“Young Goodman Brown” compared to “The Ledgend Sleppy Hollow” In writing, two authors can approach similar subjects from different point of view , but by doing so they make divergent short stories. An example of this is seen in Nathianal Hawthrone’s short story “Young Goodman Brown “ and Washington Irving’s “The Legend Sleepy Hollow”. These two authors both used witches, witch craft in their short stories, but interperted in two different ways. Let us explore their similiiaries.
In Hawthrone short story , “Young Goodman Brown” was on a excursion into the forest near his home. Before he left for his excursion his wife faith asked him not to leave her in the nght. Brown told his wife that he must go and everything will be just fine,
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Fifteen years separate Washington Irving’s short story “The Legend of Sleepy Hollow” with Nathaniel Hawthorne’s short story, “Young Goodman Brown.” The two share an eerie connection because of the trepidation the two protagonists endure throughout the story. The style of writing between the two is not similar because of the different literary elements they choose to exploit. Irving’s “Sleepy Hollow” chronicles Ichabod Crane’s failed courtship of Katrina Van Tassel as well as his obsession over the legend of the Headless Horseman. Hawthorne’s story follows the spiritual journey of the protagonist, Young Goodman Brown, through the woods of Puritan New England where he looses his religious faith. However, Hawthorne’s work with “Young Goodman Brown” is of higher quality than Irving’s “The Legend of Sleepy Hollow” because Hawthorne succeeds in exploiting symbols, developing characters, and incorporating worthwhile themes.
When one evokes The Salem Witch Trials of 1692, the image that comes to most peoples minds are that of witches with pointed hats riding broomsticks. This is not helped by the current town of Salem, Massachusetts, which profits from the hundreds of thousands of tourists a year by mythologizing the trials and those who were participants. While there have been countless books, papers, essays, and dissertations done on this subject, there never seems to be a shortage in curiosity from historians on these events. Thus, we have Bernard Rosenthal's book, Salem Story: Reading the Witch Trials of 1692, another entry in the historiographical landscape of the Salem Witch Trials. This book, however, is different from most that precede it in that it does not focus on one single aspect, character, or event; rather Rosenthal tells the story of Salem in 1692 as a narrative, piecing together information principally from primary documents, while commenting on others ideas and assessments. By doing so, the audience sees that there is much more to the individual stories within the trials, and chips away at the mythology that has pervaded the subject since its happening. Instead of a typical thesis, Rosenthal writes the book as he sees the events fold out through the primary documents, so the book becomes more of an account of what happened according to primary sources in 1692 rather than a retelling under a new light.
Most Americans probably believe our times are different from Washington Irving’s era. After all, almost 200 years have passed, and the differences in technology and civil liberties alone are huge. However, these dissimilarities seem merely surface ones. When reading “Rip Van Winkle” and “The Legend of Sleepy Hollow,” I find that the world Irving creates in each story is very familiar to the one in which I grew up. The players may have changed, and institutions have mostly replaced roles traditionally taken on by people, but the overall pieces still fit the rural lifestyle of contemporary America.
In this essay in which two stories are going to be compare and contrast about the events happening in these stories. The first story is called “ The Crucible” in which it’s about witchcraft and took place in a Puritan community of Salem, Massachusetts, in 1692. The other story is called “ The dying girl that no one helped “ this story is about a girl in New York City borough of Queens that was murder on march 13, 1964. These two stories have similarities and differences in which people could have made a difference but prefer to remain silent.
Witchcraft is said to be the most widespread cultural phenomenon in existence today and throughout history. Even those who shun the ideas of witchcraft cannot discount the similarities in stories from all corners of the globe. Witchcraft and its ideas have spread across racial, religious, and language barriers from Asia to Africa to America. Primitive people from different areas in the world have shockingly similar accounts of witchcraft occurrences. In most cases the strange parallels cannot be explained and one is only left to assume that the tales hold some truth. Anthropologists say that many common elements about witchcraft are shared by different cultures in the world. Among these common elements are the physical characteristics and the activities of supposed witches. I will go on to highlight some of the witch characteristic parallels found in printed accounts from different parts of the world and their comparisons to some famous fairytales.
“The Wonders of the Invisible World”, written by Cotton Mather, is an account of the Salem Witch Trials. He retells information that has been passed down to him without actually being present at the trial and simultaneously explains his theory to why witches were suddenly emerging in Salem, Massachusetts. There were quite a few holes in the Salem Witch Trials, especially regarding whether or not these events occurred the way they are said to. Mather’s book shows us how intense the Puritan ideals were, attaching anything out of the ordinary to a higher power and in doing this shows the flaws of the religion which caused to Salem Witch Trials.
In Raymond Carver's 'The Bath' and rewritten version of the story entitled 'A Small, Good Thing', the author tells the same tale in different ways, and to different ends, creating variegated experiences for the reader. Both stories have the same central plot and a majority of details remain the same, but the effects that the stories have upon the reader is significantly different. The greatest character difference is found in the role of the Baker, and his interaction with the other characters. The sparse details, language and sentence structure of 'The Bath' provide a sharp contrast emotionally and artistically to 'A Small Good Thing'. In many ways, 'The Bath' proves to have a more emotional impact because of all that it doesn't say; it's sparse, minimalist storytelling gives the impression of numbed shock and muted reactions. The descriptive storytelling of 'A Small Good Thing' goes deeper into the development of the characters and although it tells more story, it ends on a note of hopefulness, instead of fear or desperation. Each story has it's own magic that weave it's a powerful. When compared to each other the true masterpiece of each story is best revealed.
Mappen, Marc. Witches [and] Historians: Interpretations of Salem. 2nd ed. Malabrar, FL: Krieger, 1996. Print.
The book begins with a brief history of the colonial witchcraft. Each Chapter is structured with an orientation, presentation of evidence, and her conclusion. A good example of her structure is in chapter two on the demographics of witchcraft; here she summarizes the importance of age and marital status in witchcraft accusations. Following this she provides a good transition into chapter three in the final sentence of chapter two, “A closer look of the material conditions and behavior of acc...
The author wrote about this specific subject because of his profession, where he lives, and to clarify any confusions about the actual events of the Salem Witch Trials. The author wrote about the specific people and places mentioned in the book to establish the events of the trial through more than one point of view. By using an unprecedented format for writing, and by retelling the accounts of different people, places, and how they compare, Baker established a sense of confident understanding for his readers to
Goodman Brown in the short story “Young Goodman Brown” by Nathaniel Hawthorne goes on a journey into the woods to meet a stranger which ultimately changes his life. His blind faith in his religion makes him believe that all people are good. Goodman Brown is a trusting, naive man in the beginning if the story but witnesses a witch ceremony that changes his personality drastically. Seeing his family and his neighbors taking part in the sinful act changes his outlook on life and his outlook on their personalities as well. Brown’s blind faith in people and his naivety make the shock of what he sees in the woods turn him into an untrusting, paranoid man.
Commentary on the Works of Washington Irving, 1860-1974. Ed. Andrew B. Myers. Tarrytown, NY: Sleepy Hollow Restorations, 1976. 398-411.
“The Legend of Sleepy Hollow” by Washington Irving is the classic ghost story. In which, Irving creates a connection between paranormal and human characters. Irving does this by both giving a literal description of the two and their interactions, and using a distinct narrative and writing style to convey his points. Using these key elements and literary devices helps describe the characters of Sleepy Hollow and their superstitious ideals of the supernatural.
In conclusion, Charles Brockden Brown’s illustration of a relationship between perception and knowledge exists not only within his novel, but can be extended to the climate of the day and represent a genre that is wholly ‘American’. The dialectic aims to show the movement from sense to perception to knowledge and where there might be holes in a first person narrative and throughout Wieland. Brown also aimed to create a novel that would provide a framework for other American gothic novels, and he would go on to do so, inspiring gothic writers such as Edgar Allen Poe to pull on the aspects of the novel.