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In a world ruled by men, women take upon their selves to become equal if not above the social standards set by man. It is with this mindset that two influential female writers broke through the barrier set by these principles Virginia Woolf and Charlotte Perkins Gilman. Gilman composed a short story named “The Yellow Wallpaper”, in this story a woman is locked up in a room by her husband so that she may “get better” when ailing from an unknown illness. Eventually she truly becomes ill and turns to the arms of insanity. Virginia Wool similarly writes a short story called “Shakespeare’s Sister”, the plot line consists of the inner workings of a woman’s mind through the process of what it would have been like to be the sister of Shakespeare’s …show more content…
sister and how she would be treated, and the story eventually ends with a tragic death of an underappreciated woman. The writings are similar by the oppression of women by men, the inner thoughts of women, and the including of a tragic death to the protagonist. Firstly, Woolf and Gilman both succeeded in portraying the thought process of a woman’s conscience and sub-conscience.
“The Yellow Wallpaper” begins with a narrative from the point of view of the woman in the story. The form is in an almost journalistic text, which makes the story more personal for the reader, almost as if the woman is telling the story in person rather than someone else describing an event with no insight to the character’s thoughts. However, from the way that she describes things, it is easy to pick up on the distinct physical mannerism of the character. Such as the way she moves and how she touches the walls. Gilman’s approach to the idea of the dissention of the human brain into insanity is eerily accurate. Parallel to this story is “Shakespeare’s Sister”, in which the events going on are imagined by the thoughts of the narrator, almost like a thought within a thought. She accurately describes what her feelings could have been versus what they actually are. By this form of writing, Woolf gives readers a glimpse into a thought that could have possibly only lasted mere …show more content…
seconds. Next, both Woolf and Gilman proceeded to include the details of oppression into the plot lines of their writing.
In “The Yellow Wall Paper”, a women and her husband who has moved to a shabby chic house to improve upon her health is ordered to quit writing. She is put in a room that must have been for children or for playing has sickening yellow wallpaper that could drive anyone to claw at the wall due to its distasteful appearance. Although she tries to get her husband to let her leave the dreadful room, he never complies to relieve her of her minds slow destruction. Little does he know that his inaction will lead to catastrophe due to his lack of accomplishment. On the other hand, in “Shakespeare’s Sister”, it is not the woman herself that is treated so unfairly, but the concept of how she could have been treated. The girl in her thoughts receives the brunt of male superiority just because she was born a female. She would never receive an education, her writing would not be accepted, and she would only be expected to get married and have children all due to the true fact that she was born the opposite sex of
males. Lastly, Woolf and Gilman implemented the use of a tragic ending to extenuate their point of how women are treated. For the ending of “The Yellow Wall Paper”, the woman in the story can no longer take the things she hallucinates as she stares at the wall coverings in her room. Things begin to appear, like faces and bodies, and soon they have voices as well. When all of this ensues, the woman can no longer take it and she tricks her husband into getting the keys and opening the door, she rips off all of the wall paper declaring freedom and her husband faints when she sees what she has done. This is a tragic ending because is literally taking the woman going nuts for the man to pay any attention to her. Contrary to this story, but still the same is “Shakespeare’s Sister”, wherein the woman herself does not end in tragedy, but her thoughts do. In her thought process, she believes that the girl would run away and tries to make a name for her, however she is rejected repeatedly and ends up pregnant and on the streets. The girl eventually is assumed to be lying dead in a ditch with no one to care that she is gone. Clearly, the writings of Virginia Woolf and Charlotte Perkins Gilman are similar by the oppression of women by men, the inner thoughts of women, and the including of a tragic death to the protagonist. Firstly, Woolf and Gilman both succeeded in portraying the thought process of a woman’s conscience and sub-conscience. Next, both Woolf and Gilman proceeded to include the details of oppression into the plot lines of their writing. Lastly, Woolf and Gilman implemented the use of a tragic ending to extenuate their point of how women are treated. To say that these two brilliant writers are anything but similar would be a blatant lie.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
The two societies found in The Yellow Wallpaper and Othello are both patriarchal in nature; the stories themselves take up the issue of women’s oppression in each society. Patriarchy “is defined as the source of women’s oppression and gender inequalities in which men, as a group, dominate women as another group” (Johnson as cited in Ravari 155 ). Male superiority is demonstrated in the two texts in the way female characters serve and obey their husbands, and how the male characters patronize and cause detriment towards the female characters. Although there are similarities in the effects and consequences the women feel, the differences in culture, era and location of the two stories causes a discrepancy in the experiences of the women from
From the minute you read the read the first paragraph until you finish the last sentence, Charlotte Gilman captures her reader s attention as her character documents her own journey into insanity in The Yellow Wallpaper. As her character passes a seemingly indefinite amount of time, it becomes clear that her husband s treatment is affecting her. Gilman is able convey the narrator s changing mental state through language and syntax.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers of children. Only with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension comes from men, society, in general, and within a woman herself. Two interesting short stories, “The Yellow Wall-paper" and “The Story of an Hour," focus on a woman’s fix near the turn of the 19th century. This era is especially interesting
Madness is one of the key themes in “The Yellow Wallpaper” by Charlotte Perkins Gilman. It is presented in a way that makes the work of literature a very diverse short story. Although madness isn’t the only theme, it helps the reader better understand many of the other themes in the story. For example, gender inequality, freedom, and confinement. All of these topics can be analyzed through the idea of madness in the story. When I first read this short story I was looking at it through a narrow view of madness and insanity. However, when I read the story again in another course, it allowed me to look at the other themes in this story and analyze them. Because of this I was able to notice things about the story that I had not encountered before. This is why “The Yellow Wallpaper” became one of the most interesting works I have read this semester.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
Although setting may seem deceivingly simple, it is the setting in “The Yellow Wallpaper” that gives Gilman the platform to convey these complex ideas. The description of the setting reveals that narrator’s inner psychology and allows the reader to examine the struggles the narrator faces with her husband and within. The yellow wallpaper, along with the rest of the room, illustrates the issues people faced being constrained with regards to marriage and treatment of the mentally ill. These ideas wouldn’t have reached the reader if the setting was not as developed as it
The first theme present in the horrific and heart wrenching story is the subordinate position of women within marriage. “The Yellow Wallpaper” begins with the narrator’s wish that her house were haunted like those in which “frightened heroines suffer Gothic horrors” (DeLamotte 5). However, this wish is in essence to empower herself. The narrator is already afraid of her husband and is suffering mentally and emotionally. She desperately wishes for an escape “through fantasy, into a symbolic version of her own plight: a version in which she would have a measure of distance and control” (DeLamotte 6). Throughout the text, Gilman reveals to the reader that during the time in which the story was written, men acquired the working role while women were accustomed to working within the boundaries of their “woman sphere”. This gender division meritoriously kept women in a childlike state of obliviousness and prevented them from reaching any scholastic or professional goals. John, the narrator’s husband, establishes a treatment for his wife through the assumption of his own superior wisdom and maturity. This narrow minded thinking leads him to patronize and control his wife, all in the name of “helping her”. The narrator soon begins to feel suffocated as she is “physically and emotionally trapped by her husband” (Korb). The narrator has zero control in the smallest details of her life and is consequently forced to retreat into her fantasies...
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.
Charlotte Perkins Gilman uses her short story “The Yellow Wallpaper” to express her opinions about feminism and originality. Gilman does so by taking the reader through the terrors of one woman's psychological disorder, her entire mental state characterized by her encounters with the wallpaper in her room. She incorporates imagery and symbolism to show how confined the narrator is because of her gender and mental illness.
In Charlotte Perkins Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, dank room covered in musty wallpaper all play important parts in driving the wife insane. The husband's smothering attention, combined with the isolated environment, incites the nervous nature of the wife, causing her to plunge into insanity to the point she sees herself in the wallpaper. The author's masterful use of not only the setting (of both time and place), but also of first person point of view, allows the reader to participate in the woman's growing insanity.
The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.