg, for Chrissake. Some poor fucker ran out of ammo" (31). When the same soldier steals his friend 's puppy, "strapped it to a Claymore antipersonnel mine and squeezed the firing device," he responds with an ironic affirmation of the initiation right of the conventional war story: "What 's everyone so upset about? ... I mean, Christ, I 'm just a boy" (37). Here, the novel renders ironic both the loss of innocence and the "reconsideration" that structure the traditional war story. The positive spin that underlies the war story as a genre emerges here only as a bankrupt fantasy. Thus in "How to Tell a True War Story," the narrator warns, "If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie" (68). Aimed
A true war story is not always true. Some would say a true war story is an experience from war. Others, who came from war, would say they make up stories to make war seem crazier than it really is. Tim O’Brian states that the story is fiction, but the moral is true. Tracy Kidder had written war stories based on his time in Vietnam, and his book is rated as nonfiction, even though he admits that some war stories are made up.
According to the author, Tim O’Brien many a true war story consists of many factors that are unknown to most people. For instance, Tim describes a true war story as that which is not moral. Tim claims that true war stories are not there to encourage ad that if you feel uplifted at the end of war story then that is not a true war story. He gives the example of a soldier named Rat. Rat’s fellow soldier and best friend died while they were playing in the forest on duty and Rat underwent much devastation and shock. In an attempt to seek solace at the death of his best friend he writes to the deceased’s only sister. The author tells us that rat poured his heart out in that letter and nearly broke down while writing it. He tells us how Rat described
In the short story “A&P,” John Updike depicts through his static and dynamic characters a time in society where expectations were beginning to change.
The short story A&P by Updike was started at the A&P store with the main character Sammy. Sammy were checking groceries when he realized the
"The Art of John Updike's 'A & P'." Contemporary Literary Criticism Select, Gale, 2008. Literature Resource Center, ezhc.ez.cwmars.org:4000/login?url=http://go.galegroup.com/ps/i.do?p=LitRC&sw=w&u=mlin_w_holycc&v=2.1&id=GALE%7CH1100068463&it=r&asid=3194017beea1fd53fe0bb271dfa8c631. Accessed 6 Apr. 2017. Originally published in Studies in Short Fiction, vol. 34, no. 2, Spring 1997, pp. 215-225.
In The Things They Carried, he writes, “ Stories are for eternity, when memory is erased, when there is nothing to remember except the story.” (O’Brien 38) Stories last throughout history, through deaths, wars, and centuries. Throughout The Things They Carried he writes it is “dedicated to the men of the Alpha Company” yet on the title page we read: “ This is a work of fiction.” Except for a few details regarding the author’s own life, all the incidents, names and characters are imaginary. The use of fabrication is necessary in order to add O’ Brien’s experience in a manner that is entertaining but still truthful. Sometimes the author has to fabricate to get the reader to really feel what is happening in the story. O’ Brien writes in The Things They Carried, “ I want you to feel what I felt. I want to know why story truth is truer sometimes than happening truth.” The attention he wants to gain from the writing process is an attempt to truthfully convey the lasting images of the war, while still having fictional elements. The effect of fictional elements add the feeling that the readers are present in the war, that even though they may be false stories they make stomachs drop and hearts
“Telling a True war story”, according author to Tim O`Brien, isn’t a simple telling of any tale as it takes a lot for anyone to believe a true war story. It’s more than any person who hasn’t been a war can tell you. O`Brien’s The Things They Carried, tells of a story where during the communist war between newly involved America and Korea’s Ho Chi Mien, these soldiers or young boys are drafted into the Vietnamese war and experience horrible atrocities that can only be defined by a “true war story” in which involves these soldiers carrying more than just literal objects, but as well figurative weight as in friends deaths, stories of enemies, morals, sins and much more. O’Brien’s idea of
From the moment the three girls-"Queenie", "that chunky one", and "the tall one"- entered the supermarket he acted like a normal typical man, Sammy couldn't keep his eyes off them. So much in fact that the girl's were a big distraction, " I stood there with my hand on a box of HiHo crackers trying to remember if I rang it up or not"(421). He watched the girls every movement as if they were the only thing that mattered to him at that time; "…the girls had circled around the bread and were coming back…"(421), "…and then they all three of them went up the cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft-drinks-crackers-and-cookies aisle. From the third slot I look straight up this aisle to the meat counter, and I watched them all the way" (422). The three girls obviously had his undivided attention.