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Symbolism in a streetcar named desire
The streetcar named desire compare
The streetcar named desire compare
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Recommended: Symbolism in a streetcar named desire
DeAsia Richardson
MP #1
2/28/18
Truth before anything
The play Death of a Salesman by Arthur Miller is about a dysfunctional family determined to live the American Dream. A Streetcar Named Desire by Tennessee Williams is about a delusional woman and how her lies lead her to the mental institution. In Death of a Salesman and a Streetcar Named Desire examine insanity and hallucinations through Willy Loman’s and Blanche's fear of the truth and confronting it, the use of music, the light and the stockings as reappearing symbols and not to mention how the characters respond to it. The author justify that denying the truth will lead to lunacy, affecting not only you but, others as well.
Willy Loman from Death of a Salesman, fits the theme
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of madness perfectly. Loman is a traveling salesman in his sixties not aware of his mental disorder. “No it’s me, it’s me. Suddenly I realize I’m going sixty miles an hour and I don’t remember the last five minutes.” (Miller 4). Willy forgets things and experiences several hallucinations throughout the play. Willy knows there’s something wrong with him but he’s in denial. He continues to lie to himself and loved ones. This denial contributes to his insanity making it difficult to distinguish the present from the past. Loman constantly crashing his vehicle suggest or indicate that he’s contemplating suicide. Willy is not only hurting himself but, the people around him as well. He has moments where he can be verbally abusive to Linda, Biff and Happy. His episodes make him aggressive and unaware that he is hurting anyone. His family is just worried sick about him and his condition is only getting worse. His denial is beginning to be too much for him and his past does not help him either. All the lies Willy told about his job and mistress are starting to unravel affecting his mental state. Sooner or later he’s going to break. In a Streetcar named desire, Blanche Dubois is a middle aged woman who have struggled an abundance amount of pain since the death of her husband. “He’d stuck the revolver into his mouth, and fired so that the back of his head had been blown away!” (Williams 115). Blanche witness the love of her life kill himself. Seeing something so horrific is bound to mess up anyone’s head. This event in particular broke her sanity with reality. Not only was she lied to and cheated on by her gay husband but, she seen him take his own life. That type of pain can change a person forever. It interferes with a person's trust, the way they love and relationship with others. Not just anybody can recover from something like that. Dubois way of dealing with it is through denial. Lying to herself and others is her way of coping. She rather cause avoidable drama because it is better than facing the painful truth. In result, Blanche’s actions throughout the novel is because of this. Blanche’s imagination stirs up unnecessary problems and trouble. “I don’t want realism. I want magic!” (Williams 145). Dubois is living in a fantasy world. She thinks she’s younger than Stella and that her lies are nothing but the truth. Dubois also kisses the young paper boy as if it was okay. Blanche believes it is acceptable because in her utopia she is not that much older than him. She thinks she is a young beautiful bachelorette, pure and innocent. Dubois still believes she is the person she was before her husband’s suicide. She desires to be that person again. Before the trauma, unfaithfulness and grief. Part of living in this fairyland is her way of taking back her innocence. It is always better to tell the truth.
In A Streetcar named desire, Dubois and Mitch were casually dating based upon the lies told by Dubois. Dubois told Mitch that she was younger than Stella and lied about the reason she was visiting her. As the play continues her lies start to come to light. “I don’t tell the truth I tell what ought to be truth. And if that is sinful, then let me be damned for it.” ( Williams 145). Dubois response for all of her lies, manipulation and deceit was she tells what should be the truth and nothing else. The only truth she is interested in is her version. Later on in the play Mitch tells her that he does not care about her age or her flaws. There was no need for Dubois to deceive him. The truth would have set her free. Mitch would have accepted her despite her appearance. However, due to all the lying Mitch declares Dubois “not clean enough” to meet his mother. What is done in the dark comes to the light. This heartbreak was just the beginning of her break down. Dubois starts to lose it hearing the Varsouviana play in her head. The same song that was playing when her husband killed himself. All of the lies and cover ups her mind made up to protect herself is unraveling causing her psychotic …show more content…
break. In Death by a Salesman, displayed examples of symbolism throughout the play. The hose Willy kept moving and obsessing over represents his thoughts about suicide because he was losing his mind and couldn’t handle it anymore. The family noticed Willy’s fetish with the hose and continued to hide it. Willy’s fixation with the hose may have been his cry out for help. His family knew something was mentally off about him but they were in denial. They chose to believe everything was fine so they didn’t have to send Willy away. They just ignored his episodes and pretended like nothing was wrong. Nobody came to reality until it was too late. Willy had already taken his own life due to his sanity and his imagination. If everyone would have came to terms with the truth maybe things could have turned out differently. In Death of a Salesman, the stockings used by Linda was one of the things that triggered Willy’s episodes.
They reminded him about the time he cheated on Linda with his mistress. “ You just killed me, Willy. You kill me. And thanks for the stockings. I love a lot of stockings.Well, good night .” (Miller 21). The saleswoman loved stockings so she set up an arrangement with Willy. If he brought her expensive stockings in exchange she would put in a good word for Willy with her boss. He tried to cover up and keep this a secret buried because he was ashamed and embarrassed. The woman played him like an instrument and in return he received nothing but guilt. This guilt followed him for the rest of his life. Willy had to live with the fact he cheated the one he loved dearly and stuck by his side through thick and thin. The reason behind the affair was to benefit Willy and his family in the long run but all it brought was chaos. His son Biff walked in on his affair obliterating their father and son bond. The stockings is a constant reminder of the affair that changed their lives
forever. In a Streetcar named desire, Blanche has this paper lantern that dims the light in the room. The light and lantern contributes to Dubois delusion about still being young and beautiful like her sister Stella. “ Now then let me look at you. But don’t you look at me Stella, no, no, no, not till I’ve bathed and rested! And turn that over light off! Turn that off!”( Williams 11). Throughout the play Blanche constantly avoids the light as much as possible. Blanche did not want Stella to notice how much she’s aged. She wants to keep the idea alive that she is just as young and beautiful as she was before. Hiding under dimmed lights helped Blanche believe in her fantasy of still being an adolescent. It is her way of keeping this fantasy alive. Her and Mitch only go out on dates at night. The reason because of this is so he does not noticed how much older Blanche is. In the dialogue and stage directions it says Mitch removed the paper lantern from the light and she gasps. When Mitch did that Dubois was fully exposed to reality. She is not as young as she believes. Mitch would have loved her for herself not her age or looks. Her lies and denial hurt Mitch. He was falling in love with a woman he thought he knew. Mitch was looking for a wife, someone to take home to his sick mother and he thought he finally found her. In the end he just gets his hopes up and heart broken. In both plays, the use of the stage directions contributes to the readers understanding of Willy and Blanche losing their sanity. Blanche hallucinates hearing the revolver used by her husband go off and the last song they danced to before his death. Willy hallucinates about his past interactions with people and imagines talking to his dead brother Ben. They are slowly losing their mind and chose to ignore it. Willy and Blanche’s denial is not only affecting their mental state but, also the people around them. Their mischievous past and deceit will particularly follow them causing needless pain and misery. The stage directions contribute to the symbolism of Willy and Blanche losing their lucidity. It provides the reader with imagery as if they can actually hear the Varsouviana playing or picture Willy talking to himself. All of the symbolism contributes to the authors idea of madness. All of the manipulation, dishonesty, and denial lead Dubois and Willy down a path they could not return from. Their lies added on to their insanity making things worse rather than better. Willy’s condition got so bad to the point his dead imaginary brother persuaded him into committing suicide. Blanche lied tremendously until nobody believed her anymore and was sent to a mental hospital. Their lies and cover ups just resulted in unnecessary chaos that could have been avoided. Willy and Blanche fear of the truth caused pain to not only themselves but, the people around them. What is done in the dark comes to the light. If only Dubois and Willy had chosen to be at peace with themselves rather than live in denial the outcome could have been different. What is done in the dark comes to the light. By the end of Death of a Salesman and a Streetcar named desire, Willy and Dubois only got what was coming to them.
Comparing A Streetcar Named Desire and Cat on a Hot Tin Roof In the game of life, a man is given the option to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link between past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof. "
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
Throughout the play, Willy has hallucinations of his brother Ben, who left Willy when he was young, “Well, I was just a baby, of course, only three or four years old,” (Miller 47), and the man later offered to take Willy with him, but Willy had a dream “There’s a man eighty-four years old-” (Miller 86) and he felt that he was going to accomplish that dream. “Willy retreats into a dream world consisting of his roseate recollections of the past and of fantasies,” (Hadomi), he hallucinates often, and this is a better way of saying he’s delusional. He did not, he failed miserably, he had to borrow money from Charley “If you can manage it-- I need a hundred and ten dollars,” (Miller 96), then he pretended it was a loan from him “I’m keeping an account of everything, remember,” (Miller 96), that he would pay back “I’ll pay every penny back,” (Miller 96), but Linda and Charley knew he was not going to pay any of it back. Willy had a hard time accepting defeat, and he wanted his boys to succeed where he failed, but Biff was always better with physical labor “when all you really desi...
The text from A Streetcar Named Desire and The Glass Menagerie, both written by the renowned author Tennessee Williams, deal with the topics of life's pressures, and the desire to succeed in everything we do. Oftentimes, people place unrealistic expectations upon us and set the bar higher than we can achieve, or even want to reach. People end up developing mechanisms to deal with these stressors and tensions that have been created. We find other unhealthy habits and vices to supplant the reality we are trying to escape, that hopefully will take away this pain and suffering we are experiencing. In both of these plays, the characters are not able to live in their present realities. Two of the main characters are closely linked in their characterizations
The loss of her beloved husband kept Blanche’s mental state in the past, back when she was 16, when she only cared about her appearance. That is why at the age of 30 she avoids bright lights that reveal her wrinkles. Blanche does not want to remember the troubles of her past and therefore she attempts to remain at a time when life was simpler. This is reinforced by the light metaphor which illustrates how her life has darkened since Allan’s suicide and how the light of love will never shine as brightly for Blanche ever again. Although, throughout the play Blanche sparks an interest in Mitch, a friend of Stanley’s, who reveals in Scene three that he also lost a lover once, although his lover was taken by an illness, not suicide, and therefore he still searches for the possibility of love, when Blanche aims to find stability and security.
Throughout the classic American play A Streetcar Named Desire, Tennessee Williams utilizes light and dark to underline the role that deception and disillusionment play in Blanche’s interpersonal relationships. Blanche is a woman in her thirties who retreats to her sister Stella’s home after supposedly losing her own home, much to the disliking of Stella’s husband, Stanley. Stanley seeks to expose Blanche for her promiscuous past. After he reveals Blanche’s affairs with a seventeen-year-old student and a multiplicity of strangers, Blanche becomes increasingly alienated from her family and is eventually sent away to a mental institution. Blanche is a vain individual who displays a strong desire to relive her time as a gorgeous and popular young lady. She refuses to be seen in direct light and by potential suitors unless she is sufficiently dressed and accessorized and has powdered her face. In the 1951 film adaptation of A Streetcar Named Desire, directed by Elia Kazan, the use of lighting, shadows, and point-of-view further
Dubois undertakes the endeavor of using Mitchell as an instrument to encroach upon Kowalski’s dominance by creating a rift between their friendship. Subsequently after realizing Mitchell’s penchant for her, Dubois promptly plays the victim card once again, calling Kowalski her “executioner” and the man who will “destroy [Dubois]” (Williams 93). Therefore, she evokes the notion in Mitchell that Kowalski is a despicable person who commits diatribes against “vulnerable” women of the Old South (Williams 42). Therefore, one can deduce that Dubois seeks to undermine Kowalski’s power whilst simultaneously reciprocating the isolation and pain she has experienced onto others. The love that Dubois professes for Mitch serves as the pretense for her contemptible victimization of those surrounding her; moreover, in her pursuit of what she subjectively considers to be righteous, her moral compass tangentially approaches the lines of depravation as she victimizes Stanley, Stella, and
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
...think that the play is about desire between people and the different ways they can express it, which the title, A Streetcar Named Desire, informs us. Blanche came to town on a streetcar because she was ostracized in her old home as a result of her desires. Blanche had a desire for sex in general to cope with her divorce and the loss of her family; she just needed to feel loved. Stanley expressed his hidden desire for Blanche by being cruel to her through the whole story, and then having sex with her. Mitch showed his desire for Blanche by asking her to marry him. Stella had a desire for Stanley’s love and for Blanche’s well being. The play is a display of the drama involved in families, and it shows that sometimes people have to make decisions and choose one relationship over another. In Stella’s case, she chose her relationship with Stanley over her sister.
Written in 1947, by playwright Tennessee Williams, the play A Streetcar Named Desire opens in the 1940s in the well-known city of New Orleans. Readers are presented with the young couple Stan and Stella Kowalski who live below another young couple, Eunice and Steve. While Stan and Stella manage to maintain a relationship, it is abusive. Stella reunites with her alcoholic sister Blanche, after learning that the family plantation had been lost due to bankruptcy. Blanche, a widow often finds herself in difficult and unforeseen circumstances. Blanche’s poor choices and vulnerability leads to an affair with Stan’s poker buddy Mitch. Coinciding with his abusive nature, Stanley rapes Blanche. No one believes her until the very end, causing her to get sent away to a mental institution. While the play and film were smashing, each had their similarities overall, in regards to setting, plot, and characters while differences concerned narrative technique.
A very important moral lesson that I gained from A Streetcar Named Desire is to always tell the truth. Telling lies ultimately got Blanche Dubois nowhere. She was lonelier than ever at the end of the play. She starts off lying intentionally. For example, she tells Stella at the beginning that the school superintendent, “suggested I take a leave of absence” from her job as a teacher (Williams 14). In reality, the principal fired her for having an affair with a student. It is suspected that she is lying and later our suspicions are confirmed. Even though a reason isn’t mentioned as to why she lies, it is probably to save herself grief from her sister or to possibly keep up her appearance. Towards the end, Blanche says she received a telegram from “an old admirer of mine... An old beau” who invited her to “A cruise of the Caribbean on a yacht” (Williams 152, 153). At this point, she even begins to believe her own lies. She has lied for so long to others and even to herself that she ultimately ends up believing them. When Tennessee Williams shows us through the sound of the polka music and the shadows on the wall what is going on in Blanche’s head, we are left to wonder if something is truly wrong. She even told Mitch that she didn’t lie in her ...
The play “Death of the Salesman” by Arthur Miller, introduced the dramatic story of Willy Loman, a salesman who has reached the end of the road. Willy Loman is a washed-up salesman who is facing hard times. In “Death of a Salesmen,” Willy Loman has been deluding himself over the years to the point he cannot understand what is wrong with him. This leads to the problems with is sons, wife, and career; it ultimately is what ends his life. I believed that the character of Willy 's delusion caused him to fall. While there were many contributing factors to Willy 's demise, his failure to cope with such circumstances and to become trapped in his own delusion is what tears Willy apart from himself and his family. Rather than facing the reality, Willy
Death of a Salesman by Arthur Miller highlights the result of an unfulfilling life through Willy Loman’s pursuit of an unrealistic American Dream and the effects it creates on himself as well as his family. This story has many strong examples which prove the psychoanalytic theory by Sigmund Freud and his concept of the human
Tennessee Williams’ psychodrama, A Streetcar Named Desire, explicates the benevolent yet intricate personality of Dubois Dubois, and dives into the uncontrollable tempest that she physically and psychologically battles. Dubois’ intense desire to reinstate a permanent and devoted relationship with someone into her life manipulates her behavior around people. Her psyche - as a result of the sheer nature of this ruling passion - eventually overflows causing repressed emotions, feelings, and impulses to be freely expressed. Throughout the play, Dubois goes on a rampage to find a new mate – she feels that she deserves another life partner, especially after the death of her first and former lover, Allan. She believes to repay herself by starting
Arthur Miller’s Death of a Salesman criticizes the American Dream and the means some (i.e. Willy Loman) use to achieve the Dream through many different symbol and motifs; however, the title Miller selected for his play is an overlooked aspect of his criticism towards the Dream. He uses the title to build layers of understanding for his denunciation of the American Dream.