The Infernal Struggle in Dante’s Inferno and Book VI of The Aeneid
Does hell have its own history? For Dante, the structural and thematic history of ‘hell’ in the Inferno begins with the Roman epic tradition and its champion poet, Virgil. By drawing heavily from the characteristics of hell in Book VI of The Aeneid, Dante carries the epic tradition into the medieval world and affirms his indebtedness to Virgil’s poetry. Moreover, Virgil becomes a central character in the Inferno as he guides Dante, the pilgrim, who has no knowledge of hell, through his own historical model. Similarly, the protagonist of The Aeneid, Aeneas, lacks the foresight necessary to make the journey through hell on his own and thus places his trust in the mythological prophet, the Sybil. Because the Sybil and Virgil already have knowledge of the underworld, their characters in The Aeneid and the Inferno are associated with history, both literally through Virgil’s poetry and metaphorically through their enduring wisdom in eyes of the pilgrim and Aeneas. For Aeneas and the pilgrim, however, religious history evolves from an ancient world of paganism to medieval Christianity and these values are transposed onto hell itself--showing that its history changes over time. Furthermore, the living realities that the pilgrim and Aeneas take into the underworld prove unstable when juxtaposed with hell’s slippery and ever-changing ambience. In Book VI of The Aeneid, Aeneas enters an underworld filled with triple-hybrid beasts, sinners, heroes, and a transparent physical reality that foils his warriorlike instincts for conflict and resolution. Likewise, in Dante’s Inferno, the journeying pilgrim witnesses a horrific blurring of life and death, which in this case nega...
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...f. Through the infernal struggle Aeneas and the pilgrim discover the limitations of their mortal realities, and ultimately come to an awareness of their existence as transcendent, spiritual beings against shifting religious, historical, and poetical climates.
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From the mothers and fathers of the daughters and sons in the military to the friends that are left back home when someone enlists and prepares on their journey, this film provides a starting point to influence conversation’s about the sexual violence and injustice prevalent across the DOD. The film speaks out to the audience’s emotions by delivering jaw-dropping statistics all while providing a strong ethical basis of trustworthy resources, interviews, and statistics. This documentary is a great example of how using pathos, ethos and logos to implore an audience to question how the DOD reacts to MST. By combining all these rhetoric appeals, Kirby is able to convince the audience that there is sexual misconduct in the military and there is no evidence to prove that they are doing anything about
Kleiner, Fred, Gardner's Art through the Ages: A Global History, Fourteenth Edition The Middle Ages, Book B (Boston: Wadsworth, 2013), 348.
Virgil. “The Aeneid, Book IV”. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 974-95. Print.
In 1950, President Harry S. Truman implemented discharge policies for homosexual service members in the Uniform Code of Military Justice. This would allow military leaders to discharge any service member who was thought to be homosexual. In 1992, during President Bill Clinton’s campaign, he promises to lift that ban. Not being able to do just that, President Clinton issued a directive referred to as ‘Don’t Ask Don’t Tell’. This stated that no service member should be asked about their sexual orientation. Mackubin Thomas Owens wrote the article “Gay Men and Women in the Military Disrupt Unit Cohesion” in 2009 right after President Clinton was again calling for the end of forcing homosexuals to live in secret. In his article he states that homosexuals living openly in the military will take away from military effectiveness and put the other service member’s lives in danger. Throughout most of the article he uses other resources, polls and opinions on the matter verses clearly stating his own. Most of the resources he uses are military connected or
Homosexuality in the military had been frowned upon back dating since the late 1770’s. Due to fear of reprimand, men and women were able to join the military but did not discuss their sexuality. It was believed that homosexuality was criminalized in U. S. military law. Prior to World War II, there was no written policy barring homosexuals from serving, although sodomy was considered a crime by military law ever since Revolutionary War times (Powers, 2012).
Thanks to courageous women like Stephanie Schroeder and the Tailhook scandal in 1991, sexual assault in the United States military does not carry the same stigma that it once did. Even Congress is “genuinely embarrassed by the extent of sexual assault in the military. It is conduct unbecoming a soldier and also makes recruiting women more difficult” (Rosen). Unfortunately, it is unlikely that sexual assault will be completely stopped. It can, however, decline through laws. Some proposed laws, like reinstating the ban on women in combat roles and Senator McCaskill’s bill, will not effectively shrink the epidemic. But until a proper solution is put into place, sexual assault will continue to permeate the United States military.
...-. Conduct Unbecoming: Lesbians and Gays in the U.S. Military: Vietnam to the Persian Gulf. New York: St. Martin’s Press, 1993.
After the eighteen long years of the “Don’t Ask, Don’t Tell” policy, which limits gays from being open about their sexuality in the military services, was finally brought to its end. President Barack Obama signed the reverse of the “Don’t Ask, Don’t Tell” policy on December 22, 2010. It was also stated that “The services will no longer separate service members under DADT (U.S. Department of Defense). Nevertheless, homosexuals should have the opportunity to serve in the military because the job had nothing to do with anyone’s sexual orientation.
Dante’s initial reaction to meeting Virgil reveals his penchant for the worldly as opposed to the divine. He addresses Virgil humbly, his words dripping with praise. “Are you then that Virgil, you the fountain/ that freely...
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Issitt, Micah, and Geraldine Wagner. “Counter Point: The ‘Don’t Ask Don’t Tell’ Policy of the U.S. Military is a Form of Discrimination.” Points of View: Homosexuals in the Military. 2009: 3. Points of View Reference Center. Web. 31 Mar 2011.
In September 2011, the United States lifted the “Don’t Ask, Don’t Tell” policy (DADT), which restricted gay, lesbian, and bisexuals from openly serving in the military. This was the first time in American history in which people of every sexual orientation could serve openly (“11 Facts About,” n.d.). This was a momentous occasion for some and not so much for others. For those military members that had served in secret and those members that were firmly against gays and lesbians, this repeal had different meaning. Both groups contained members that have served in the military for years and were products of the Former President Bill Clinton’s 1993 “Don’t Ask, Don’t Tell” policy. For many soldiers of this era, communication issues arose due to a pre-existing mentality, learned rules and regulations in services reinforced for two decades and the general cultural within combat related fields.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
As mentioned above, the structure of Hell is determined by the sins people commit during their lifetime (the specific morals people disobey) and how ‘bad’ these sins are considered to be (within their respective divisions). The sins being described in The Inferno abide by the rules written for the Catholic religion in The Bible, which is why The Inferno is often viewed as a religious text. This explains why Aristotle and Dante would disagree on a few key points of what it means to be virtuous. Aristotle is adamant about not having excess nor deficiency and rather finding a middle ground (mean), whereas Dante abides by the virtues laid out in The Bible. Hell usually personifies what would be considered excessive rather than deficiency in Aristotle’s code of ethics because of its background in the Catholic religion. One example of this exists with humility. In the Catholic context, humility stands a virtue that is praised in The Bible (and therefore Inferno) whereas in Nicomachean Ethics humility is a vice to be looked down on. This continues to be the case with many different excesses and virtues for