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Analysis of sound as a technique in films
Macbeth film versions
Historical phases of theatre
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Comparing Three Video Versions of Macbeth, Act One Scene Seven
The first video version that I am observing, out of the three versions, is a production starring John Gordon Sinclair as Macbeth and Louise Lombard as Lady Macbeth. This video appears to be modern for the time in which the story is set. The second video production I am looking at is a production by the BBC. It was created to celebrate the anniversary of William Shakespeare. It stars Nicol Williamson as Macbeth and Jane Lapotaire as Lady Macbeth. The purpose of the video was purely to create a video version of the whole of Shakespeare's play. The third video production I would be looking at has John Finch acting as Macbeth and Francessca
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This may be used to represent the chilling agreement to go ahead with the murder of Duncan.
In the BBC version, almost all of the lighting is concentrated on Macbeth's face. This may be to help show the language used by Macbeth, and the facial expressions and emotions that come with the speech. It is very open lighting and is mainly shadows even when Lady Macbeth enters. A dungeon effect is given. Upon Lady Macbeth's entrance the light is still focused on Macbeth and his language. This is definitely very plain and even boring compared to the modern version of the video, there is no variation in lighting. It shows no flashes of light or uses any unusual lighting whereas the first version does. It is, overall, the dullest version of the Macbeth video, in the choice of lighting.
The Polanski version of the video consists of a huge variation in the chosen lighting. There is the bright, colourful, interior of the banquet and then are external shots of the castle that are very dark. This contrast is expected in this version of the video for it is designed to be a feature film, so there are enhancements to
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In the BBC version the sound is very quiet. There is some introductory sound from the banquet which helps set the scene. The first version has noise from the banquet all through the speech even if it is only laughter and sound effects. When Macbeth is contemplating what he is going to do, he speaks in whispers not in words like the modern version. This may be due to the fact that he is talking to himself. When Lady Macbeth enters there is a loud, sharp sound which is used to symbolise that Macbeth has been interrupted and disturbed. Macbeth's speech volume increases when he is speaking with Lady Macbeth. Small amounts of background noise can be heard after Lady Macbeth enters but these are low in volume compared to the speech. This is another example of how this version of Macbeth focuses mainly on the play, without trying to enhance it. In this version the sound is quite plain, overall.
Immediately there is background music in Palinski's version. Toward the end it goes louder due to the banquet. The music is standard celebration music expected of the time period; there is also the
This tense atmosphere is given by the fact that they are whispering. This is because it is in the night and they are waiting for any signals that Lady Macbeth is sleepwalking. When Lady Macbeth enters, the mood changes, and her words are short and disjointed. She holds a candle whilst in her night-gown which adds a strange and intimate affect that makes her seem ghostly but also weak as she is vulnerable in her sleep. The scene reaches a peak as she speaks of the murders committed and the words she speak are quite jumpy then the atmosphere becomes tense again as she goes to bed after the doctor says "this is beyond my practice" To add to the atmosphere and mood of the scene Lady Macbeth could wear a long white night-gown; as white is often linked to innocent things, so would show an imagery-based contradiction in terms.
The Lady Macbeth of Rupert Goold’s contemporary interpretation of Macbeth and the Lady Macbeth of William Shakespeare’s Macbeth are different in regards to their character traits and appearance. In Ruper Goold’s Macbeth, Lady Macbeth is depicted as an instrument of evil – a constant figure of fiery wrath. Through dark costumes and makeup, the viewers of the film see her as a morbid housewife, consumed with ambition.
In Shakespeare's Macbeth, various types of imagery are used throughout the play. Five of these images are nature, paradoxes, manhood, masks, and light vs. darkness. In Act I, Scene i, Line 1, the description of "Thunder and lightning" represents disturbances in nature. The witches are surrounded by a shroud of thunder and lightning, which might personify them as disturbances. In Act II, Scene i, the dark night creates a perfect scene for the baneful murders.
As the play of Macbeth is revisited to be viewed by the world again, a Scottish tyrant betrays his friends for power while a 20th century dystopian leader slowly crumbles into insanity. But, the two men are one and the same. Created for two different audiences, the 2015 film adaptation of Shakespeare’s Macbeth and the 2010 PBS TV play adaptation surprisingly bear several similarities and differences. Appealing to a more general audience, the film adaptation holds true to the original play in story, dialogue, and setting. Utilizing astounding settings and other historically accurate elements, the 2015 film starring Michael Fassbender allows Macbeth to flow as a real and thrilling story rather than an old and distant play, as the general public may have thought about the original work. Conversely, the play adaptation was presented as more theatrical and only kept the same dialogue
his face whereas in the BBC's we can see the top half of his body.
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
A quote which really defines Lady Macbeth and Macbeth’s ambition regarding power is “Power does not corrupt men; fools; however, if they get into a position of power, corrupt power” George Bernard Shaw. Lady Macbeth is more ambitious in terms of gaining power then Macbeth is and that Lady Macbeth will do almost anything to gain power, even evil things that she normally wouldn’t do. This is shown when Macbeth and Lady Macbeth learn about the witches’ predictions, then roles in the plans to murder king Duncan in order to gain power and then finally after the murder, Macbeth doesn’t want to finish the plan making Lady Macbeth angry and causing a chance they might get caught and gain no power at all.
Macbeth, the shortest and perhaps darkest play by Shakespeare, is a tale of over-riding ambition, human nature, and supernatural meddling. Macbeth is the main character in the play, and although he begins the story a loyal subject and brave hero, the power bestowed on him poisens and corrupts him until he eventually turns evil and seeks more, to his downfall. As the central figure of the play, Macbeth sets in motion a sequence of events that brings about the destruction and eventual rebirth of Scotland, giving the play an essentially dark tone. There are, however, varying degrees of evil, subtly different in texture and context. One way Shakespeare indicates the styles of evil throughout the play Macbeth is through the use of sounds. Sounds in the play fall under four categories: nature, man-made, the sounds of battle, and human cries.
The Impact of Act 2 scene 2 of Macbeth & nbsp; Act 2 scene 2 is the most violent and intense part of Macbeth, although we do not actually witness the murder of King Duncan. It is interesting that Shakespeare chooses to have Macbeth kill Duncan offstage. We can only guess why he wrote the scene that way, I think that Shakespeare wanted to focus not on the murder but on Macbeth’s reaction to it; the bloody details supplied by the audiences imaginations will be much worse than anything that could be done onstage. It is also the most crucial part of the play; it is the first of many murders. This scene takes place at night; I feel the darkness represents what is unnatural, cruel and evil.
In these two quotes we see that there is a disagreement that continues through the entire scene. Macbeth decides that he does not want to murder Duncan and that is final and that the discussion is over. Lady Macbeth on the other hand feels that Macbeth is being a coward and that he should think about what he is doing before he makes up his mind. Slowly throughout the scene Lady Macbeth convinces Macbeth that he should kill Duncan and he finally agrees. This goes to show that the relationship produces a sense of trust and openness. This is due to the fact that Macbeth listens to his wife and finally takes what she has to say into thought and carries through with it. The function of this is to create a sense of hostility amongst the audience. Everyone can't believe that Lady Macbeth is encouraging her husband to kill someone and it really makes them uncomfortable and shifts there mood of love towards Lady Macbeth to hate. This mood of the audience is highened in Act 2 Scene 2 when once again Macbeth has decided that he is going to stop what he is doing although he had already killed Duncan;
Scene seven begins with a short soliloquy from Macbeth, he says "They have tied me to a stake, I cannot fly, but bear-like I must fight the course." This tells the audience that Macbeth doesn't want to fight, and he doesn't, but later it is revealed that he is very confident to win. The first man that Macbeth fights with is Young Siward. Macbeth soon kills him "for none of woman born shall harm Macbeth." Scene eight follows, with the fight between Macbeth and Macduff.
If a picture tells a thousand words, than imagine the importance of an image upon a play such as Macbeth. In any literary work, it is extremely important that the author can effectively manipulate a reader's feelings towards a character. In Macbeth, that feat is accomplished magnificently by Shakespeare. Through his skillful use of imagery, Shakespeare shows us a deeper look into the true character of Macbeth. Though imagery is widespread throughout Macbeth, it is most dominant in clothing imagery, light and darkness imagery, and blood imagery. Through these images,
When I first watched the two episodes of MacBeth I noticed several differences in the was
Macbeth: Appearance vs Reality? & nbsp; & nbsp; & nbsp; The way people act on the outside and who they really are on may be two totally different things. Some may change because they feel they don't fit in the sand. Others pretend to be something they truly aren't. No matter which. The way you look at it, if you try to act like someone your not, the truth will. always appear in the end. That is exactly what happened in William. Shakespeare's play, MacBeth. Banquo, MacBeth, and Lady MacBeth each project an. image, but as time passes.
In filming my own version of Macbeth, I would choose a traditional route to capturing the essence of Shakespeare’s classic. In keeping with Shakespeare’s idea, I would film the piece in the great lands of Scotland. Using one of the famous castles of the land, I would make the time period somewhere around the 11th century. This means that things will be a little primitive, but historically correct. A re-occurring theme in Macbeth is death so the time of year would be fall, because the leaves are falling, and the plants are dying. The season is considered a time symbolic of dying.