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Symbolism in the glass menagerie essay
Symbolism in the glass menagerie essay
Symbolism in the glass menagerie essay
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Parallels in the Life of Tennessee Williams and The Glass Menagerie Tennessee Williams is one the major writers of the mid-twentieth century. His work includes the plays, The Glass Menagerie and A Streetcar Named Desire. One theme of The Glass Menagerie is that hopeful aspirations are followed by inevitable disappointments. This theme is common throughout all of Williams' work and throughout his own life as well. It is shown through the use of symbols and characters. "I have only one major theme for my work, which is the destructive impact of society on the sensitive non-conformist individual (Williams Netscape)." Symbols help to show the dreams and desires that the characters long for and also the restrictions that keep them from fulfilling those dreams. In The Glass Menagerie, the fire escape symbolizes the way for Amanda Wingfield to bring a man into the house to save her and her daughter. To Tom, the fire escape is a means of escape from the house that traps him- a path to the outside world (Susquehanna. "New Critical"). Rainbows in The Glass Menagerie symbolize hope and are associated with hopeful situations (Susquehanna. "New Critical.) When Tom Wingfield receives a rainbow-colored scarf at the magic show, he is amazed at the fact it turned a bowl of goldfish into flying canaries. Just like the canaries, Tom hopes to fly away- fly away to escape his imprisonment (Susquehanna. "New Critical"). At the end of the play when Tom looks at the "pieces of colored glass, like bits of a shattered rainbow (Williams 137)", he remembers that he has left his sister behind and prays that he will be able to move on without her. Even though the rainbows appear to be positive signs throughout the book, they eventually all... ... middle of paper ... ...s something they can relate to. His honesty through his writings brings hope to people looking for it. Works Cited Haley, Darryl. "Certain Moral Values: A Rhetoric of Outcasts in the Plays of Tennessee Wililiams." 1997 < http://www.angelfire.com/al/haley002/Proctectus.html > Susquehanna University. "New Critical." Online Posting. < http://www.susqu.edu/ac_depts/arts_sci/english/lharris/class/williams/new.htm > Susquehanna University. "Biographical Criticism." Online Posting. < http://www.susqu.edu/ac_depts/arts_sci/english/lharris/class/williams/auto.htm > "Biography of Tennessee Williams : Playwright, Poet, and Screenwriter." American Decades CDROM 1.0. Detroit: Gale Research, 1998 Weales, Geralt. "Tennessee Williams." Scribner Writer Series, Comprehensive Edition. New York: Charles Scribner's Sons, 1997.
Masson, Davis. Essays Biographical and Critical: Chiefly on English Poets. La Vergne, Tennessee: Lightning Source, Inc., 2007.
...ms." Tennessee Williams: A Collection of Critical Essays. Englewood Cliffs, New Jersey: Prentice-Hall, 1977. 45-60.
Williams, Tennessee. "A Streetcar Named Desire." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 2337-2398.
Bain, Robert, Joseph M. Flora, and Louis D. Rubin, Jr., eds. Southern Writers: A Biographical Dictionary. Baton Rouge, LA: Louisiana State University Press, 1979.
However, politics is not just limited to what most people would consider politics. These same forces that are present in institutions such as Congress are also present in places like the home, school, churches, hospitals, and private businesses. At the core of politics are relationships. When a political candidate is able to connect with voters on a certain level, the bond that is established can mean all the difference between being victorious or being crushed by an opponent.
Tennessee Williams's brilliant use of symbols adds life to the play. The title itself, The Glass Menagerie, reveals one of the most important symbols. Laura's collection of glass animals represents her fragile state. When Jim, the gentleman caller, breaks the horn off her favorite unicorn, this represents Laura's break from her unique innocence.
Kahn, Sy. Modern American Drama: Essays in Criticism. Edited by Willima E. Taylor. Deland, Florida. Everette/Edwards Inc., 1968. 71-88
The Oxford Dictionary gives five different definitions of the meaning of “politics.” One definition is: “activities within an organization that are aimed at improving someone’s status or position and are typically considered to be devious or divisive.” Another definition is: “a particular set of political beliefs or principles.” For a long time, politics has shaped the way that people write and think about life. Politics has been a major influence on literary works, such as Dante’s Inferno, Don Quixote, and Corinne, Or Italy, and in these works you get the chance to understand the political beliefs from the author’s point of view instead of from another character in the novel.
A candidate cannot legitimately compete in modern American elections without being able to finance a huge television advertising campaign. Commercials have become an integral part of our...
Campaigns are a significant part of the democratic process in American politics. Individuals who make decisions individually and interdependently characterize the democratic process. It aids decision making for the citizens and enables them come up with a summary political judgment based on how they view the different candidates. Campaigns are the primary strategy used by candidates and parties to make political communication to the citizens. US political campaigns are informative and provide a chance for candidates to notify their electorate about their ideologies and policies. Through political campaigns, the citizens are able to assess the policies that the...
The author was born in Washington D.C. on May 1, 1901. Later, he received a bachelor’s degree from Williams College where he studied traditional literature and explored music like Jazz and the Blues; then had gotten his masters at Harvard. The author is a professor of African American English at Harvard University. The author’s writing
In politics as in political science and legal scholarship, the world sometimes seems to be divided into those who think that for the sake of efficiency as well as justice markets must be free from regulation by morals and those who believe that, considerations of efficiency notwithstanding, justice demands that morals govern markets. In his instructive and admirably balanced new book, Cass Sunstein contends that, for all concerned, this is a bad way for the world to be divided.
In today’s society, the political views and opinions of people are diverse. We often tend to think that other people’s opinions don’t matter or what we do and say won’t offend others; rather we stick to knowing about our own beliefs and the beliefs of those close to us. It is important to shed away from sticking to what we know, and learn about what others know, being that we live in a world where the political aspect of things is very dynamic. In order to understand the world and how things work, we must first understand each other. Though we do not always have to agree with the next person, it is extremely beneficial to actually listen to what others believe in, without debate. We may even learn more about ourselves through thought provoking,
In traditional and modern societies, politics tie into each other. In traditional societies politics were a different system. Some examples of this are: chiefs in tribal villages, pharaohs in ancient Egypt and kings, and queens in a number of other countries. These people who were in power at the time had complete control over everything. In a modern society, we still have a royal bloodline with kings and queens ruling, however, their powers are not as great as they once were. I agree with modern politics because it gives people more of a say in what happens to their city and country. Politics in modern societies have drastically changed because it has taken many different forms. The biggest change with politics is democracy. Democracy gives
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.